Tuesday, March 20, 2007

Remembering Bishop G.E. Patterson



I'm far from being a member of the "Grand Ole" Church of God In Christ denomination. I have family that are COGIC (considered to be the second largest Pentecostal Christian church in the U.S. and the fourth largest Protestant religious denomination in the world) but I never found myself linked to the church. Being around them offered my amount of experience of the sanctified lifestyles and characteristics of the saints of this profound and well-respected denomination. But it wasn't until I encountered for the first time on a TBN telecast the likable, charismatic and down-home personality found in Gilbert Earl Patterson, the longtime leader of the Temple of Deliverance Church in Memphis, Tennessee. His approach to ministry was comforting and his viewpoints border lined strong fundamental guidelines and a passion for liberation and social change. Whether you were Democrat or Republican, it was hard to not like the Bishop. Whenever he tried to sale a point to his listeners, he gave it with a loving smile, that irresistible Southern charm and never feared to find the appropriate scripture and response to coincide with it. He was truly a man of truth to his very end. Even in the midst of confrontation and controversy, Bishop G.E. Patterson was the embodied example in modern society of how to conduct a life of balance and purity. His "over-the-top" views may have bothered a number of deep conservatives such as his position on women preachers, politics and advancements in technology in the church. "I used to be like many of the brothers: down on the women," he told delegates during a message in 2001. "But the Lord showed me that COGIC was started in a prayer meeting that was held in a woman's house." Women are "the envy of the religious world," he added. He also shared that we should overcome our differences with race and culture to spread our faith. "I don't know why we ever got stuck on that thing that we're only supposed to witness to black folks," Patterson said. "Once you've received the word, spread it. God's not going to do something to bless your work until you do something to bless his work."

After I viewed his weekly telecast and continued to listen to his life-changing messages of faith, hope and love, I almost felt as if I was a member of his church.

That voice was silenced on Earth on Tuesday, March 20, 2007 at 4:03 p.m. due to a serious battle with prostate cancer and heart failure at the Methodist University Hospital in Memphis. He was 67 years old. He was the founder and pastor of one of the country's largest mega-churches (totaling 12,000) and was also a gospel recording artist on his Podium Records label - even receiving a GRAMMY nomination for the "Just Right For A Miracle" album in 1999. At this year's Stellar Gospel Music Awards, he won Traditional Male Vocalist for his "Singing The Old Time Way Volume Two" album. He was considered to be one of the greatest clergyman of all time and anchored the Church Of God In Christ as Presiding Bishop since 2000.


"America lost an angel today," former U.S. Rep. Harold Ford Jr. of Memphis said in a statement on Tuesday. "He was favored by the Almighty, and he used his favor to instruct us all on how to be better servants."

We mourn and extend our prayers to the Church of God In Christ and Patterson's family during this time of bereavement. He will truly be missed and will forever be remembered.


FUNERAL & FINAL ARRANGEMENTS
THURSDAY, MARCH 29, 2007 • 7 PM
(Local) TEMPLE OF DELIVERANCE MEMORIAL SERVICE

FRIDAY, MARCH 30, 2007 • 7 PM
TENNESSEE 4th JURISDICTION MEMORIAL SERVICE

SATURDAY, MARCH 31, 2007 • 10 AM
CHURCH OF GOD IN CHRIST NATIONAL HOMEGOING SERVICE

All Services will be held at:
Temple of Deliverance Church of God In Christ
369 G.E. Patterson Avenue
Memphis, TN 38126

* All Cards and Condolences for Mother Lousie Patterson and Family may be sent to Temple of Deliverance at the above address.

J. Matthew Cobb
Editor-at-Large
PRAYZEHYMN Entertainment

www.prayzehymnonline.com


[G.E. PATTERSON - THE LIFE AND THE MEMORY]
BREAKING NEWS: Bishop G.E. Patterson Has Died (WREG-TV)
G.E. Patterson (Wikipedia)
BBless.org
COGIC.com

Saturday, March 10, 2007

American Idol Close-up



Another season. Another blog to post. FOX's American Idol is still setting and breaking records. And while the other networks prepare to roll out their strategies to bring down the pop culture phenomenon, American Idol has already announce their Top 12 contestants and are gearing up for a few big specials in the weeks to come. From big-time special musical guests to an amazing fund raiser to benefit poor and devastated areas in Africa and in New Orleans.

But this season, most have glorified much of the bombshell drama and negative press on the show. But for a show this hot, the negative heat has only ignited the show's success to higher heights and has helped broaden the exposure of this season's contestants, as well as previous winners and potential stars.

Let's look at the AI scorecard, shall we.

Chris Daughtry, one of our big predictions from last season, is killing the stars on Billboard with his #1 self-titled album. And even though he has found his home in performing what is elementary to him (rock music). And while southern charmer Bo Bice, the popular runner-up to victory in Season 5, may have proved that AI could produce a rock star album, Dau ghtry took things to the next level with his more edgier look, distinctive modern approach and lots of sex appeal and presented an album that is being compared to modern rockers such as Fuel and Nickleback. The album reached #1 on Billboard Pop charts.

Fantasia is doing pretty good too. She just got picked up to join the stellar Broadway cast of The Color Purple - brought to life by mega-billionaire and television talk show host Oprah Winfrey. And not only that, her latest album release (this is #2 for her) is getting some love and attention from critics - calling it an album that shows depth and more personality than her debut. Fantasia calls the new album a mix of Aretha Franklin meets Tina Turner. Funny, we all thought she was capable of pulling that off when she was on the show. Her new album climbed to #3 on Billboard's R&B charts and #19 pop and is being anchored by her hip-hop club anthem single, "Hood Boy". Oddly, with all the praise her new album is getting, we should mention her first album sold more units; reaching #2 R&B and #8 pop.

All eyes are glued on Miss Dreamgirl Jennifer Hudson also after nabbing the Oscar for Best Supporting Actress for her role as Effie White in the motion picture version of Dreamgirls. Even though she has taken a new career in acting, she hasn't forgotten her roots. She loves to sing and her acting role in Dreamgirls was definitely about singing and showed the world that she definitely has pipes worth signing to any record label. And in the next couple of months, she will be working on just that and will be releasing an album sometime in the fall of this year. In the meantime, her performances on the motion picture soundtrack, a glorious showcase of 60's pop-soul swinging ballads and dance numbers, are breathtaking and also claimed the #1 spot on both pop and R&B charts. Amazing accomplishment there, especially for a movie soundtrack.

Other winners including Carrie Underwood (whom took home a GRAMMY for Best New Artist) , Taylor Hicks and Ruben Studdard are also enjoying their careers and are still visible in the public eye. Seems like everyone is reaping their rewards from Idol fame.

So this season shouldn't be different. Right? Well, sorta. Seems like the guys this year are not as macho as they need to be. Our biggest predictions on the guys' side leans on the pop-flavored looks and sounds of Blake Lewis and Chris Richardson. Lewis leans more on the edgier, urban reincarnations of Justin Timberlake. He may not be the strongest male vocalist in the competition this year, but he definitely is pop material and has what it takes to form a good sounding record. Chris Richardson also has that pop wow-factor. He's refreshing and has good vocals and handsome features. He's also picked up some love for soul and R&B music - which should win favorable results across the cultural board.

But it's the girls that are bringing home the bacon this season. Both Lakisha Jones and Melinda Dolittle are delivering the goods on performance night and are both showing their passion for victory. Jones is one of those contenders that we didn't expect. She's not a goddess of beauty, but she's charming, likeable and full of personality. Her smile definitely is a connecting force to viewers. But it is when her killer vocals exit her lips that America hears talent in powerful motion. She leans on big ballads and fiery R&B to showcase her strengths. Dolittle is also a dominating force this season with her youthful style, facial expressions and over-the-top power vocals. She works the stage and is showing a broader range of material - a big plus for viewers.

No one can really explain why the 17-year old Sanjaya Malakar remains in the competition. All three judges remained baffled and puzzled over the better male vocalists leaving the show on previous nights while Malakar, with a weaker vocal and barely any soul and rhythm, remains standing with the other contenders. This is probably one of the biggest jokes in American Idol history. And who can forget the biggest episode of drama resting on Antonella Barba and her racy nude photos? Of course, the media are questioning AI's decisions of letting her remain in the competition until she was voted off the show on March 8. Even the controversial Rosie O' Donnell decided to put AI on blast for calling the show "racist" for kicking Frenchie Davis off a few seasons ago without her even getting much time on the show.

That's probably why American Idol works. These are real people, but there is some soap opera action that looms around all of this hype and fame.

At AllMusic.com, the fierceness continues as the All Music gang gets together for an adventure of words and opinions on the #1 show on TV. That's why I love them so - so opinionated yet they are so right. Check out the full conversation by
clicking here.


Jennifer Hudson (MySpace.com)
The Final 12 Revealed... (AllMusic.com)
Antonella Isn't Talking (RealityTVWorld)

Wednesday, March 07, 2007

Rap Music Sales Creates Concern



Glamorized lifestyles of booty, sex, drugs and big P-I-M-P-I-N-G in today's rap music take a turn for the worst. According to recent statistics, revealed by the Associated Press, rap music sales dropped a whopping 21 percent from 2005 to 2006, and for the first time in its 12 year history on the Billboard charts not one rap album was among the top 10 albums of the year. The report also stated that a recent study by the Black Youth Project showed a majority of youth "think rap has too many violent images". In a poll of black Americans by The Associated Press and AOL-Black Voices last year, 50 percent of respondents said hip-hop was a negative force in American society.

Rap insider Chuck Creekmur, who runs the leading Web site Allhiphop.com, says he got a message from a friend recently "asking me to hook her up with some Red Hot Chili Peppers because she said she's through with rap. A lot of people are sick of rap ... the negativity is just over the top now."

The article is indeed chilling and amusing in parts as hip-hop star David Banner expresses that his music is what he feels most Americans want to hear and is a depiction of society; reflecting the problems in urban communities. But let it be said that most rap consumers are white also and they may not be buying the material as much because they now see the consequences of the negatively-portrayed genre.

Many people are calling rap music the new "disco". Even though disco music never really died, the popular fad of it did and has now been replaced with other sub-genres including dance, techno and house music. Many predict this could also take place in the realm of rap music. And with popular rapper NaS scoring a hit with his controversial album "Hip-Hop Is Dead" - many may label him a modern prophet. It's not dead now...but according to sales, he apparently can predict the future.
If this is the case, we probably won't have to worry about Oprah embracing rap in the future.

Thanks Aima for the story.
[FUNERAL ARRANGEMENTS?]
Sales of Rap Albums Take Stunning Nosedive (FOXNews.com)

Thursday, February 22, 2007

Am I Ashamed...



The Tyra Banks Show is a fierce, edgy talk show that targets young women and those looking for beauty tips and success strategies from the bona-fide diva of runway. It shouldn't be a question of doubt in observing Tyra Banks' acclaim to fame and how she is proclaiming her place in this world. But every now and then, Banks calms down her talk show with serious issues and topics that affect us all. Yes, she has her Oprah moments - you can tell she has been really influenced by the real Queen of Talk.

But today, she opened the door for another conversation piece. Everyone is talking about the Thursday, February 22th episode, "Promiscuous Girls". The topic is racy enough, but hearing the guests proclaim their personal passion for sex and to flaunt their obsession across television like they did is a different story. It even set the show's host on edge.

But Tyra brings her personal life coach, renowned teleevangelist Co-Pastor Paula White, on board to also investigate and dissect the guests' issues and problems. Only problem here is it was almost if we were looking at another person. No mention of Jesus Christ, God, El Shaddai, Jehovah, Holy Spirit, the Word or anything associated with deliverance was brought up. You only wonder if we just put on an act in front of church-bound people, then get up in front of a different and larger audience to proclaim that we must find our "inner spirit". White mentioned her victory over sexual abuse as a child, the fear of failure and the loss of her father from committing suicide, but she never brought up her relationship to Christ - the very things she gladly pronounce in her pulpit or on her own show. Feels like even the biggest teleevangelists in the country, the ones we pay Sunday after Sunday, just may be ashamed of the gospel of Jesus Christ.

Still we do see the good of the show...the girls really needed help. Maybe Paula White may give them all a free book for a love gift of fifty dollars. But all is not lost. On Tyra Banks' message board, the responses ring with praise and adoration for Paula White's advice. Good going there.

[TAKE THAT TO THE BANKS]
Tyra Show
(Official Website)
Paula White (Official Website)

Wednesday, February 14, 2007

Sisters In The Spirit Cancelled



After generating a big buzz on Trinity Broadcasting Network (TBN) with a mega-concert featuring their headlining artists, the Sisters In The Spirit looked like it was going to be a major success. No word on why, but it seems that the ALW Entertainment’s Sisters In The Spirit tour has been cancelled. The only real reasons behind the shutdown of this R&B/CCM/gospel tour is there was a lack of sales (posted on GospelCity.com). For Birmingham's date, we felt that it was a bigger problem brewing behind the scenes since the original Birmingham date was moved a week after. No word hit the press as to why the date was changed, but it was evident that there was some turbulence on board. Come to find out: the sales of the concerts weren’t moving swiftly enough. Part of the problem may have been on the tardiness of getting the word out into the community. You got to get on the radio faster than that. Plus, even though there a number of big names on the bill and major drawing cards (Angie Stone, Shirley Caesar, Kelly Price, Dorinda Clark-Cole), you got to remember everyone isn’t a fan of every artist. And with artists coming from all kinds of directions, you would think that their respected fans would have supported them on this tour. Unfortunately, dates in Atlanta, New York City, Baltimore, Charlotte, Chicago, Cincinnati, Philadelphia, D.C. and across the globe have been yanked from under their fans’ feet. Ticket-holders who paid by check or cash must return the tickets to the building of purchase to receive their refund. Those who paid by credit card will receive an automatic refund. At this present moment, ALW Entertainment has not released a press release regarding the matter nor have they updated their website about the tour cancellation.

[GET IN THE SPIRIT]
ALW Entertainment

Monday, February 12, 2007

Proper Grammer

The 49th Annual GRAMMY Awards proved to be something else. It’s one of those shows you just have to watch to get all of your tastebuds worked. There’s a little bit for everybody presented. This year, there was a lack of gospel artists...a humongous lack...but all of the soul and glorious belting from R&B’s finest during some amazing performances made it possible for those who were looking for the presence of a more sanctified, churchy image.

The talk of the town circulated The Police - which also featured renowned lead vocalist Sting. The group opened up the show with their stunning reggae-influenced “Roxanne” from 1978. Jamie Foxx then approaches the stage, attempting to pull off his comedic skills. Instead, it seemed as if the brother seemed distress for himself or black people. Thank God he’s not our Dr. King.

Beyonce Knowles delivered a moving performance of “Listen”; her original piece taken from the “Dreamgirls Motion Picture Soundtrack”. With big strings and a horn section, the song felt very glossy and over-the-top. Still, Knowles delivered the goods and showcased her amazing arsenal of vocal aerobics.

Mary J. Blige was one of the first stars to win a trophy; taken home three Awards in all. But no moment was as moving and magical than her first one - as she delivered a moving acceptance speech and a list of names showcasing the girl can speed-read like crazy. The names was so long and went so quick that the audience leaped on their feet towards the end. Years for not being recognized for her musical worth may have been the leaping factor for this particular moment in GRAMMY history, but it’s one that proves that the last shall become first.

John Legend graced the stage with a performance of “I’ll Be Coming Home” while fresh newcomer Corinne Bailey Rae (from Britain) and John Mayer each sung a selection from their new albums. The songs were pieced together perfectly by moving lighting sequences and mood changes. The medley concluded with Mayer’s soulful “Gravity” from the Continuum album. He easily channeled the spirit of Al Green through his music with a relaxed pop posture. All three artists proved love songs still exist. And they also remained on the stage together to sing on each other song - making a musical marriage of smooth R&B music that deeply penetrates the soul.

Mary J. Blige also sung her 1996 anthem “Be Without You” with a classical opener and speaking a piece of her testimony of love and triumph. Beautiful lighting of blue and white lights, along with her gorgeous dress, made her performance even more magical. And she held one particular note and belted it with so much soul on the attached song of "Stay With Me Baby" that would make you wonder if she’s the next Aretha Franklin.

Luadcris took home the Rap Album of the Year, but he may have taken home something else. More bad blood with Oprah Winfrey. He gave a shout-out of thanks to her in his acceptance speech - sending a lot of his fans into a jubilant, yet surprised response. Of course, the controversy still looms in the air for these two. But we respect Oprah for her position and understand that there’s just too much P-poppin’ in Hip-hop music and is affecting a good part of our culture. But enough of the commentary...

Smokey Robinson, Lionel Richie and Chris Brown delivered their tribute to R&B - each delivering a performance of one of their classics. Robinson, looking stiff yet still sounding good with his falsetto and a touch of vibrato, sung “Tracks Of My Tears”. Lionel Richie sung a serenading “Hello” in all black and at a baby grand piano in the middle of the audience floor. After his performance, attention then focused on Chris Brown with his ode to “Stomp The Yard” using fraternity stepping and breaking into his chart-breaking “Run It” - of course - lip synching and continuing to show us that he’s probably a better dancer than a singer. After this medley (which viewers thought was over after seeing all three gentlemen hug each other), a large picture of the late James Brown flies upon the background monitor and Christina Aguilera approaches the microphone wearing all white with her rendition of "It’s A Man’s, Man’s World”. The spirit of the Godfather of Soul emerged from Aguilera as she belted the song to perfection. Probably the greatest tribute to this legend to date.

Another tearful moment came when the screen fluttered with the images of music’s legends that have recently passed away. In the number was Gerald Levert, Arif Mardin, Billy Preston, Ruth Brown and closing the PowerPoint presentation was James Brown. As the film broke into a rare performance of “Night Train” from the 1960s, Chris Brown walked across the stage and danced alongside Brown. Reminding viewers of the Nat King Cole/Natalie Cole performance of “Unforgettable”. The audience then applauded - but the tribute was not over. A member of Brown’s band walked on the stage as Chris Brown departed with a glittered-up cape, usually used in Brown’s shows, and he then placed the cape upon the microphone stand. This indeed reminded us once again that James Brown’s last performance and appearance in spirit had already took place.

The big winners of the night was the Dixie Chicks - whom are very well known for their opinionated remarks towards politics and President Bush. The victory should sent an alarm to the White House that even the music world is now fed up. T.I. and Mary J. Blige also won big in hip-hop, R&B and rap categories, while the Red Hot Chilli Peppers took home an impressive number of wins as well along with American Idol winner Carrie Underwood in the country categories. Shut-outs included James Blunt and Corinne Bailey Rae and even India.Arie. Her recent album received a number of nominations, but once again was shut out for big win.

In the Gospel categories (that wasn’t televised), Kirk Franklin took home the most awards with two wins, even though Israel Houghton and New Breed led in nominations. Franklin took home Best Gospel Song and Best Contemporary R&B Album. Yolanda Adams won Best Gospel Performance for “Victory”. Sad to know, the Best Album for a Gospel Choir or Chorus or Group had been yanked from everyone’s feet. Guess there’s no such thing as choirs anymore.


Posted below are some of the memorable images of the night's celebration.







[ALL ABOUT THE GRAMS]
Grammy.com
Gospel 101: Golden Grams (PRAYZEHYMNOnline.com)
Complete List of Winners (MSN.com)
Chicks Make Nice, Blige Win Big (MSN.com)

Wednesday, January 31, 2007

Ricky Dillard Loses Atlanta Home

When word hit the media and blogs about the recent tragedy regarding gospel singer Ricky Dillard's six bedroom home located in DeKalb County, Georgia, disbelief were the first reactions to the breaking news. But serious confirmations were made from WSBTV-2 in Atlanta and the Associated Press - and that ended all doubt. Luckily, no one was injured and was in the house during the fire outbreak. Sources state the fire was a complete disaster - destroying the entire home along with awards and old footage of his choir's performances. There still is no confirmation on how the fire got started. Usually in instances like this the fire department investigates the reasons of the fire - but those have not been disclosed yet. Ricky Dillard, at the time, had just finished a live recording session for an upcoming album release on the Alliant music label in Toronto, Canada. According to the AP news release, Dillard had no plans of returning to Atlanta until February 2007 but will have to come back earlier to access the damage from the fire.
Our prayers remain with Dillard in this painful and heartbreaking situation.


[MORE NEWS TO LOOK INTO]
Singer's Home Is A Total Loss (BellaOnline.com)
No Injuries, But Fire Destroys Georgia Home (Yahoo Canada)

Sunday, January 21, 2007

Stellarbration



The 22nd Annual Stellar Awards results are in. Sad to say that the taped award show won't be televised until weeks from now. That's so they can edit and crop down the long celebration to a meesly two hours. And oh yes, take out all the shouting, all the emotion, the long-long speeches and the awards they feel no one cares about. But the results are still in...and it looks like Donald Lawrence wins again. For the second year in a row, Donald Lawrence has swept the Stellar boards with big victories in multiple categories. He does it again with his send-off to the Tri-City Singers for the album "Finale'". He won Artist of the Year - whipping out Tye Tribbett, Kirk Franklin and Martha Munizzi and also took home awards for Choir of the Year, Producer of the Year, Contemporary CD of the Year, Contemporary Choir of the Year, Special Event CD of the Year, Music Video of the Year and Recorded CD Package of the Year. Strangely, most of the victories for "Finale'" zoomed in on Act One - the first installment of the live recording. There was another release, Act Two, that seemed to be unmentioned in the process. That collection featured amazing selections including the current radio hit "Encourage Yourself" and the uptempo jam "God Is". But D. Lawrence triumphs once again and has a lot of reason to celebrate.

Myron Butler did an impressive job in taking home some of the year's best awards including New Artist, Group/Duo of the Year and Male Vocalist of the Year.

Kirk Franklin was unexpectedly overshadowed for his big single "Looking For You" as Byron Cage's funky "I Will Bless The Lord" took home the Single of the Year award. The song was penned by DC native Isaiah D. Thomas - an upcoming producer and accomplished songwriter.

In an act of loving kindness, Donald Lawrence decided to sow an award into the ministry of Tye Tribbett & G.A. Guess he felt that Tribbett was being overlooked that night since so many expected Tribbett to reap a major amount of awards. The decision for Lawrence to do that was unexpecting and full of heavy emotion. Expect to hear more about this moment in conversations circulating the gospel industry for awhile.

The James Cleveland Lifetime Achievement of Fame went to the Mighty Clouds of Joy while the Chervolet Most Notable Achievement Award went to the Clark Sisters.

Below are a final list of the winners for this year's Stellarbration.

Artist Of The Year
Donald Lawrence presents the Tri-City Singers

Song Of The Year
I Will Bless The Lord - Byron Cage

Choir Of The Year
Donald Lawrence presents the Tri-City Singers

Producer Of The Year
Donald Lawrence

Group/Duo Of The Year
Myron Butler & Levi

New Artist Of The Year
Myron Butler & Levi

Female Vocalist Of The Year
Dorinda Clark-Cole
Contemporary Group/Duo Of The Year
Myron Butler & Levi

CD Of The Year
Kirk Franklin "Hero"

Traditional Group/Duo Of The Year
The Williams Brothers & Their Superstar Friends
Contemporary Male Vocalist Of The Year

Tye Tribbett & G.A.
Traditional Male Vocalist Of The Year
Bishop G.E. Patterson
Contemporary Female Vocalist Of The Year
CeCe Winans
Traditional Female Vocalist Of The Year
Shirley Caesar

Contemporary CD Of The Year
Donald Lawrence presents the Tri-City Singers "Finale'"

Traditional CD Of The Year
New Life Community Choir featuring John P. Kee "The Reunion"
Urban/Inspirational Single/Performance Of The Year
Tye Tribbett & G.A. "Victory"
Traditional Choir Of The Year
Hezekiah Walker & LFC "20/85: The Experience"
Contemporary Choir Of The Year
Donald Lawrence presents the Tri-City Singers
Instrumental CD Of The Year
Ramsey Lewis "With One Voice"
Special Event CD Of The Year
Donald Lawrence presents the Tri-City Singers "Finale'"

Rap/Hip-Hop CD Of The Year
Da' T.R.U.T.H. "The Faith"
Children's Performance Of The Year
Youth For Christ "The Struggle Is Over"
Quartet Of The Year
Keith Wonderboy Johnson & the Spiritual Voices
Music Video Of The Year
Donald Lawrence presents the Tri-City Singers "Finale'"
Another strange factor to look at in this category: the other nominees had selected performances (one selection) while Lawrence won for an entire DVD presentation of songs.

Recorded Music Package Of The Year
Philpott Design/Jay Blakesburg for Donald Lawrence presents the Tri-City Singers "Finale'"
Praise and Worship CD Of The Year

Kevin Burroughs Neely "Fingers Of Fire Volume One"


Thursday, January 11, 2007

Good News / Bad News


Let's make it exclusive: Happy New Year!

Reports are in about the progress of gospel and Christian music from 2006 and according to Nielsen Christian Soundscan and the Gospel Music Association (GMA), the reports look favorable. US gospel album sales increased since 2005 and shows an impressive interest in digital sales as well. Reports concluded that in the first six months of 2006, gospel music sales grew 11.6 percent, compared to the four percent decline during the first quarter of 2005. The reports also had a hard time trying to categorize gospel music since most of their audiences borderline musical genres and styles. Styles include praise-and-worship, hip-hop and hardcore metal bands. Even though Christian music only makes up 6% in the overall music industry, the genre continues to grow. Top-selling artists of 2006 included Chris Tomlin, Casting Crowns, Kutless and Yolanda Adams.

Now onto the bad news: You may have already heard about the Max Siegel departure from his position(s) at Zomba/Verity, but if you haven't - here it goes. What is hailed as being one of the biggest moves and transitions of 2006, Gospel Music Executive, Max Siegel announced his departure from Verity Records (President) and Zomba Recording Corporation (Vice-President) and will be venturing into NASCAR as the CEO of Dale Earnhardt Enterprises, based in Charlotte, North Carolina.

Siegel's work in gospel music has been fantastic. He leaves behind a label that is now stronger than it ever was; racking up 42% of all of gospel music sales and a roster that includes heavyweights such as Kirk Franklin, Fred Hammond, Donnie McClurkin, Andrae' Crouch, Richard Smallwood and Donald Lawrence.

Jazzy Jordan, a former employee of Zomba and veteran in the gospel industry whom left Verity to start his own label (Jordan Entertainment), was called back to run both Verity and GospoCentric Records. Gessie J. Thompson now operates Jordan's label.

The Stellar Awards will be his last public appearance in the Gospel music industry. Tough.

[PROGRESS REPORTS]

Sunday, December 31, 2006

The Godfather In Action

Nothing like watching Soul Brother Number One in action on the Mothership of soul music; Soul Train. James Brown visits the "train" during the 1970s and brings the Mighty J.B's to the stage. It's all live music...and this special performance is one not to miss. It's a powerful seven-minute powerhouse medley of James' influential prototype disco signatures: "Get On The Good Feet", "Soul Power" and "Make It Funky". And yes...we seriously had to post this. Because you hear modern gospel music all up in the funky grooves, blazing horn blasts and zesty chord action. All we need now is Tye Tribbett to master that split on stage.

Make sure you have Macromedia Flash downloaded on your computer and have a high-speed connection for best results.



Monday, December 25, 2006

James Brown (1933-2006)



James Brown, better known as the Hardest Working Man in Show Business and referred by many as the Godfather of Soul, leaped upon the musical scene in the mid-1950s with his cool, romantic R&B ballads such as "Try Me" and "Please, Please, Please". But he did something highly unique during his generation that would shake the foundations and frontiers of American music. He would become one of the forerunners of soul music and would also become a pioneer of fresher, unique and zesty musical styles such as funk and disco during the late 1960s and 70s. Songs like "Papa's Got A Brand New Bag", "Say It Loud", "Sex Machine" and "I Feel Good" shook the music world completely. That same rumble heard decades ago is still being heard and felt now even in the pop and hip-hop music world as many of artists pay homage and tribute to the Godfather using sampling - an remixing artform using beats and melodies of original songs.

James Brown blessed us all, whether we knew it or not. His musical style and signature moves has influenced generations of musical giants from most genres. Even in gospel music, artists ranging from the more contemporary (Israel Houghton, Hezekiah Walker, John P. Kee, Ricky Dillard) to the familiar traditional (Dorothy Norwood, Keith Wonderboy Johnson, Rev. Milton Biggham, James Bignon, Angela Spivey) have formed their own styles and sets of music around the funky good sounds of the Godfather. And while he never made a career singing gospel music, he drew from its heavy rhythms and the spirited excitement from gospel music and incorporated it into his now-trademark vocal attributes. He literally placed soul music, one of the early descendants of gospel, into the fibers of American music and culture.

James Brown passed away on Christmas Day 2006 (December 25) at the age of 73. He was hospitalized with severe pneumonia at Emory Crawford Long Hospital on Sunday and died of heart failure around 1:45 a.m. He won a Grammy for lifetime achievement in 1992, as well as Grammys in 1965 for "Papa's Got a Brand New Bag" (best R&B recording) and for "Living In America" in 1987 (best R&B vocal performance, male.) He was one of the initial artists inducted into the Rock and Roll Hall of Fame in 1986, along with Elvis Presley, Chuck Berry and other founding fathers.

[A GOOD LOOK AT THE GODFATHER]
Remembering The Godfather (MSNBC.com)
Godfather Of Soul (Offical Website)
James Brown Dies At 73 - New York Times Obituary
PRAYZEHYMN Article: Funky Sensations

Thursday, December 14, 2006

Dear City Stages



Dear City Stages,

I wanted to write this letter, after I noticed during the last couple of weeks, that you began to reach out to the community like never before asking for support to help pull your world-class festival out of the red. I have been following your annual event from day one and recall the days of old as being promising and hopeful. The early stages showed signs of great expectations and we have witnessed many festivals hosted here in our great city of Birmingham emerge from the ashes and fall back into shameful crypts. Yet, your music and arts festival still lives on. And for that achievement, you should be commended.

But I am really puzzled in how on your recent string of commercials to save City Stages with the public friendly www.sustaincitystages.org campaign you are using the faces of the faith communities to help bring in dollars to your collapsing institution. It's not as if I have a problem with seeing Pastor Stephen Green, of More Than Conquerors Faith Church, on television...even though he seems to be a very popular guy on local television. It's just that I've seen how each year the festival seems to neglect, abandon and disappoint many music forms. Particularly with gospel music.

I've heard many excuses over the years for this problem. You feel it's better to focus on local acts because, in the opinion of your staff, you feel there's a lot of great talent and music here in our area alone. That's a great and positive statement to make. But I tend to look at it using an industry perspective. You invest in bringing big acts to City Stages on rock and pop stages, and sometimes in R&B/hip-hop, but the failure of focusing on big drawing cards to the former gospel stage is a sign that it's not about there being great talent here. Instead it's about putting the money where you feel it needs to be. And gospel music is one of those areas that you fail to fully endorse.

In previous years, your agency has booked great artists like Vanessa Bell Armstrong, Helen Baylor, Wanda Nero Butler, Rodney Posey and LaShun Pace for the former Gospel Stage. But I was always bothered by the lack of well-respected artists you drew in each year. You only could afford ONE artist to highlight the entire three-day festival in the field of gospel music. Some years your festival decided to only feature the gospel stage for two days and most years you closed the gospel stage very early, while the other stages went on; leaving the saints confused on where to go. And some years, you confused everybody by putting gospel artists on stages that is highly surrounded by patrons drunk on site. I still can remember at 1:15 a.m. when the Georgia Mass Choir finally appeared on the Coca-Cola stage a few years ago and still having to deal with drunkards and confused hecklers. That same idea was used when you booked Kurt Carr & the Kurt Carr Singers two weeks before last year's festival....and then you put them on the Coca-Cola Stage...as the first act. Everyone knows you put the better acts towards the end, yet you put one of our great sensations in today's gospel music at the very beginning of your festival's lineup on that Sunday.

Then I was extremely bothered by how the Gospel Stage dissolved and was renamed as the Music Oasis stage - a stage focusing on eclectic forms of world music ranging from Celtic chimebell ensembles to other religious musical styles. And in the midst of it, you decided to put a few local gospel choirs up. On paper, your record makes it look like you care about gospel music; a historic American musical genre established from the blues during the 1920s and has blossomed into one of the fastest growing genres of music today. But may the truth be told: City Stages is no greater and no better than most industry professionals. It's a game of politics...and because you know we reside in the Bible belt, faith is an essential part of our lifestyles. So you use faith in the end to spearhead a fundraising organism to help City Stages rise from its current sickness.

But this is a sickness that you created, I believe. You killed the presence of real gospel music and replaced it with a very disappointing presentation of local acts that need the same intensity that your bigger stages receive year after year. They want to see Mary Mary, they want to see the Canton Spirituals, they want to see Shirley Caesar, they want to see Yolanda Adams, they want to see Richard Smallwood and Timothy Wright and Youthful Praise and Lisa McClendon. Sadly, you still have not heard their cry.

I look at music festivals across the country and notice that most of them have done the same thing you are doing and are facing. But you can still go to Chicago, New Orleans, Atlanta...they have gospel stages and festivals loaded with the best in gospel music. That's something City Stages fails to live up to.

I refuse to support CityStages now...and I really hope that the Greater Birmingham community, particularly those who really love and support gospel music, will stand with me. We hope you will get the message and learn from your current consequences.


A Disappointed Customer,

J. Matthew Cobb
PRAYZEHYMN Entertainment
PRAYZEHYMNOnline.com

Mother Bowman Passes



Mother Mattie A. Bowman, 82, mother of renowned gospel artist Vickie
Winans, slipped away from this side on December, 12 2006. She suffered a massive heart attack on Labor Day this year and had been hospitalized since. The family
hour and viewing of the body will take place on this Sunday,
December 17, 2006 from 3:00 - 4:00 p.m. at:

Perfecting Church
7616 E. Nevada
Detroit, MI 48234
313-365-3787

The homegoing service will follow directly after at 4:00 p.m.

Please Send All Flowers to:
Mattie A. Bowman
Stinson Funeral Home
16540 Meyers
Detroit, MI 48235

Or to:
Perfecting Church
7616 E. Nevada
Detroit, MI 48234

Please Send All Cards, Condolences, Etc. to:
Vickie Winans
6689 Orchard Lake Rd. #256
West Bloomfield, MI 48322
248-253-3203
Email: vwinans@aol.com

A Note From Vickie:
Those of you who have my personal cell phone number, please feel
free to call or text me! I need all the strength I can get! Myself
and my entire family wish to thank all of you in advance for your
love, support, prayers, flowers, gifts, emails, words of
encouragement, smiles, hugs, and whatever else you have given and
will give us! WE LOVE YOU SO MUCH! My Mother will suffer no more!
She is finally with Jesus! And in her own words she would say, "HEY
GLORY!"

Florist Information:
Bellasario Florist
Ralph Bellasario
23420 Gratiot
East Point, MI 48021
(586)-773-7070

Wesley Berry Florist, Inc.
6677 Orchard Lake Rd.
West Bloomfield, MI 48322
(248) 851-3404
www.800wesleys.com

Pretty Bouquet
326 W. Lafayette Blvd.
Detroit, MI 48226
(313) 416-8607
(313) 963-0775


[LINKING TO VICKIE]

Monday, December 04, 2006

Gospel Radio Extinction?




"I feel seasons in the air, I feel seasons everywhere..." - Donald Lawrence on
"Seasons"


There's a little bit of paranoia resting in the air and it's because the seasons are beginning to change regarding the future of gospel music. While it continues to grow as a genre in terms of popularity and sales, certain regions are being hit hard with the big changes of style and progression of artists - which is releasing uncomfortability and tension on some individuals.

In Birmingham, Ala. alone, the only FM 24/7 gospel radio station, Hallelujah 105.5 FM, quickly faded into darkness as a new sound and signal was released on the same dial this past weekend. The new Vulcan is being hailed as Birmingham's new rock station. Sadly, this also comes as bad news to the black community since WENN-FM (105.5 FM) had a strong historical significance in being the first black FM station in the city of Birmingham. WENN made changes to play gospel music two years ago and has sold its power to playing rock music.

In a city like Birmingham, located in the Bible belt, where gospel music is a serious religious experience to many of the citizens here, it should come as a surprise to hear the present changes on gospel radio. But this trend is probably a national issue.

Part of it has to deal with what gospel radio plays and knowing their limitations. After interning for a gospel radio station, in hopes of reviving its listening audience with fresh music, I realized that gospel radio really doesn't want to live. Instead doing what is traditional and regular, without stretching its potential, is the trend today. The TOP 10 songs are played over and over, half of the DJs barely know the artists or know how to pronounce them...and there is a bit of bias that comes with DJs in terms of what they play. Most of the time if they are unfamiliar with the artist, the favor on their music is usually very limited. Then there's the Gospel Music Workshop's Gospel Announcers Guild, a group that controls most of what gospel radio plays...this group conducts themselves like the record pools conducted back in the Atlantic Records' days and during the height of the disco era. While it's cool to have an association with other DJs and playing what other places like, it's not good to be controlled by other sources. Usually this blocks the DJ's creativity and spark.

Then let us consider that anyone nowadays can push a button to play a song. That's usually what the DJs do now...and they speak a little bit and give us the weather. Instead of directing the music in an amazing flow...the DJs of today have become radio evangelists instead of music directors. While mainstream music rejoices over DJs that remixes songs and mixes on the 1's and 2's on Saturday night while playing endless medleys of the hot songs of today, our DJs just choose a track and have not welcomed new ideas to help strengthen their programs. Because of this, gospel radio sounds outdated. Which is what leads us to the big issue. Gospel radio is now falling into its early stages of extinction.

Without serious changes for growth and maturity, gospel radio will remain an AM pastime. With new ideas and fresh vision, there is room for hope. But as the popularity of satellite radio increases and drivers choosing to play their CDs and mp3s on the road, gospel radio may need to take a seat in the back of the bus. At least for now.


For Birmingham citizens, express your opinions regarding Clear Channel Communications' decision to close HALLELUJAH FM and venture into rock by commenting on the blog. We want to hear from you!

[WENN SOME...LOSE SOME]

Monday, November 20, 2006

Vanessa Is Back



Seven-time Grammy nominee Vanessa Bell Armstrong will release her highly anticipated album Walking Miracle, on EMI Gospel February 20, 2007. The epic songstress returns front and center stage with her an awe-inspiring, ultramodern full length CD. Time bears no stance on the voice of a true gospel historian, “When I started out, I was a contemporary vocalist however the late Thomas Whitfield mixed it up with a traditional feel and since then I never went far from that,” Armstrong explained, when discussing the range of traditional and contemporary blends on the new LP.

“I love the contemporary and I love the traditional....to me the time-honored sounds of gospel music is our medicine....it gives us hope....it encourages, but the contemporary-up tempo stuff is what lifts us up." Supporters don’t have to wait until next year to own a sample of the singer’s latest offering. The commercial single So Good To Me is available in stores November 21, 2006.

Walking Miracle captures the hearts of countless Vanessa Bell Armstrong fans, as it includes a parade of soon to be legendary material---saturated with contemporary R&B soul harmony—and irrefutable ‘Ole school’ rips and runs that assist in defining Armstrong’s reputable musical forte. The critically acclaimed singer formulated a new found partnership with super producer Rodney Jerkins, who produced the albums R&B evocative title track “Walking Miracle.” The smooth and sleek track backs Armstrong’s clear and catchy vocals. It is a relatable song for everyone that knows the healing power of God.

“They were praying for my son (who was recently diagnosed with the debilitating disease MS) one Sunday night and the song just came to me,” describes Armstrong. “He is a walking miracle and I know he’s healed and through faith and assurance I am just waiting for the evidence of His promise.” Dark Child Entertainment’s Freddie Jerkins also adds production credits to the new album, submitting the upbeat “Till The Victory Is Won” and the urban contemporary ballad “Fall In Love,” to the upcoming 11-track release. To benchmark this anticipated release, a commercial single from Walking Miracle will be released on November 21, 2006 which includes the hopeful song “So Good To Me,” produced by label mate and Grammy award winner Smokie Norful and the stand out track “Seasons” featuring a guest appearance by the phenomenal J. Moss.

In addition, consumers can view a sneak peek of It’s Over Now, a full length live performance video by going to www.emigospel.com.

Her career highlights prove that Armstrong has truly withstood the test of time. The singer recorded her debut record Peace Be Still (1983) and Chosen (1984) which hit number one on Billboard's Top 10 gospel albums.

In 1987 the singer, took a more middle-of-the-road approach her self-titled LP, Vanessa Bell Armstrong, which included “Pressing On” and "You Bring Out The Best In Me." Later albums consist of Something On The Inside (1993) and The Secret Is Out (1995). Walking Miracle quickly strikes a cord in the souls of listeners, aside from the first-rate production and strong vocals; Armstrong relays a message of Christ.

“When people listen to this album, I want people to know the giver of this wonderful gift is God,” Armstrong said. “He has anointed me to reach the masses. I want people to know that is something better....the thing that we are all missing in today’s world is Jesus....we have to bring that message to them.”


Kudos goes to DC Gospel News Update and EMI Gospel for this article.

Monday, November 13, 2006

PRAYZEHYMN HI-5: Schedule of Events



It's celebration time!

On November 19, 2001, the PRAYZEHYMN Yahoo! Group was formed and quicky grew to become one of the popular gospel communities hosted on Yahoo. Since then, PRAYZEHYMN Entertainment has increased in strength and exposure - with its multiple resources and outlets including PRAYZEHYMNOnline.com and the PRAYZE Report.

We are forever grateful for the journey that God has blessed us with and are excited about the opportunities that face us for the future. In celebration of our five year anniversary, we decided to cook up a number of activities that will surely go down in our history books. Be a part of the celebration.

Below you can view the anniversary schedule of events for the months of November and December. Plus, we created a special flyer that will help guide you through those events while offline. Save it to your computer and plan ahead to be a part of the festivities.

PRAYZEHYMN ANNIVERSARY
SCHEDULE OF EVENTS

november 13
[PRAYZEHYMN Life]
...presenting the November Edition of PRAYZEHYMN Life

november 17
[James Cleveland Online Memorial]
The offical PRAYZEHYMN tribute to one of Gospel’s greats. Featuring a full overview, scrapbook, external links, accomplishments, music showcase and a section where you can post your personal notes.

november 19
[Win A COBY 256 MB MP3 Digital Music Player]
The big giveaway of the year. All you have to do is answer the “So You Think You Know Gospel” trivia quiz - which will be posted on the site. Get all the answers right and you will be eligible to winning a brand-new MP3 Player. Courtesy of PRAYZEHYMNOnline.com.

november 22
[The Journey]
J. Matthew Cobb reveals in an exclusive editorial some of the struggles and battles he had to overcome during the last five years. And learn more about the “haters” and some of the great gospel industry problems of today. Big-time revelations revealed.

november 28
[Giving Out A’s]
The albums are USDA-approved by PRAYZEHYMN. Full of protein and energy. And we are giving away a free CDs. But it must be from the list of A’s we have delivered out in the REVIEW section of PRAYZEHYMNOnline.com. It’s a long list to choose from, all you have to do is be a member of the PRAYZEHYMN Fellowship and watch the message board for the trivia question. Reply and you can win. (Excluding A+ albums in PRAYZEHYMN Mastercards’ section).

november 25
[Unity Ensemble Rehearsal]
In or around Birmingham? Are you gifted to sing? The Unity Ensemble will be rehearsing and preparing for the HI-5: PRAYZEHYMN Anniversary Celebration. Must be 18 years of age or older. Email PRAYZEHYMN@yahoo.com for more details and location.

december 1
[Unity Ensemble Rehearsal]
Rehearsal #2

december 9
[Unity Ensemble Rehearsal]
Rehearsal #3 and final rehearsal

december 10
[HI-5: PRAYZEHYMN Anniversary Celebration]
To be held at Mt. Moriah Baptist Church, Pratt City in Birmingham, AL
5:00 p.m.
Special Guests: Jamel Strong, Trini Massie, A&M Gospel Choir, E. Tony Gaines & VIP, New Zion Bible Way Church Choir and many others
All roads lead to Birmingham on this special night. Come and be a part of the celebration.

[PRAYZEHYMN ANNIVERSARY, ETC.]

Saturday, November 04, 2006

Election 2006: Religious Politikin'



Come November 7th we will finally see who controls what in politics.

Seems like the Dems are fighting and fighting strongly to dominate the Senate this year, since the recent sex scandal surrounding Rep. Mark Foley, one that has damaged the credibility of the GOP conservative base, and the recent poll numbers surrounding America's disapproval rate about our country's involvements in Iraq. Just recently, Foley decided to step down ammist the allegations that began to pour out surrounding suggestive emails to young men whom had served as Congressional pages. Now with the House Ethics Committee and the FBI both opening investigations on misconduct and possible criminal charges and with Bush's troubling staff in deep water, Democrats are trying to bounce back into the spotlight - hoping to get the attention of voters this coming Tuesday.

President Bush isn't taking this lightly; campaigning extensively to regain the public's interest and support. He continues to reiterate that he will stick out the war in Iraq, but most of U.S. churches, a key part of the conservative foundations of the current republican agenda, remain divided on the issue. Polls show a solid majority, an incredible 60%, are opposed to the war. While recent polls have stressed that the majority of black churches still tend to vote Democrat even though they may be ultra-conservative and tend to fall out on issues regarding abortion and same-sex marriage, Rev. Al Sharpton recently addressed church leaders that social justice, education and fighting poverty remain much more serious issues. African-Americans only make up 13% of the U.S. population, but are important factors when dealing with regional races regarding the Senate and House.

It also seems this year that negative ads, or poking fun at scandals and nasty campaigning, are the attention-getter on television leading up to the Big Day. And apparently the nasty ads are working. Since the Republican party is highly rooted in conservative values and think "liberal" is a curse word, it's amazing that their campaigning this year, which marks the majority of high-spending commercials and advertisements sent out, feels so a campaign staged by an anti-Christ movement.

A troubling scandal surrounding Rev. Ted Haggard, pastor of mega-church New Life Church in Colorado, now troubles the conservative base of the GOP party. Haggard stepped down as pastor of the church as well as the National Association of Evangelicals (a group that highly supports Bush) due to recent allegations from former male prostitute Mike Jones regarding sexual affairs and drug usage with him. Haggard denied most of the claims on television, except for the claim stating that he purchased meth from him. He claims he never used the drug.

The National Clergy Council recently released a public letter showcasing their sympathy over Haggard and feels his decision to step down doesn't make him a hypocrite; claiming he acknowledges his evils.

The Huffington Post covers a whole different side to the hypocrisy. It mentions that the gay community of Colorado Springs recalls Haggard's involvement with them and even exposes video and conflicting statements from the pastor.

Regardless of where one stands on this issue, it is shaking up churches and it is ruffin' up the GOP. Who knows if this situation will play a big part in the turnout this Tuesday. Time will tell.


MORE TO THE STORY:
Since this article made its online appearance, several events have transpired that prove in the polls to have helped both parties.

Saddam Hussein has been convicted to be executed by way of hanging for ordering the murder of ordering the murder of 148 Shi'ite residents of Dujail in 1982. While Tony Blair opposes the death sentence, others across the country including President Bush rejoices to hear the verdict.

Former pastor Rev. Ted Haggard released a public letter to be read to his church. The offical letter can be read here.




[RACIN' TO THE FINISH LINE]

Friday, November 03, 2006

Stellar Award Nominations 2007

Well, spread the word. The nominations for the 22nd Annual Stellar Awards have been released to the public by Central City Productions. This year's big recepient include Donald Lawrence; packing a chunky eight nods in all. Other keynote contenders include Myron Butler (with Levi) with nominations for Best New Artist and Kirk Franklin - both sharing a total of seven nominations. Israel Houghton, CeCe Winans and Tye Tribbett also have a bundle of nominations on their plate as well. An interesting place to watch over are Malcolm Williams & Great Faith and Youthful Praise being nominated in the Choir of the Year category. There is also a new category this year for the popular Praise-And-Worship style of music in gospel. Juanita Bynum, Byron Cage, Vickie Yohe and Kevin Burroughs Neely were nominated in that category. An excellent independent project we covered and reviewed on PRAYZEHYMNOnline.com by Kevin Turner is also nominated for Instrumental CD of the Year. Sadly, Norman Hutchins, Andrae' Crouch and Judith Christie-McAllister were not nominated this time around for their excellent albums. Maybe next year's list of nominations will earn their attention.

Often dubbed lately as being the BET Awards of Gospel music, the Stellars will once again celebrate their next award show at the Grand Ole Opry in Nashville, TN on January 13, 2007.

For more details and the full list of nominees, click here.

Thursday, October 19, 2006

Is Long Wrong?



Is it wrong for a pastor to appear on a Parental guidance/Explicit album?

Well what if it was our beloved Bishop Eddie L. Long?

Those possibilities have finally come to pass with the recent buzz circulating the newly released, "Release therapy", the #1 hip-hop album from hip hop star Ludacris. We have been following this story for a week already and decided to post a few details about the situation on the PRAYZE Report. The sensationalism from the media has also helped made this a growing storyline.

"Release Therapy", the eighth album release from the hip-hop rapper/entertainer, is hailed to be Ludacris' first personal album. He shows signs of maturity and growing out from the hood-lifestyle and taking on responsibilities as a father and a visionary. The rapper is best known for his crazy antics and youthful pleasures in hit songs like "P-Poppin" (don't ask what the "P' means), "Roll Out (My Business)", "Move Bitch", "Number One Spot", "Hoes In My Room" and "Area Codes", but it takes a slight twist on this project. "Life is about growth and change and that's what's happening right now," he says. "Once you get to your late 20s, a lot of things start becoming more clear. You're just trying to be a better person. ... My main goal is to show the complexities of human nature."


While his album shows two sides of him (Release and Thearpy), his debut single, "Money Maker", shows him playing the role of his former and well-known lifestyle. It features Pharrell Williams and talks about "jiggling body parts and subsequent things to do with them". The video to "Money Maker" is a simple video. It is basically colored backgrounds of orange, green and black throughout the shots. There are shots of Ludacris on the ground rapping with girls surrounding him. Pharell is also singing the chorus around girls on stacks of money. Ludacris has a counting machine that counts how many times he has got a girl to shake her money maker (buttocks) for him. Girls are also dancing throughout the video. The album also features a slate of hip-hop rappers known to be naughty such as R. Kelly, Young Jeezy, Beanie Sigel, Pimp C and C-Murder.

"Therapy" delves deep into Luda's current concerns. On the confessional "Freedom of Preach," bookended by words from New Birth megachurch leader Bishop Eddie L. Long, Luda asks for forgiveness for hip-hop beefs, struggles with Karma's mother and being rude to his fans. He also asks God to forgive others -- including Oprah Winfrey, whom he has criticized for marginalizing rappers.

While the intent may be a blessing for Ludacris, Long is now experiencing growing pains and strains from many in the gospel music community. Currently in the PRAYZEHYMN Gallup To The Polls, 55% of voters have a problem with Long's appearance on Ludacris' album. We are not sure if Ludacris is a member of Long's mega-church, but people are concerned about the intentions and reasons behind this issue of faith.

In conclusion, Luda comments on the intergrity of his recent release. "The sex songs they'll help you relax, the club songs people can unwind and have a good time, and some songs, when I am talking about so many issues, it's release, me getting stuff of my chest," he says. "The truth will set you free."


We have yet to see the day when Benny Hinn appears on a Three 6 Mafia project and T.D. Jakes guest stars on a 50 Cent project. It could very well be on the way.



Wednesday, October 18, 2006

Recap: Jamel Strong & Message Anniversary Concert




..."a momentous occasion, very spirited and enthusiastic"

These are some of the word that help sum up the past seventh anniversary celebration for Jamel Strong & Message, held last Sunday at the Pentecostal Lighthouse Church in Huntsville, AL. Besides a long wait for the show to begin and an endless soundcheck that bothered most of the audience, the concert began almost an hour later with Wess Morgan, from Hendersonville, Tennessee, providing a few songs of praise-and-worship and a few gospel selections from his newly-released independent project. The audience was overwhelmed and experienced a culture-shock when they noticed that Morgan was Caucasian - but belted notes and tossed out a few vocal aerobic rolls effortlessly. Even the movements of the brother had the audience on their feet. He closed with a rocking traditional number, "He Brought Me Out", that took us all to church.

After he settled, Jamel Strong & Message prepared to set the stage and revealed a spirited set of songs saturated with dynamic praise-and-worship choruses, energetic vocals and vibrant solo spots from the group. Standouts included the calypso-driven "Clap", the uptempo contemporary jam "I Will" (that bears a VaShawn Mitchell resemblance to "Where The Praises Are") and the worship ballad "My Hands Are Lifted Up". The audience was right there - singing along with most of the cuts and showed their love and appreciation for their local hero.

Nikki Ross was also in the audience and was asked to bless the masses with her unique and versatile pipes. After delivering a warm monologue, she expressed her love to God singing "Available To You"; which went over well. Fifteen seconds after singing the melody, Ross branches off into her aerobic, jazzy expressions and showcased why she is so difficult to mimic.

Afterwards, Dathan Thigpen & Holy Nation of Jackson, MS took the stage in their fall colored outfits and plaid uniforms. While they were energetic, the audience had a hard time receiving them because of the loudness of the musical tracks and screaming parts. Lots of their songs were wordy and featured plenty of chord changes and plenty of parts. Most of the songs really got irritating when the choir inverted their harmonies to mind-blowing notes. And with a small group like Holy Nation, it's easier to hear distinctive problems that way. Personally, they had great enthusiasm and compares to the hype that currently surrounds Tye Tribbett & G.A. - even down to their look. But sometimes too much can be too much and this was the case with Thigpen's group. Of the songs they performed, "Wonderful", "Clap Your Hands" and "We've Come To Praise The Lord" were best remembered - songs from their recent project, "Get Up: Vol. 1".

Tyscot recording artist and renowned songwriter VaShawn Mitchell teased the crowd with a few of his songs as well as an old-school throwback to some treasured congregational hymns like "He's A Wonder (In My Soul)" and "Yes, Yes, Yes". He flew through "My Worship Is For Real" and for several minutes, the audience was caught up in musicless intimate worship. He finally closed with "No Way" from his recent project, "Believe In Your Dreams" with Thigpen's Holy Nation providing background vocals.

Around 9:00 p.m., the Anointed Pace Sisters, minus LaShun, was the last act to grace the platform and ultimately wowed the crowd with their clear, clean, cutting-edge vocals. After all of these years, the passion in their ministry had not changed and they revealed just that in their song selection that evening. Strong announced that the Anointed Pace Sisters, also known as T.A.P.S., were releasing their new album that night and were going to tease us with songs from that same project. Songs like the infectious "It's Already Done", the moving ballad "The Words You Said" (penned by Phyllis Pace), and "High Praise" were well received and revealed the possibilities of a very promising album.

Overall, the night had its share of glorious moments and memorable highlights. It was an anniversary to be proud of. And we were happy to be a part of that event. We just hope next time that things will start on time.


[STRONG LINKS]