The Happenings at GMWA 2009

This year's festivities at the 42nd annual Gospel Music Workshop of America convention is loaded with wonder and lots of stargazing. Of course, since the week long gathering sports a laundry list of worship services, musicals, concerts, live recordings and new artist showcases, we decided to condense some of the big events down to a thread. Hopefully, if you're anywhere near the Cincinnati area during this week, you will find a way to get to one or two - if not all - of our personally selected events.

MONDAY, JULY 27
Intercessory Prayer starts at 8:30 a.m. with the Daily Bread Service starting at 10:00 a.m. An unsigned artist showcase takes place at 4:30 p.m. Midnight musical (let the Praise Continue) takes place at midnight.

TUESDAY, JULY 28
Bishop Paul S. Morton, Sr. will be preaching during the Daily Bread Service from 10:00 a.m.-12:30 p.m. After the service, according to the folks at Light Records, Morton will be signing copies of his new book and CD, Cry Your Last Tear.

A Gospel Announcers Guild (GAG) Showcase and Luncheon will take place afterwards at 4:30 p.m. where Bishop Morton will showcase his latest single and bonus track "Don't Do It Without Me."

WEDNESDAY, JULY 29
The 25th annual National Prayer Breakfast, sponsored by the GMWA Men of Promise, will take place at 7:30 a.m. The guest speaker will be the GMWA chairman Bishop Albert Jamison, with musical selections provided by Lamar Campbell and Chester D.T. Baldwin. The event will also honor a number of GMWA legends including founder Rev. James Cleveland, Rev. Theodore King, Dr. Isaac Whittmon, Bishop Richard "Mr. Clean" White, Rev. Quincy Fielding, Jr., Dr. Charles Fold, Dr. Steven Roberts, Rev. Daryl Coley and Rev. Timothy Wright. Individual tickets are $35.00.

The Tribute to the King celebration, in honor of Rev. James Cleveland, takes place at 4:00 p.m. Youth and young adult forum is scheduled at 11:00 p.m.

THURSDAY, JULY 30
A Who's Who in Gospel will make their way to the Duke Energy Convention Center for the Macy's sponsored-Gospel Festival at 7:00 p.m. Tickets are from $20-$40. Special musical guests include Shirley Caesar, Yolanda Adams, Byron Cage, Kurt Carr, Smokie Norful, Dorinda Clark-Cole, Bishop Paul S. Morton, Dorothy Norwood, Dottie Peoples, Youthful Praise feat. JJ Hairston, the Tommies Reunion Choir and others.

If you're into the Hat & Tea thing, check out the 5th annual Hatter's Tea at 3:00 p.m. The event will honor the musical contributions of Yolanda Adams and the legendary Clara Ward Singers. Individual tickets are $35. For more information, you can call the chairperson Juanita Suggs at 832.231.4590.

Men's and Women's night services takes place at midnight.

FRIDAY, JULY 31
Academic convocation and workshop recording begins at 9:00 a.m. and will conclude at 3:00 p.m.

Footage of Michael Jackson Pepsi Accident

US Magazine purchased the footage to the pyrotechnic accident on the set of the controversial 1984 Pepsi commercial shoot and has since revealed it to the public in order to kill any doubts of the events' occurence. It is noted that Jackson - who suffered second-degree and third-degree burns to his scalp and face - became addicted to painkillers since the accident.

It is pretty sad and horrific to watch. Just letting you know, before viewing the footage, that you have been warned.

Erik Dillard Vocal Clinic: Show Premiere

My good buddy Erik Dillard is doing big things! Some of you may remember him as an indie artist (releasing Great Things and The Basics) and for appearing on Bobby Jones Gospel years ago. Well, he's an excellent vocal technician with a strong background in vocal training, teaching and even music production. He's become a sensation on YouTube with his tutorials and vocal warm-up lessons - even internationally. Recently he posted one of the first episodes of his newly-invigorated Vocal Clinic, which features some neat warm-ups, vocal health specialist Crystal Sellers and a musical appearance from country songwriter/singer Cliff "Crash" Cody. Cool thing about it, it was taped before a live studio audience.

I enjoyed myself. Kinda wished I was there. The audience had fun and the viewers are as well.

Highlights (from me) include Cliff Cody's excellent song selection, that hilarious myth segment and the closing funky tongue twister performance at the end. Somebody is definitely going to sign up that band for a job well-done. And shout-out to the "Sherberts."

And for gospel viewers, the big question arises during the Q&A segment: "Is there a proper and great way to growl when singing?" Check out the videos to learn the answer.

According to Dillard, more episodes are soon to be posted, so be sure you subscribe to his YouTube page and keep checking out for more updates. Live tapings for the Erik Dillard Vocal Clinic will resume this fall.

See two segments of Episode 2 below.

[GET VOCAL ABOUT IT]
Erik Dillard Vocal Clinic [MySpace]
Erik Dillard Vocal Clinic [YouTube]

Madea Actor Terrell Carter Caught in Media Spin

The rumor mill ran abuzz this week when Terrell Carter, a star in Tyler Perry's stage plays and featured actor in the famed Madea movie blockbusters, was outed this past weekend by an alleged ex-boyfriend who posted photos on the Internet featuring Carter and him together. Alex Cortez, the boyfriend, began posting pictures on networking web sites and on his profile pages at Twitter and MySpace while also writing about the scorn of the aforementioned relationship going wrong. In his words, Cortez wrote "Hell yeah i’m angry!…there are fucked up ppl out there no matter how nice they seem to be & it’s their fault, ppl they harm are bitter!"

Since the outing, black gossip blogs, gay news sources and other media outlets including MediaTakeOut, Rod 2.0, Sandra Rose, Advocate and PerezHilton have been lit up with hundreds of comments from Carter's supporters and some of Perry's hardcore fans. Sandra Rose, who reported last year that Carter was suspect, didn't help much when she wrote that "99 percent of the actors in Tyler's movies are gay."

The actor is also an indie soul artist who has released three albums, according to CDBaby. Along with his background in Tyler Perry gospel plays like Meet the Browns and Madea's Class Reunion, Carter was a background singer for Fred Hammond and Yolanda Adams.

No correspondence or a press statement from Carter's camp has surfaced since the rumored allegations hit the fan. Maybe he's hoping all of this will die down until the next Madea movie announces casting calls.

J MATT'S COMMENTS:
Since I have been heavily criticized for running a rumor mill at my gospel e-zine and blog (Keish, hope you're reading this), I wanted it to go on record that this blog entry was only submitted because no other gospel web site won't touch it. I was also questioned by the media about the immediate reaction from the faith community. I personally felt it was newsworthy because other news outlets have covered it and it also raises a lot of questions.

Will Carter press charges against Cortez for defamation of character?

When a gospel-related star is in trouble, why do the gospel web sites choke up?

And when issues of homosexuality arise, why is it the church gets louder and the gospel community goes silent?

These and other issues are bound to make you wonder if we are really being effective in our outreach of Christian evangelism. I hate that Carter is now the victim of a bitter, heartbroken drama-king, but the popular, yet paranoia-like proverb remains a careful reminder to our decision-making. It is also a title to one of Perry's stage plays in which Carter was also cast: "What's done in the dark...shall come to light."

Faith Makes Leaps at MJ Memorial Service

It was indeed a spectacular event designed for a king. Over 11,000 fans converged on Los Angeles at the Staples Center on Tuesday to bid farewell to the King of Pop - Michael Jackson and to pay tribute to his musical legacy. Amongst those who attended and participated in the super memorial service was Los Angeles Laker pros Kobe Bryant and Ervin "Magic" Johnson, Rev. Al Sharpton, Brooke Shields, Rev. Bernice King, Rev. Martin Luther King, III, Smokey Robinson, Queen Latifah and Motown founder Berry Gordy.

Of the services' most memorable performances, Stevie Wonder wowed the crowd with a fitting two-song medley of "Never Dreamed You'd Leave in Summer" and "They Won't Go When I Go." But Wonder's words offered up a wave of inspiration and encouragement when he spoke: "I do know that God is good and I do know that as much as we may feel – and we do – that we need Michael here with us, God must have needed him far more.”

Also, pop sensation John Mayer provided an acoustic backdrop on an instrumental performance of "Human Nature," Jermaine Jackson glowed on the happy-hearted Charlie Chaplin classic "Smile" and Mariah Carey opened the star-studded show with the Jackson 5 hit "I'll Be There." But right after Queen Latifah recited the Maya Angelou poetic tribute "We Had Him," the event took on a radiant quality of spirituality that allowed Michael's star to only twinkle while God was getting all the glory.

Lionel Richie's brilliant display on "Jesus Is Love," a song he recorded with the Commodores in 1980, moved the audience to tears as Richie poignantly expressed his gratitude to God's amazing grace. The song was recently covered as a duet by gospel singer Smokie Norful and Heather Headley.

American Idol finalist and Oscar-winning Jennifer Hudson, who lost her mother, brother and nephew in a tragic domestic shooting last year, electrified the audience with her soulful gospel rendition of "Will You Be There."

R&B crooner Usher effortlessly walked through Jackson's heartfelt ballad "Gone Too Soon." Towards the end of the song after making his way to Jackson's golden casket, Usher was comforted by the Jackson family after being moved to tears.

Smokey Robinson reminded us of God's blessings and reminded listeners that Jackson was a blessing specially designed by God. Towards the end of his remarks, he repeated that "he's not really gone. He's going to live forever and ever and ever."

Shelia Jackson-Lee eclipsed the commentary of the King family with her amazing speech and her introduction of Resolution 600 officially recognizing Jackson as a musical icon, legend and humanitarian. She also reiterated the importance of faith and acknowledged while Jackson possessed a great sea of fans across all aisles of faiths and walks of life that the story of the Good Samaritan from the Holy Bible best described the heart of the late musical giant.

The closing performances showcased Jackson's strong good will ballads like "Heal the World" and "We Are the World;" which culminated with Jackson's farewell tour singers, his family and other celebrities and pop stars taking the stage as one big chorus.

But the opening moments, highlighted with the Andrae' Crouch Singers echoing "Soon and Very Soon" and the pallbearers entering the stadium with Jackson's gorgeous coffin, clearly set the angelic tone for a moving, somber tribute to the King of Pop.

Rumors in the faith community surfaced last week after gospel duo Mary Mary announced on their Twitter page that Michael Jackson accepted Jesus Christ into his life after a recent meeting with gospel legends Andrae' & Sandra Crouch. Afterwards, the Crouchs quickly responded to Charisma Magazine that the entire set of accusations were "incorrect and absolutely not true." During a recent visit with Jackson weeks before his passing, Andrae' Crouch planned to reunite with the pop icon to work on two new songs for a pending album release.

2009 marked the 50th anniversary of Berry Gordy's musical empire of Motown Records. Unfortunately, it also mourned the lost of one of pop music's greatest contributors.

Below is a clip of Lionel Richie's performance at the memorial service of his gospel ballad "Jesus Is Love."

[MORE MJ TRIBUTES]
Michael Jackson Memorial Unites Smokey Robinson, Mariah Carey, Stevie Wonder and More [Rolling Stone]

Unforgettable moments from the Michael Jackson memorial service [Los Angeles Times]

Tributes to Michael Jackson flow in [SoulTracks]

Remembering Michael Jackson [PRAYZEHYMNOnline]

James Fortune Wins ASCAP Gospel Song of the Year Award

New York City - (June 29, 2009) - Co-written by James Fortune and Terrence Vaughn, the sensational gospel anthem "I Trust You" was named the Gospel Song of the Year at the 22nd Annual American Society of Composers, Authors and Publishers Awards. The ASCAP Awards honor songwriters and publishers of the most celebrated songs across all genres. "I Trust You" topped Billboard's Hot Gospel Songs chart for a historic 29 weeks, and claimed the title of the longest running #1 Gospel single.

The star-studded event, which was attended by leading recording artists, songwriters and music industry notable, began with a moment of silence in remembrance of Michael Jackson and his music. James Fortune & FIYA dedicated his riveting performance at the award ceremony to the late King of Pop. A short montage highlighted the illustrious career of Michael Jackson while several award recipients and presenters mourned the great loss. When Alicia Keys accepted ASCAP's Golden Note Award, she thanked Michael for his legacy and said "He went and did from his heart as a genuine and good, blessed artist."

Mary Mary Makes Big Presence at BET Awards

Besides all eyes being glued to the special dedications in memory of the late King of Pop Michael Jackson on June 28's airing of the BET Awards, gospel music lovers were treated with a special stage performance from gospel duo Mary Mary. The two were recently added to the line-up of performers for the award show held at Shrine Auditorium in Los Angeles. They performed their latest radio hit, "God in Me," which included a cameo appearance from actress and rap diva Queen Latifah who filled in for an absent Kierra Sheard.

The L.A. Times covered the events' performances and had this to say about Mary Mary's performance:

Mary Mary: “God in Me.”Foxx introduces Mary Mary as “the new Queens of Gospel,” but they sound an awful lot like standard run-of-the-mill queens of R&B. With a skittering electronic beat, it’s mid-tempo R&B with a smattering of hip-hop. A midpoint appearance from Queen Latifah picks things up, but not by much. C

Mary Mary also took home the BET Best Gospel Artist award. The nominees in that category included Regina Belle, Shirley Caesar, Smokie Norful and Trin-i-tee 5:7.

Gospel Greats Pay Tribute to Obama

Still in celebration mode, the gospel music community proceeds in releasing A Gospel Tribute to President Barack Obama. Distributed through Central South Distribution, the compilation contains new and original material from a heavyweight assortment of artists including GRAMMY-award winner Israel Houghton, Marvin L. Winans, Vanessa Bell Armstrong, pop/blue-eyed soul crooner Michael McDonald, Dottie Peoples, Micah Stampley, Donnie McClurkin and Kelly Price. The lead single, "This Is Your Cue" by Benita Washington, has already been serviced to gospel radio and is making strong strides on the radio charts. The album, slated for a June 9th nationwide release, is currently available for purchase via the Internet at http://www.ilovegospelmusic.com/.



The gospel tribute isn't the first of its kind that pays respect to this historical chapter in American history. Though tons of records and musical tributes have been released since the 2008 presidential campaign in support of Obama, the Hidden Beach collection Change Is Now: Renewing America's Promise stands out as the strongest. The collection, which contains excerpts from Obama's landmark speeches, features performances from Maroon 5, will.i.am, James Taylor, India.Arie, BeBe Winans, Sheryl Crow, Melissa Etheridge, Robin Thicke, Jennifer Hudson and Stevie Wonder with "All About Love Again" (which was performed on American Idol and Ellen). This special collection is available for purchase at: http://www.hiddenbeach.com/love.

View the cute concept video of Stevie Wonder's "All About the Love" from the Change Is Now compilation.

[HAIL TO THE CHIEF]

I Love Gospel Music [Official Site]
Hidden Beach Recordings: Change Is Now [Official Site]

Introducing J. Matt's Attic

BIRMINGHAM, Ala. - A new music-oriented blog, designed by PRAYZEHYMNOnline.com editor J. Matthew Cobb, was introduced this summer. J.MATT'S ATTIC is a portal into the vast music world, spanning decades of multiple music genres including R&B, soul, funk, jazz, disco, gospel and pop. "I felt it was time to introduce to my followers and friends another side of my music tastes," commented Cobb. "It's not all gospel for me - 24-7. There's a world of great music out there and I hope to spark curiosity in those who have never heard some of the great music I've experienced." Some of J.MATT'S ATTIC's features include easy clicks to listen to posted music mp3s which allows listeners to download songs to their computer for their listening pleasure. The blog plans to post new music - from a strong list of veterans and newcomers - and hopes to upload new content each day.

Since its debut in early June, the blog has already posted material from George Benson, Elliott Yamin, the Supremes, K.C & the Sunshine Band and jazz musician Bobbi Humphrey. This year, the blog plans to post additional coverage of Motown classics in celebration of Motown's 50th anniversary.

J. MATT'S ATTIC is just one of J. Matthew Cobb's ventures into mainstream music, since he recently joined forces with SoulTracks.com as a contributing writer. Cobb remains the chief editor of PRAYZEHYMNOnline.com and moderator of its blog, THE PRAYZE Report.

J. MATT'S ATTIC Link:
http://www.jmattsattic.blogspot.com

Oleta Adams Unplugged at PRAYZEHYMNOnline.com

In 1990, she teased us with the pop hit "Get Here." Almost twenty years later, she is still here as she launches her new album Let's Stay Here on the world. With a background of music covering jazz, R&B and even gospel (with the 1997 GRAMMY-nominated Come Walk With Me project), Oleta Adams talks with PRAYZEHYMNOnline.com exclusively about her success, her marriage, the new album and her future plans in both mainstream and gospel music.

To read the two-part interview and to hear new music from her new album, click the following links: PART 1 and PART 2

[OLETA ADAMS UNPLUGGED]
Oleta Adams [Official Website]

Oleta Adams Unplugged [PRAYZEHYMNOnline.com]

Light Announces New CDs from Coko and Youthful Praise

Light Records is prepping for new radio singles and new album releases for 2009 from Coko and Youthful Praise.

Coko, who released her gospel debut and her follow-up holiday project, is gearing up for The Winner in Me. The former lead singer of popular R&B trio SWV is getting big buzz from her first single, "Wait," and expects to make a bigger entrance on the gospel charts later this year on July 14. The album boasts a colorful line-up of special guests including Canton Jones, Kelly Price and Israel Houghton.

Youthful Praise, led by choir master JJ Hairston, is getting ready to release their sixth project Resting on His Promise on August 11. According to early reports, the half-gospel, half-worship offering hopes to merge both familiar styles of Youthful Praise into one project. Recorded earlier in March, the live recording boasted an incredible line-up of guests including Dorinda Clark-Cole, Myron Butler, Deon Kipping, Donnie McClurkin, Stephen Hurd, Bishop Eric McDaniel and Pastor Shirley Caesar. The title cut is already reaching radio and media outlets and is the official kick-off for the choir's national tour beginning this summer. Confirmed dates include performances in Newark, NJ, Cincinnati, OH, Knoxville, TN and Annapolis, MD.

[THE LIGHT IS ON]
Light Records [Official Website]
Coko's Place [Official Website]
Youthful Praise [Official Website]
Youthful Praise [MySpace]

Henry Panion and Kurt Carr Gets $75,000 from BCC

Love come quick/Love come in a hurry/There are thieves
in the temple tonight. - Prince, "Thieves in the Temple"
from the SIGN O' THE TIMES album (1989)

Dr. Henry Panion III, who still serves as a professor and department head in music at the University of Birmingham (UAB), has played with a number of musical greats ranging from pop to R&B to gospel. And when he's not waving his baton over a super symphony, he's orchestrating music set to another tune through his state-of-the-art music studio Audiostate 55 Entertainment, located in the heart of Birmingham, Ala. The forthcoming project from American Idol winner Ruben Studdard even boasts post-production credits at the newly-developed studio. So of course, it makes sense for the city of Birmingham, currently run by Mayor Larry Langford, to invest in Panion's future of music. And they did. Strangely, the investment smells like it went way beyond the expected limit.

In Black & White (Issue Number 369, May 14), a popular local paper, they recalled some of the major requests made for funding approved by the Birmingham City Council. On April 14, Item 42 points to a colossal offering of $75,000 to Audiostate 55 Entertainment to "provide two performances featuring Kurt Carr, Kurt Carr Singers, and a 150-voice choir made up of singers from Birmingham (actually it was a church choir named Faith Chapel Christian Center Choir that provided the background singing) on May 1 and 2, 2009." The event in question was the highly-publicized Gospel Goes Classical II event held at the Alys Stephens Performing Arts Center; located on the campus of the University of Birmingham (UAB).

As the report unfolds, further logistics concerning the allotted donation include "necessary arrangements for the concert performances, including transportation, provide recognition of the City's sponsorship for events, and shall involve Birmingham's student-age citizens at entry level behind-the-scenes creative, technical and marketing activities."

With the global economy reaching a nasty sour note in today's news headlines and the city of Birmingham facing its own share of grim reports including an upcoming trial for the embattled mayor later on this year, $75,000 for an event so small smells suspicious. Considering Kurt Carr's consistent visits to the city over the last couple of years by playing at the annual City Stages festival in 2007 and 2006 and recently hosting a music workshop at a local church earlier this year, there is no way possible that Kurt Carr and his ensemble needed $75,000 for their performances.

If this was a non-profit organization, things would have been a bit more understandable. But to better interpret this sketchy scenario, you also have to question why was this event a ticketed event. Tickets were $25-$45 dollars, according to the Birmingham News. The event was also recorded, like its predecessor Gospel Goes Classical, and will hopefully be released as an album if he can reach a contract agreement with the artists and their respected labels of whom participated. A CD amounts to record sales and profits, which according to Panion, is "like icing on the cake."

Icing on the cake? Hmmm, smells like a party.

In 2007, Panion released Gospel Goes Classical, featuring performances from Juanita Bynum and Jonathan Butler, which went on to become a best-seller on both the gospel and classical charts.

Panion's intentions may be well, but it is hard to understand the scope of such a bewildering offering the size of $75,000. Surely Kurt Carr's honorarium doesn't come close to $10,000...maybe $2,000. So where did all that money go? You do the math.

Guess Prince was right. It made sense in 1989, and it makes sense in 2009....there are indeed "thieves in the temple tonight."

[$$$...SOME PEOPLE REALLY NEED IT]
UAB's Panion follows up popular concert that produced best-selling CD [Birmingham News]

Gospel Goes Classical II [Official Website]
Wrong notes alleged at Gospel Goes Classical [Courthouse News]

Remembering Rev. Timothy Wright

Originally posted on the Rev. Timothy Wright Online Memorial, April 29, 2009

Rev. Milton Biggham best described him during his introduction on the Grammy-nominated Been There, Done That project in 1995. It was probably the first time Rev. Timothy Wright was ever called on a publicly as the "Godfather of Gospel," but the description and momentous honor fit him perfectly. For over forty years, Rev. Wright had created a sound all together his own - chiseled into a mold designed after the Brooklyn sound along with the urban dynamics of George Clinton’s funk and the soulful, raw energies of James Cleveland’s gospel. With gospel forefathers Rev. Isaac Douglas, Bishop F.D. Washington and the legendary Institutional Radio Choir providing the soundtrack for his upbringing, Rev. Wright began his musical career by establishing the Timothy Wright Concert Choir in 1976. The move afforded Wright the opportunity to record for a host of music labels including Tomato and Atlanta International Records in the 1980s. By this time, Wright had already developed a strong following for his workshop-friendly and melodic-driven selections along with his exuberant passion during his moments of ministry.

Wright would go on to record several projects for AIR before his groundbreaking career move to Savoy in 1988. His Savoy debut, Who’s On the Lord’s Side, along with his Myrna Summers collaboration (We’re Going to Make It) exposed Wright’s craft and musical abilities to an even larger audience and also earned him his first Grammy nomination and a Stellar Award. The next set of albums felt as if Wright was on an international tour staged with mammoth live recordings. Using a footnote from the handbook of Rev. James Cleveland, Wright brought together some of the world’s best choirs and singers to join with him on his newborn compositions. From Cincinnati’s B/J Mass Choir on the Grammy-nominated Been There Done That album to the Chicago Interdenominational Mass Choir (I’m Glad About It) to the London Fellowship Choir (Live in London) who also shared the stage with gospel luminaries Bruce Parham and LaShun Pace, Rev. Wright was sure to make an impact on the world by using some of the best trained and unexposed emerging groups to hit the gospel scene. But none of his past discoveries could match the greatness of his most prized achievement: the New York Fellowship Mass Choir.

After gaining inspiration in Indianapolis, Indiana after attending the 1993 Gospel Music Workshop of America, Rev. Wright sat down with Savoy Records’ president Rev. Milton Biggham to see if he could duplicate the same spirit of unity and brotherhood exemplified in 1,000+ voice choir of the 25,000 member convention using the community and professional choirs of New York. The task was sure to be tedious, especially since the city of New York had not quite experienced a large conglomerate of singers in gospel music. But Rev. Wright made it all possible with his breathtaking 1994 Savoy recording Come Thou Almighty King. The album, recorded at featuring a stellar set of choirs and groups that included Hezekiah Walker’s Love Fellowship (Crusade) Choir, Donnie McClurkin’s New York Restoration Choir, Albert Jamison’s Triboro Mass Choir, Robert Lowe’s Queens Community Choir, James Hall’s Worship and Praise and groups led by David Bratton, Eric McDaniel, Jae Nixon and Roger Hambrick. The spirit of unity floated like a butterfly through song selections like “Come Thou Almighty King,” the energetic “We Bless Your Name,” the heartfelt ballad “When We Reach That Wonderful Place” and David Bratton’s magnum opus “Revelations I.” What felt like a one-time event shocked the gospel community once again as the choir, larger than ever, united for a ten-year anniversary in 2004. This time, the album was flooding with superstar talent including Keith "Wonderboy" Johnson, Dottie Peoples, Hezekiah Walker, Valerie Boyd, James Hall, Kervy Brown, Danny Eason and Maurette Brown-Clark. The choir was even featured on Wright’s last two recordings: Let’s Celebrate (He Is Risen) and Jesus Jesus Jesus.

The song "Who's On the Lord's Side" also remains a benchmark in Rev. Wright's forty-year music career. In 1992, it was covered by CCM rock band Petra on their Grammy-award winning and best-selling Unseen Power album. R&B/soul legend Patti LaBelle also revived the song twice: on her PBS' Going Home to Gospel special in 1991 and on her MCA live recording, Live! One Night Only in 1998.

While traveling home after a church convention in July 2008, tragedy struck when Rev. Wright was involved in a fatal car accident caused by a drunk wrong-way driver. The accident silenced the lives of his wife, Betty, and his 14-year old grandson, D.J. Wright was injured and survived the devastating wreck. Rumors of his death began to plague the message boards, but were quickly diminished when Wright began the fight of his life while going through a number of surgeries and entering rehabilitation at Geisinger Medical Center in Danville, PA. Due to failing health caused by the accident’s injuries, Rev. Wright, the beloved gospel singer, pastor and songwriter, succumbed to this life on April 23, 2009. He was 61.

Important Notes:
On Episode 15 of FOX's hit police drama New York Undercover (aired Jan. 19,1995), Rev. Timothy Wright and members of the New York Fellowship Mass Choir made a guest appearance on singing "Trouble Don't Last Always."

Rev. Wright was nominated twice for Best Traditional Soul Gospel Album at the Grammys for Come Thou Almighty King and Been There Done That.

He served as pastor of the Grace Tabernacle Christian Center COGIC in Brooklyn, NY until the car crash on July 4, 2009.

On May 5, 2009, Malaco Records, who also currently owns the masters to the AIR Gospel catalog, plans to release a double-disc compilation, The Godfather of Gospel, containing eighteen tracks in all from Rev. Wright's career. Hit songs will include "Come Thou Almighty King," "Been There Done That," "Trouble Don't Last Always," "For the Rest Of My Life," "Who's On the Lord's Side" and "We're Going to Make It."

Memorial and funeral services for Rev. Wright are as follows:

VIEWINGS:
Sat. May 2nd, 12-8pm & Sun. May 3rd, 1-5pm
Grace Tabernacle 1745 Pacific Street
Brooklyn NY 11213

MUSICAL
Sun May 3rd, 7pm
Pilgrim Church
1338-44 Broadway
Brooklyn NY 11221
Bishop Albert Jamison, pastor

HOME GOING SERVICE
Monday, May 4, 2009 at 10AM
Pilgrim Church
1338-44 Broadway
Brooklyn NY 11221
Bishop Roy E. Brown, Pastor

[WRIGHT OF PASSAGE]

Timothy Wright Online Memorial [PRAYZEHYMNOnline.com]

Rev. Timothy Wright on MySpace [MySpace]

CD Pre-Order: The Godfather of Gospel [Malaco Records]

Church mourns 'music minister' Rev. Timothy Wright [Daily News Brooklyn]

Timothy Wright, famed NY gospel singer, dies at 61 [AP]

106 & Gospel Cancelled

We kind of saw it coming.

Originally hearld as cable's answer to reaching the hip-hop community with gospel, BET officially announced their decision to cancel 106 & Gospel; sighting poor ratings to be the show's determining fate.

According to Black Voices guru Jawn Murray, the show was nixed from BET's lineup due to its horrific airtime on Sunday at 12 noon - a time when most of their target audience were likely to be at church.

The show, which featured hosts Angel Taylor (Trin-i-tee 5:7) and Jor'el Quinn (21:03) and guest appearances from Tye Tribbett and Kierra Sheard, became gospel music's golden token in helping reach the hip-hop community and newer audiences when it was announced to be the spin-off of the urban-focused, video countdown show 106 & PARK; which airs on weekdays and is still hearld as BET's #1 show in ratings (according to Wikipedia at current press time).

EJ Gaines, of popular gospel blog Gospel Pundit, began an online protest over the outrage of the show's cancellation by posting a petition to keep the show alive. After securing more than 1,600 signatures, BET released an official press statement from executive vice-president Stephen Hill in response to the grassroots campaign. The statement mentioned they "will continue to create new and exciting shows to entertain our audience. However, at times we must also face the hard task of making tough programming decisions, as in the case of 106 & GOSPEL, which was recently cancelled."

To see the 106 & GOSPEL online petition, click here.

[106 & NIX]

BET'S 106 & GOSPEL Cancelled [EURweb.com]

BET Bids Bye-Bye to '106 & Park' Spin-off [AOL Black Voices]

BET's Response to the Petition to Save 106 & Gospel [GospelPundit.com]

Save 106 & Gospel [PetitionSpot.com]

Shirley Caesar Rocks Hall of Fame

Nashville, TN - It has long been noted that Rock and Roll has its roots in Gospel music, so it was only fitting that the Rock and Roll Hall of Fame kicked off their 2009 Induction Week by honoring Pastor Shirley Caesar with the first annual “Rock My Soul” concert. The award was presented to Shirley Caesar Sunday March 29th in recognition of her contributions as “an artist who uplifts and enlightens many, using her gift of music and ministry.”

The sold-out "Rock My Soul" show at Cleveland Ohio’s Playhouse Square's Allen Theatre included performances by artists J. Moss and Richard Smallwood & Vision as well as tributes from city officials and artists who had gathered to celebrate Pastor Caesar and her over 40 year ministry. As the headliner, Shirley Caesar completed the evening of celebration with the kind of powerful gospel performance that has made her an icon.

Mayor Frank G.Jackson delivered a proclamation highlighting her contributions to gospel music and its affect on the rock and roll movement. The program progressed with tributes by local aggregations; “The Word” Church and the Antioch Baptist Church choir featuring Helen Turner-Thompson, along with other local performers Tyniece J. and Company, and Stormy Cleveland.

With more the than 2,100 attendees on their feet for most of the evening, those less familiar with gospel music were drawn in by the praise and worship experience. When they thought it couldn’t get any better gospel music mainstay Richard Smallwood took the stage and sang “Lord, you are the source of my strength.” J. Moss then followed with an acappella rendition of Caesar’s “No Charge”. The soul-stirring song, originally recorded in 1983 by Caesar, continues to garner an up roaring of praise.

As Caesar was preparing to take the stage, greeted with a standing ovation, she exclaimed: “This is the day the Lord has made and I am going to rejoice.” Along with her coveted Caesar Singers she used the stage as a canvas to paint a praise-filled picture; dancing and singing many of her hit songs from the past 40 years.

The “Rock My Soul” tribute is a celebration of the roots of rock and roll music. “While this is the first year for this event, it is our hope that it will be an annual, community-wide celebration honoring rock and roll music’s gospel roots and incredible legacy of Cleveland churches,” shares Terry Stewart, President and CEO of the Rock and Roll Hall of Fame and Museum.

Photos Credits: Scott Shaw (The Plain Dealer) and Rock and Roll Hall of Fame & Museum

[ROCKIN' ROBIN]
Light Records [Official Website]

Thousands sing praises of gospel music, Hall of Famer Shirley Caesar [Plain Dealer]

Pop Winans (1934-2009)

The patriarch of the Winans dynasty, David "Pop" Winans passed away "at a hospice center in Nashville, TN, with his wife at his bedside" on April 8, 2009 at the age of 74; according to the Detroit Free Press. He moved to Nashville to be close to several of his children after suffering a series of strokes and a mild heart attack in October 2008.

Known for being the father of 10 children, who went on to become outstanding recording artists in the field of gospel music, "Pop" recorded two albums along with his wife, Delores, as Mom & Pop Winans on the Sparrow label and recorded a solo project, Uncensored; which was nominated for a Grammy for Best Traditional Gospel Album in 2000. Gospel remained strong to Pop Winans and can be traced all the way back to 1949 where he met with his wife, Delores, while singing with the legendary Lucille Lemon Gospel Chorus, which at one time was led by the late James Cleveland.

Winans also was best remembered for his moving vocal performance on Carlton Pearson's Live at Azusa 2 project (Warner Alliance) when he stormed through a moving remake of Sister Rosetta Tharpe's "This Train." In his latter years, he was featured on "Praise the Lord" programs with his wife on the Trinity Broadcasting Network.

“He was called Pop because that’s what he was, a father figure to all of us,” said Karen Clark Sheard, member of the famed Clark Sisters. “He was a man we all looked up to.”

Funeral arrangements for Pop Winans are scheduled to take place on Tuesday and Wednesday at Perfecting Church in Detroit, MI, where his son, Marvin L. Winans, serves as pastor.

[IN MEMORY OF POP]

Gospel giant Pop Winans dies [Detroit Free Press]
Gospel great Pop Winans dies [Tennessean.com]

2009 Recommendations...So Far

Okay, there's been a load of new album releases to hit the markets in the last few weeks and even though I cannot review everything that comes out, I decided to leave a few remarks and comments about a few mentions here at the PRAYZE Report. And because I am an avid lover of my soul and R&B (distant cousins of gospel) and a little bit of everything else, I'm going to bring them to attention here as well.

Soul/R&B

Tortured Soul
Did You Miss Me
(TSCT Records/Columbia)

I was brought to attention to this group when they added me as a friend on MySpace. I never heard of them before, and just like most groups and artists that add you on those online network communities, I didn't pay them much attention. But I decided to check them out before I added them and was instantly hooked to their soulful stew of house and R&B. They even bring together the classic Motown percussion sounds on the Hitsville title track. "Did You Miss Me" brightens up with the "Baby Love" handclaps and reminiscent guitar drives along with the cool, sexy vocals of Chrisitan Urich. It's almost like a Robin Thicke/John Legend (a la Once Again) but with a glorious polished sound that blends the guitar work of Chic and the just-as-fascinating Euro/Italio synth disco sounds of Change. "In My Fantasy" sweetly blends disco joys into their '80s galactic echoes. Dance floors should light up on their upbeat offerings, which dominate the course of the project. Other standouts include "Special Lady," the clever '80s vibes of the instrumental "In Motion" and the soft lounge/dance strobes of "Time to Make Up Your Mind." If you are fans of the rich soul of House producers Masters at Work and you love the mix of live instrumentation with clever electronic advancements, you won't have a problem at all digging into this mesmerizing musical experience. Definitely one of the most creative works in dance-meet-soul music since Chic's Risque'. Did You Miss Me must be really making noise since it's practically hard to find online and in US stores. Most online stores are sold out. Good look finding a hard copy.

And what are others saying:
"It is a disc that gets better with each listening, as both the group's musicianship and the natural irresistibly of the songs provide 2009's first great gift to the club scene...and to quite a few home stereos too." - SoulTracks.com

"Tortured Soul's way of working within a house learned club ready vibe while still bringing it out into more of song based, kind of blue eyed soul realm is pretty much unrivaled -- and this set is a masterful example." - Dusty Groove America

Link: http://tstcrecords.com/press.htm

Various Artists
Now That's What I Call Motown
(Universal/EMI/Sony/Motown)

Jamming the best of Motown into one disc is probably the hardest musical task to the human mind, but the folks at Universal-EMI try their hardest to make the event possible for their ever-popular Now series. And why not, Now has delivered compilations for almost ever genre and music style possible since its creation. And since the musical legacy of Motown has become the greatest and most celebrated chapter in the history of America's 20th century music, giving birth to music legends like Michael Jackson, Diana Ross, Stevie Wonder, Gladys Knight, Smokey Robinson, Marvin Gaye and the Temptations, why not give them a piece of the Now franchise. In time for the 50th anniversary of Motown's first hit "Money (That's What I Want)" from Barrett Strong, this compilation neatly packages 25 of Motown's best from the Marvelettes "Please Mr. Postman" to Rick James' "Super Freak" from the 1981 LP Street Songs. With only 90 minutes, it's extremely difficult to smash Motown's discography into an introductory CD, but this one is probably the best place to start and you get more bang for your buck. Sure, people will complain when they see only three Holland/Dozier/Holland selections on board and may even quibble when they see certain Motown stars (Spinners, Thelma Houston, Boyz II Men, Debarge, a solo Lionel Richie) omitted from the super list, but what is presented is probably the very best singles one can recall firstly from the Motown library. Marvin Gaye's pivotal "What's Going On" and "I Heard It Through the Grapevine" are historic and are represented, along with the Temps' "My Girl" and Mary Wells' "My Guy" (both penned by Smokey Robinson). Rounding out the set are clever offerings like Diana Ross' "Upside Down," the highly-forgotten Edwin Starr protest song 'War," Gladys Knight's "Neither One of Us" and the Jackson 5's "I Want You Back." If you just need one disc to introduce the Motown story, look no further.

Now That's What I Call Motown! landed at #13 on the Billboard 200 in January 2009.

Kudos to ThinkTank Marketing.

And what are others saying:
"...this volume of the Now series is one of many decent single-disc introductions to the label." - AllMusic.com

Gospel

Israel Houghton
The Power of One
(Integrity Music/Colubmia)

Don't get it twisted, this is not his first solo project. But judging from the potency of the cuts offered on The Power of One, this remains his best. Energetic funk inspired from Prince's hymnal captures the grooves of "Saved By Grace," while the upbeat reggae/hip-hop bounce of "Just Wanna Say" sounds as big as anything Houghton has ever put out, even with New Breed. The Mary Mary collaboration on "Every Prayer" is the album's definite ballad, while Houghton submerges into newer and comfortable styles with the reggae-styled "Surely Goodness," the pop-friendly vibes of "Moving Forward" and the U2/John Mayer-tinged "Sing (Redemption's Song)." Amazingly, there's more gospel to chew on this release...even if the worship offerings are fewer on this round. The lyrics, still strong in their design, are more inspirational and universal, which might give Houghton an advantage on mainstream radio. With these grooves and innovative breaks into Houghton's worship system, it's hard to deny his place in today's music scene.

I'm still wrestling with Integrity Music's failure of sending me a press kit or CD for review. When it comes to Israel & New Breed, "I gitz no love."

The Power of One debuted at #1 on both Christian Albums and Gospel Albums charts and also #34 on the Billboard 200.

To read the PRAYZEHYMNOnline.com album review, click here: http://www.prayzehymnonline.com/reviews_israelhoughton01.html

And what are others saying:
"When music and musicianship are this worshipful, virtuoso, and varied, it's easy to get caught up, kick back, and join the praise." - ChristianityToday.com

[MORE INTO RECOMMENDATIONS]
Tortured Soul [Press]
Tortured Soul [MySpace.com]

Motown 50 [Official Website]
Israel Houghton - The Power of One: Album Review [PRAYZEHYMNOnline.com]

Donnie McClurkin Is Tired of Big Pimpin' Preachers

Finally...someone speaks about the over excess of super indulgent preacher lifestyles.

Donnie McClurkin, best-selling gospel singer, songwriter and a pastor himself, spoke with Essence in an article last week about the fancy opulent lifestyles of the church's rich and famous and candidly expressed his grief about their unwise choices.

"As pastors, we have to link arms and have bi-partisanships. The [Black] church has always been the face of the community. Now we have to take on the responsibility of becoming true servants to the people from all walks of life. I get so mad when I see these pimpin' preachers driving Rolls-Royces, Bentleys, flying around in their private jets, and making it seem like prosperity and money is the way of God when 90 percent of your congregation is on Section 8 or can't figure out how they are going to keep their lights on or feed their kids. I'm big on perception, and what would it look like for me to live so lavishly if the people in my church are struggling?”

This seems to be a popular matter on blogs and messages boards (see the Mo'Kelly Report and Firstlovechristian.com) lately as the lifestyles of Juanita Bynum and more recent Pastor Jamal Harrison-Bryant (of Baltimore, MD) are now causing a fixed blog sensation with the faith community. And while McClurkin has made his share of big bucks for his chart-topping albums, he goes on the record in the article to state that he doesn't receive "a dime" from the church he started eight years ago.

"I have one vehicle and it's not a Mercedes, it's a Lincoln Navigator. I don't receive a dime—not an Abraham Lincoln copper coin—and haven't for the last seven-and-a-half years because I'm okay.”

With the recent announcement of GM Motors CEO Rick Wagoner being forced to resign due to their failure to re-strategize the company in the face of a sour economy, it is probably time for the big pimpin' preachers to retire their lavish lifestyles and face reality. The super deluxe offerings is soon to run dry.

McClurkin is prepared to release his upcoming album, We All Are One (Live in Detroit); expected to hit stores March 31, 2009.

[WE FALL DOWN SOME MORE]
Donnie McClurkin Disgusted with Pastoral Excesses [GospelToday.com]

Freebies with Donnie McClurkin's Pre-Order from Verity [PRAYZE Report]

News: BeBe Winans, Ken Cook, Hawkins Family, Idol

• After excessive rounds of media coverage on the BeBe Winans' allegations of assault on his ex-wife, his publicist responded in a press release with these words: "Mr. Winans will not participate in any public display that may affect his children’s well being, but will instead use through the proper judicial channels to insure that his rights as a father are protected.” The gospel singer was charged with misdemeanor domestic assault after a dispute with his ex-wife, Debra Winans, in Nashville. An arrest warrant was filed on Wednesday last week and he was later released from the Davidson County jail Thursday after posting a $1,000 bond. Winans has stated through a previous statement from his publicist, also posted on his website, that "the allegations are inconsistent with my character."
• Ken Cook, manager of national promotions for EMI Gospel, passed away on Monday, March 16, 2009 at Vanderbilt Medical Center in Nashville, TN, after a long bout with colon cancer. He was 37 years of age. The gospel executive, who previously worked for Malaco and Sony Records, was influential for pushing gospel radio to expand airplay for hit singles including Mary Mary's "Heaven" and Tye Tribbett's "Victory." His more recent work surrounded projects that included Myron Butler, Kierra Sheard and Jason Champion. Cook, who is survived by his wife, Dolli, will be laid to rest on Friday, March 20 at 10 a.m. Funeral services take place at New Life COGIC in Montgomery, Ala.
• The legendary Hawkins Family (which included Walter Hawkins, Lynette Hawkins-Stephens, Edwin Hawkins and Lady Tramaine Hawkins) celebrated in song during a spectacular reunion concert in Richmond, VA. They went through songs including "Special Gift," "Changed," "What Is This," "Marvelous," "Oh, Happy Day" and "When the Battle Is Over." In the audience was Donnie McClurkin (who also joined the family on stage) and Richard Smallwood. According to a review posted by Tramaine Hawkins on her MySpace page from super fan Jared Sawyers, he stated that "Walter also announced to the crowd that this was his first time away from home since he was diagnosed with pancreatic cancer last September." Our prayers and respects go out to Walter and to the First Family of Gospel. From the success of the concert, there is no word if a reunion tour will develop for the near future.

• American Idol will be gearing up for Motown madness beginning next week as the show's top finalists select songs from the vast catalog of Motown Records; who celebrates 50 years of music this year. Smokey Robinson and American Idol winner Ruben Studdard, who drops his new album Love IS on May 19, will perform on Thursday evening. Because of an important public address from President Barack Obama set to air on Tuesday next week, the show will instead air on Wednesday and Thursday on FOX.
• Feel free to listen to Ruben Studdard's new song, "Together," produced by Jimmy Jam & Terry Lewis by clicking here.

J Matt Talks About Gamble & Huff at SoulMusic.com

Gospel music isn't the only music genre that peaks my attention. Raised on the good stuff from my mom -n- pop's records, I found myself studying, learning and exposing myself to musical styles and genres consisting of pop, soul, R&B, disco, jazz and rock.

This month, I contributed an appreciation article to David Nathan's SoulMusic.com on the rich and enduring legacy of one of the greatest tag-team contributors to the soul music kingdom: Kenneth Gamble & Leon A. Huff. Their dynamic and creative forces drove the legendary Philadelphia International Records - one of the greatest black music labels of all time - to the top of the charts and opened doors for dozens of great music acts including Teddy Pendergrass, Patti LaBelle, Bunny Sigler (talented songwriter who has just recently recorded a gospel album), the O'Jays, the Intruders, Harold Melvin & the Blue Notes, M.F.S.B. and Billy Paul. But beyond their smart entrepreneur skills, their work as a songwriter duo helped define the blueprint of '70s soul music and even pioneered what most music historians call the pulse of the disco movement. With the accompanying talented rhythm, string and horn sections of M.F.S.B., Gamble & Huff pumped out dozens of R&B and pop hit singles that include "Back Stabbers," "Only the Strong Survive," "Close the Door," "For the Love of Money," "When Will I See You Again, "The Love I Lost," "Love Train," and "If You Don't Love Me By Now." The list goes on and on and on.

The appreciation article on Gamble & Huff can be viewed at SoulMusic.com at:
http://soulmusic.com/gahueyofe.html

SoulMusic.com is one of the coolest websites focused on preserving the rich heritage and legacy of R&B and soul music. And I'm glad to be one of the fortunate ones to make such a contribution to their popular database of history. David Nathan (a.k.a. "British Ambassador of Soul), for those who may not know, is a stellar writer, music historian and has written wonderful liner notes for countless compilations and re-issues for Luther Vandross, Maze featuring Frankie Beverly and Aretha Franklin, just to name a few.

[TALKIN' BOUT SOUL MUSIC]
Gamble & Huff Express Yourself Feature [SoulMusic.com]
SoulMusic.com [Official Website]