Mercy Mercy Me: The Theology Of Marvin Gaye Pt. II

Where we left off? Almost forgot.

Marvin Gaye records the triumphant musical masterpiece, "What’s Going On" and merits thousands of accolades for its diversity and courageous theological foundations, which before was unheard of in soul or R&B music. And while Marvin Gaye was being trumpeted for being an activist in some odd way against racism, and preached global fairness, economical, Marvin suffered in attempting to write songs that compared to his former success. He suffered writer’s block; which normally happens after you poured out your best previously and aim to reinvent the same success. "Trouble Man" is his finest of his compositions during this time of frustration and proved to be a success. It was fun for Marvin since he allowed him to revisit his early days and desires to relive the sound of Nat King Cole. His ultimate dream was to pursue jazz music and this was his chance. It was a heavy mix of jazz and swing-time blues, glossed up with funky horn and string orchestration popularized by Issac Hayes’ Shaft movement.

But then we already discussed "Let’s Get It On": the sensual Quiet Storm classic that continues to gain favor through the pillars of time. But before we continue with Marvin Gaye’s theological approaches and precepts, don’t forget the closing remarks on that song from Marvin asking his lover if she knows what it means to be "sanctified". Could this be a crafty innuendo or is Marvin just playing around with religious terms? Some believe the former and some even believe Marvin is just revealing his demons and inner issues on vinyl, but time would later tell a different story.

Throughout the bulk of the mid and late 70s, Marvin creeps disco with ease and showcases his imminent presence of survival from the various musical shifts of the time. He survived funk, disco, pop/rock, adult contemporary and punk. And he remained true to his soulish roots.
There is a funny story that goes with his classic take on disco, "Got To Give It Up". Berry Gordy was anxious for Marvin to record a disco record; or at least a disco song. Marvin rebelled. Gordy had an ear for what the public demanded and urged all of his artists to take their swing at the popular fad of the late 70s. Issued on the "Live at the London Palladium" album in 1977, Marvin wrote and recorded "Got To Give It Up" and it burst to the #1 slot on both the R&B and pop charts. It was the most dreadful decision Marvin hated to do. His distaste for disco was strong. Probably because of its visible associations with drugs, promiscuous sex and even homosexuality, but it was there. Everyone at Motown knew that Marvin did no want to do a disco album or song. He also didn’t want to be pigeon-holed into the disco category: he was a soul artist and wanted to remain just that. Even though his heart’s desire was to become a jazz artist, he had grown more comfortable with his soul imagery during this time.

Marvin faced yet another downfall in his personal life: the divorce from Anna Gordy Gaye (sister of Berry Gordy). And the final settlements were severe. So severe that she would receive an extensive percentage of royalties as well as a portion of the advance for his next album. Because of the mental anguish Marvin experienced through this horrific ordeal, Marvin records "Here, My Dear": the pivotal project capturing perfect gruesome imageries of divorce and the heartbreak of love. At least in the eyes of Marvin Gaye. Some even wondered how Marvin could release such a project about Berry Gordy’s sister on the Motown label with approval from Berry himself. But the two-disc collection made it to the record stands and features tough lyrics on the demise of the relationship. This was Marvin’s way of expressing his hurts and pain. Gaye uses the album, right down to its packaging, to exorcize his personal demons with subtle visual digs and less-than-subtle lyrical attacks. It is even noted that within the inner sleeve of the 2-record collection there is a "pseudo-board-game-like illustration" entitled "Judgement," in which a man’s hand passes a record to a woman’s. One side of the sleeve has Gaye’s music and recording equipment, while the other side of the board includes jewelry and other luxurious artifacts. The divorce was that brutal and Marvin displayed that perfectly on record. This also allowed another gateway for individuals to see the inner emotions and fears of the real Marvin Gaye. But it wouldn’t be the last.

Rampant drug use ranging from marijuana and cocaine began to invade Marvin’s life. On his autobiographical musical collection entitled "In Our Lifetime" (1981), Marvin chooses to dwell on his religious concerns while dealing with "party-like" themes. On the cover, there is a picture of cartoon forms of two individuals bearing the likeness of Gaye in both angel and devil outfits. They are both fixed in mid-air, seeming like they are having a roundtable discussion in flight. Individuals that picked up this project should have had a clue that Marvin’s theological beliefs were close for personal examination. "Ego Trippin Out" reveals his denouncing of the drugs that he noticed was only doing him wrong. In a certain lyric, Marvin sings, "The toot and the smoke won’t fulfill my the need." Immediately following that track, a perky, upbeat song entitled "Praise" is heard. It opens up with lyrical notice to a person referenced as "baby" and sweetly sings "let your love come shining through". It’s not a preachy track, but when one listens carefully to the closing vamp, Marvin goes into a gospel-like formation of praise and adoration to another individual. One higher than a sweetheart. More on a spiritual level. Believed to also be somewhat autobiographical, it is a picture of a brother’s search for love and then his attention shifts to God. For His goodness and grace. He even cites "praise Him when you got no dime, praise Him come rain or shine, praise Him when you’re feeling bad, praise Him when you’re feeling sad." Another spiritual moment can be found on "Love Me Now Or Love Me Later" finds Gaye comparing and examining good and evil.

Before Marvin Gaye’s untimely death, he released "Sexual Healing": the ode of serenity for Marvin’s very soul. It was what he wanted, but proved to be unattainable. His life would eventually creep to its erupt ending on April Fool’s Day, 1984. The fight between father and son proved to be colossal. Gaye’s return to cocaine addiction and psychosis after his new career jump with Columbia/CBS Records after disbanding Motown all together left him in the midst of the fight for his life. That life would be taken by his own father.

Unbelievably, in the midst of all of this havoc, Marvin was preparing material for his follow-up album to "Midnight Love" (the album that featured "Sexual Healing"). That material has been batched unto "Dream Of A Lifetime"; the only posthumous project of Marvin’s unreleased material. Since Marvin’s latter career showcased his struggles for spiritual awakening and deliverance, the ultimate revival of this development takes place on "Sanctified Lady". He wants a "sanctified lady, a good ol’ church girl, reads the Bible, to bring his children in the world that will say the name of Jesus". The background vocals in church choir formation pours out with spirited affection "Jesus, Jesus", while Marvin follows.

Marvin Gaye’s world still, to some, is hard to sum up in words. And if you were to deal with his spiritual dilemmas alone, you are bound to run across conflict and many contradictions. But you will discover one thing that is pretty obvious in all of his craftsmanship: that is he loves music, acknowledges it as being a spiritual instrument and possesses an intimate transparency throughout all his contributions. Within his soul and spirit was a enduring faith to hopefully overcome all of life’s odds. And his sensitivity to matters concerning God and salvation were never taken lightly. It remained just as important to him as the world that surrounded him. In no way was Marvin perfect, but he was human. A human with a humble heart and a sensitive soul.

[IN CASE YOU MISSED IT...]
Mercy Mercy Me: The Theology Of Marvin Gaye Part I

Malaco Takes In Too Much AIR

Seems like GospoCentric isn't alone.

Mega music empires are taking over and are attempting to pick up all the independent (or smaller labels) they can find. It's a "divide and conquer" mentality to some, but for others, especially in the industry field, it helps in establishing bragging rights for a music label's credibility. GospoCentric just recently faced a new day in their timeline when Zomba Corporation, whom runs an onslaught of music subsidiaries such as Jive, Verity, So So Def and LaFace Records, bought them out. Now AIR Gospel, a commanding independent label that changed how mega companies viewed smaller labels, joins the occasion.

Firstly, before we deal with the present situation, let's reflect for a minute on AIR Gospel's extensive resume'.

AIR Gospel, a subsidiary of Atlanta International Records (AIR), began in 1980 with Ron Freeman as a natural outgrowth of a business he began in 1968, One Stop Record House, in Atlanta, Georgia. Having created a booming gospel record business in his wholesale outfit, he decided to try his hand in the production and distribution of gospel audio and launched the label selling sermons given by local preachers. This side of the business was so successful, Freeman was encouraged to release gospel music albums and the first, Rough Side of the Mountain, by Reverend FC Barnes and Janice Brown, was a #1 Billboard Hit for two years following its release and has become one of the most treasured traditional gospel recordings in history and is now considered a classic. Other important hits jumped out of the vaults of AIR's gospel catalog, such as the unforgettable "New Life" by Olivia Branch-Walker and the remarkable classic "One Day At A Time" by Thomas L. Walker. And every Baptist church choir in the country should be familiar with the Luther Barnes' track, "I'm Still Holding On". As the 90s sneaked on us so did AIR Gospel. Focus of attention shifted to artists like Rev. Ernest Davis Jr's Wilmington Chester Mass Choir, Dottie Peoples, Byron Cage, James Bignon and Rev. Gerald Thompson under the direction of the visionary's son, Alan Freeman. Dottie took the spotlight with her string of hits like "On Time God", "Pure Love", "Happy In Jesus" and "Testify". Because of her accomplishments, AIR Gospel grew from small beginning to large feats. Maurette Brown-Clark and Rev. Timothy Wright brought amazing contributions to the label in the new decade. But time would lead AIR Gospel down another path in 2005. As they celebrate their twenty-fifth anniversary since their conception, AIR Gospel will be shifting their responsibilities to Malaco Music, based in Jackson, MS.

Of course, Malaco has an extensive background. No doubt about it. But gosh, who would have imagined Malaco to take over AIR Gospel. It almost leaves me breathless. Flabbergasted actually. After following Malaco's triumphs, I have noticed that even Malaco has suffered in a strange way over the last couple of months. Word began to float about Malaco being sold out. Sales with their gospel products began to drop (according to Billboard) and their image on the gospel scene began to fade away due to the over-popularity of mega-corps like Verity. But now, Malaco smiles with joy and happiness over their latest accomplishment. Buying out AIR.

Well, here's what you can expect with this new phase of music ministry.

AIR Gospel products will jump their price up to the Malaco price level. That's $15.99 for a CD, $19.99 for a VHS or DVD and $10.99 for a cassette tape. If you don't believe me, pick up one of those nasty catalogs. It's full of great flashbacks and treats, but the price is enough to make you run to ebay. Oh yeah, expect the cover art to get a lil' less attractive and less linear notes. Malaco and Savoy has a reputation of doing that. Oh yeah, another one, expect for Maurette Brown-Clark and Timothy Wright to make their appearances on Mississippi Mass Choir or Georgia Mass Choir projects, since they are the only great things Malaco possess in their current "superstar" category. I may be missing a few more things...But hey, let's just pray for the best. We don't want Dottie, Luther, Maurette and Timothy Wright to be served any injustice.

Feeding The Flame

I'm sitting here at my computer at 12:47 a.m., listening to Lorraine Johnson's mega disco hit "Feed The Flame", looking over plans and developments for a full-blown website catered to soul, funk, R&B and disco music. It's been in the works for quite awhile, and even though Chocolate City USA is available for viewing from the public, it still is a website that is very limited in terms of bandwidth and widespread access. Heck, it's on Geocities, just like the Beta Page.

But PRAYZEHYMN.com will be launched in a few more weeks, so you won't have to worry about Geocities' problems anymore. At least for this year. LOL. Have you forgot how bad the economy is. People still don't realize that PRAYZEHYMN hasn't received an ounce of donations since we mentioned the easy way to contribute monies to help the vision of PRAYZEHYMN remain vibrant and active. Not one dollar. It's all out of my sacrifice and dollars. Ugh.

But that's about to change.

Oh yeah, just a little info on "Feed The Flame". It's not gospel at all. But Lorraine's vocals are powerful enough to be called that. She bears the same zesty punch Loletta Holloway had, but it's not as throaty and aggressive. Just spunky. Released in 1978 on Prelude Records, this jam possesses all the energies of a early-house classic; which helped the song rise to #11 on Billboard's Club Play Singles' charts. The guitar riffs are very reminiscent of Chic's sound. Some of you may not have an earthly clue of this song or these words. If you don't, I suggest you go and ask your mama or daddy for their vinyl records during the 70s. Back then, the music was lively, interactive, charging, unforgettable and created the perfect spice to that house party or that dance floor groove. If it wasn't "Feed The Flame", it probably was Rick James' very first single, "You And I". The long version.

Gosh, I was only born in 1980. September 10th. And have no recollection of the disco craze or the P-Funk "space ship" odysseys. I didn't even witness an Afro hair style in my generation. But those days will be relieved with the help of my latest musical campaign. PRAYZEHYMN will remain active, so don't cry. But Chocolate City USA is preparing to launch out into the deep.

Let's save REAL music. Together.

Oh yeah, if you are interested in contributing a donation to PRAYZEHYMN, click here.

Mega Goes Bigga

Living near Atlanta has its priviledges and advantages. Commercialism has its place on television and other media outlets (especially urban newspapers and news-related websites) and it's abig market, even for a city like Birmingham, AL. Goodness, the city only a hop, skip and jump from Atlanta. But recently a string of commercials have been targeted to the Southeastern portion of the U.S. coming from the supersized mega-ministry of Bishop T.D. Jakes; advertising his super convention better known as the Mega Fest. And in Birmingham, you can't escape hearing about this event. It's everywhere and on almost on every channel. Where does T.D. get the bucks to do this? Well, let's move on, shall we.

The event hosts dozens of events targeting various demographics. In fact, it deal with almost every facet of family and entertainment that it would take an Einstein to figure out what's missing. Jakes' popular events which include Woman Thou Art Loosed and Manpower will take place there along with a Women of Purpose Concert and Mega Youth Experience. And the sponsors have come out by the thousands. I mean that literally. Coca-Cola, Pine Sol, American Airlines, Bank of America, St. Joseph Hospital, Rolling Out Mag, Gospel Today Mag, even 20th Century Fox! Wowzers.

New events have been added this year which include a Comedy Show hosted by Steve Harvey, Tom Joyner and J. Anthony Brown (also Rickey Smiley will be there). But it is the Women of Purpose Concert, a colossal event bringing on stage the "Who's Who" in music, that will definitely spark the greatest attention from church-folk to Saturday night club goers. Gladys Knight, Chaka Khan and Stephaine Mills headlines this one, while Martha Munizzi, Vickie Winans, Dottie Peoples, the Clark Sisters and Coretta Scott-King will bring on the joyous spiritual crunk juice. No confirmation yet if the Universoul Big Top Circus will be added in this year's line-up. There's even word that this year will feature a golf tournament!

With this kind of attention, especially with Chaka and Gladys in the mix, you kinda' wonder if people are gonna flock to da ATL this time around for the preaching or just to be swooned by the melodic vocals of those two divas. Hmmm. This kind of a festival is too large for some and to unbelievable to imagine. Just when you though this event couldn't get any bigger...

It takes place August 3-6, 2005 in Atlanta, Georgia at various venues including the Georgia Dome and the Phillips Arena.

[MORE ON MEGA-FEST]
www.mega-fest.com
www.tdjakes.org

In.DENT.pendence Day

Gosh, I never thought I would have to type this. A brotha' had to work today, basically because bills are popping up on a brotha. Which means I did it for a particular reason (if you wanna know, holiday pay). But a brotha also realized that the firework display, sponsored by Fox 6 News (which happens to be one of the best news stations in the Southeast and my favorite to watch). They call the annual celebration of fireworks and nostalgic patriotic music "Thunder On The Mountain". Shooting into the air for over thirty minutes some of the most colorful and spectacular fireworks over the years is the big treat, or in other terms, the Big Bang. Well this year it happened to be the Big Bust.

It didn't rain this year and there were no delays, in comparison to other years. But the show only lasted for a good twelve minutes; which was a devastating disappointment. And to make matters worse, the bulk of Birmingham's citizens had nothing else better to do on a Monday but all gather around Red Mountain to see the firework display. A huge disappointment. The show only featured a few good blasts and the rest were faded duds and a strong mix of pitiful colors and bleeding portrait of red, white and blue. Even the pretty purple colors were faded in most cases and were small in comparison to previous years.

Usually, the show blames it on bad weather for poor performances. I wonder who will get the blame this year. Will it be the taxpayers or Fox 6 News? Goodness, who knows.

Next year, the city better have sumthin' else going on besides me working on the 4th. Otherwise, I will be moving to my good ol' neighboring city, Atlanta, for dependable entertainment. All I asked for this year was at least a good show.

To Luther, With Love...

He inspired a generation to love.

He encouraged a breed of artists to sing from their soul.

He revealed a world through his music that believed in peace, joy and pure bliss.

And he touched people even more with his fight for survival. The fight to live.

Luther Vandross bid his farewell to this world in the flesh on July 1, 2005 for good. But not in spirit. His enduring struggle, after his serious bout of diabetes complications and the stroke he experience two years ago, has been silenced today.

"Luther Vandross had a peaceful passing under the watchful eye of friends, family and the medical support team," said Rob Cavanaugh, a spokesman at JFK Medical Center in Edison, New Jersey.

Vandross, born in a housing project in New York City, started out singing jingles and working as a backup singer for David Bowie, Bette Midler and Carly Simon. He was hanging out at the Philadelphia studio where Bowie was recording tracks for what would become his 1975 "Young Americans" album. The British rocker overheard Vandross improvising the line, "I heard the news today, oh boy" in the chorus of the title track, and pulled him into the vocal booth to join the backup singers.

At the urging of Roberta Flack, he took his savings and recorded the demos for what would be his first solo album, 1981's "Never Too Much." He signed with Epic Records -- only after insisting that he produce his material -- and the album became the first of a chain of million-sellers.

With its blend of swing and soul, "Never Too Much" put Vandross at the front of the "retronuevo" movement, deftly weaving modern studio production with classic vocal intimacy.

He became a fixture on the urban music charts, and wrote for artists like Aretha Franklin, Diana Ross and Dionne Warwick, but mainstream success eluded him until 1989, when he had his first Top 10 pop hit with "Here and Now," a track tacked onto a compilation album. That song has since become something of a classic wedding ballad.

His own life was less happy. He dealt with his loneliness by eating, and his weight fluctuated between 340 pounds (154 kg) and 190 pounds (86 kg) during his adult life.

"In other areas I'm strong," he told Rolling Stone. "I've never been high in my life -- never tasted wine, never puffed pot. I'm unbrainwashable and don't give in to peer pressure, but food is different."

Unlike most of his peers, Luther failed many times in the eighties in trying to become a mainstream audience. Instead he remained committed to the R&B sound, while experiementing heavily with pop music's advances. Prince and Michael Jackson succeed with pop, but Luther remained faithful to R&B. To this day, many even believe Luther Vandross is the last of the best R&B crooners. But after "Here And Now", which received a Grammy, Luther's career leaped into a festive adventure full of opportunities. "Power Of Love/Love Power" followed, along with "The Best Things In Life Are Free" (a duet with Janet Jackson) and "Endless Love" (a duet with Mariah Carey). Luther's final album, "Dance With My Father", received several Grammy nods, while taking home one for Best R&B Song of the Year.

While the gospel world still mourns over the loss of Ron Winans, add Luther to this and next week's schedule of events. Luther impacted many people. His music and influence has touched artists such as the Winans, Darwin Hobbs, John Legend, Ruben Studdard and even Lalah Hathaway. He even co-wrote "Pray"; a song which appeared on Jeff Majors "Sacred 4 You" album.

Emotional images of Luther's mother, Ida, praying and hoping for her son to recover, along with Patti & Aretha's prayer vigils may come to mind throughout Luther's battle for life after his stroke. Truly, the world united in prayer to witness a miracle. To hear him talk and sing again. And he did that, amazingly, during the past GRAMMY Award telecast. He was alive to receive his Grammys and to hear his album going gold from J Records' CEO Clive Davis himself. I really believe Luther has witnessed the great things in life and enjoyed the blessings that God has graced him with. Now may he forever rest in the arms of the One whom created him.

In Kase You Didn't Know Already:
J Records CEO and former president of Arista Records Clive Davis has annouced that he will be releasing a tribute album to Luther featuring renditions of Luther's most treasured works from Mary J. Blige, Fantasi, Mariah Carey, Wyclef Jean and many others. Terry Lewis and Jimmy Jam are set to produce. "Forever, For Always, For Luther", a tribute album released on the Verve jazz label, was released during Luther's rehabilitation in 2004 and featured remakes from Dave Koz, George Benson, Kirk Whalum, Lalah Hathaway and Boney James.


SPECIAL TRIBUTE BY DARWIN HOBBS AND VIRTUE
Click here: [RealPlayer]

Ron Winans: In Memory

By the time people began to dive into the heavy dosages of spirited, quality gospel on the "Friends & Family V: A Celebration" project from Ron Winans, we would be surprised to hear of his sudden departure from this world. Ron Winans, second eldest brother of the ten Winans' dynasty, passed away on June 17, 2005 at Harper Hospital in Detroit due to serious heart complications. He was only 48 years of age, and even though he passed away so suddenly, he left behind more than realized. Best known for his graceful vocals on several of the Winans' prominent hits and for co-writing the infamous "Uphold Me", Ronald moved into his own destiny by recording his legendary "Friends & Family" projects. And even though some of those collections are truly hard to find these days since they were independently released, it features some of Gospel's unforgettable moments, all thank to Ron.

Ronald Winans also experienced a breakthrough in 1997 when he was literally brought back to life after suffering a massive heart attack. Since recovering that event, Ron went on the road proclaiming his miracle and speaking of God's goodness over his life while serving faithfully at his brother's church, Perfecting Church; pastored by Marvin L. Winans. PRAYZEHYMN expresses deeply our sympathy to the Winans Family over Ron's sudden departure. We truly will miss him...

The following events have been arranged to celebrate the life of Ronald Winans, courtesy of the Winans Family.

The Family Visitation will take place on June 23rd at 6 PM, followed by a Musical Tribute at 7 PM, at the Perfecting Church in Detroit. On June 24th, there will be a Celebration Service at Straight Gate Church in Detroit at 11 AM. All services are open to the public.

Letters of sympathy to the Winans family can be sent to The Perfecting Church, 7616 East Nevada St., Detroit, MI, 48234. All cards and flowers for the family should be sent to Perfecting Church.

Did God Block It?

"There were dangers awaiting me. Destruction was sure to be, but thank God for angels that were shielding, and protecting and looking out for me. Thank You Lord! The devil had a plan to kill me I know, but God intercepted his plan, and told the devil, NO! GOD BLOCKED IT!"

-Kurt Carr, lyrics to "God Blocked It"

The lyrics are powerful, inspiring and certainly a testament of God's favor and bountiful blessings. And even though God's Word comfirms in John 10:10 that the enemy (Satan) attempts to kill, steal and destroy us, God proves how merciful he is to us all by gracing us with "second chances". Let's be realistic though, God gives us third, fourth, fifth chances and so on.

But the gospel according to Kurt Carr, in chapter 45, verse 7, has comfirmed that God certainly blocked the peanlty of imprisonment in the most recent and scandalous trial of the year against the King of Pop, Michael Jackson. The gospel artist uses his song off of his new album, "One Church", to speak of God's loving kindness towards the odd-ball superstar; even though Carr does believe Jacko to be weird in some ways to normal standards. "Even if "we" thought he deserved it, clearly God intervened and blocked Michael Jackson's demise! I actually feel that God obviously has a work for Michael Jackson to do.", Carr suggests in his press release using the juggernaut promotion outlet of Black Gospel Promo last week.

To some, this statement may be old news, but this week a huge resurgance or a revival of Carr's epistle to the church (and world) has taken place. And it seems like some are not eager to agree with him on this touchy subject. My goodness, anyone in the Church who dares to speak on this issue in public has to be a bold one, for real. It's pretty obvious that half of the country believes the jury was probably in Michael's Fan Club, or had sympathy for his future. And let it be said that Michael, with all of his controversy surrounding his nose jobs, Neverland's akward activity, skin color alterations and his obsession with sleeping with young boys in the same bed, has upsetted a good number of conservative Americans (*cough* the 700 Club, lol). So Carr should have expected such a backlash.

It has come to my attention that Carr is being stomped upon on message boards and blog zones sponspored by our fellow counterparts in the Contemporary Christian music camp. Even though I'm not a member of any of those boards and groups online, I'm pretty sure those accusations are true, even though it's still considered a rumor.

My comment on this: Let's pray for Michael and Kurt Carr both. That's what real believers should do. Even though I feel like Carr thought this would be another way to help market his new project (piggy-backing on someone's fame and fortune - smart campaign move by the way), Carr doesn't need to be condemned for speaking his mind. But at the same time, this is reality. People judge us whether we do good or wrong. So let's just pray for the both of them. And let God's Will be done, on earth as it is in heaven. Good enough for me.

BTW, please don't write me asking for my opinion on Carr's statements about Michael. I got enough "hatemail" as is. LOL.

I've Been 'Buked...

"It's me, it's me Oh Lord, standing in the need of prayer..."

Well, this has been one interesting set of weeks in my world. It all started a few weeks ago when I decided to post reviews of Kurt Carr and Donnie McClurklin's latest projects up on the Beta Page. And everytime I critique' an album, I usually grade it using the "A,B,C,D,F" rating system. Well, I didn't really enjoy those projects so much, especially when compared to their previous collections of music. Since then, I have been 'buked and scorned by people from all walks of life and it doesn't show no sign of stopping. Hey, I can't help I didn't like the albums. There are plenty of albums in the past that I recall giving poor reviews towards, and even though I always tend to highlight even the good on the albums, people fail to see that and aim towards all the negative attention I place on the projects.

I have even gone on the record of stating that I don't review or judge artists. That's not my role. I review albums, CDs...the music. And that's it. But I don't sugar-coat the reviews, nor have I ever claimed to a professional critic. But it's so amazing that when Siskel & Roper review movies and claim they suck, I'm sure they get hated on by the press and movie lovers. But Siskel & Roper are respected individuals, nevertheless, and always tend to rise beyond the negative comments. They review movies for a living, for God's sake. And then when the Dallas Morning News or the Associated Press or VIBE or AllMusic.com release their reviews on albums that pretty much are horrible, they also rise beyond the negative comments.

Having said that, I wonder can I rise from these last few weeks of negative attention. Even though I love negative criticism and don't mind people stating their opinions (I don't even argue back with them) on any issue, I don't like it when they try to "correct me" (and some of them are good friends) and used the Word of God as a way of coaxing me to change. Some have even gone further to say I'm sinning!!! But then when you talk to these individuals behind closed doors (in IM land, in person or on the phone), they will jump up and down about a project that "sucks". They will even laugh at it and call it junk. Doesn't that pretty much remind you of hypocrisy in action.

I believe if I reviewed secular albums for a living in the way that I am, I won't get this kind of feedback. But in the gospel industry, can't we admit that we don't like a certain album?

For my fellow gospel torchbearers, speak the truth, That's all I have to say and let your voices be heard. Sometimes I feel like I'm all alone in this matter. Maybe I am all alone. Everyone seems to want me to be like Gospelflava.com...just speak only good things. Keep your opinions to yourself and speak only the good. (sigh)

BTW, I'm not hating on Gospelflava.com. They are who they are...we all are different. I just tend to embrace my unique capablities even more. I love who I am.

Recently, I have checked out Lou Williams' "award-winning" website (he's gonna kill me for this), and I have noticed that he speaks his mind, even on an album that he doesn't really care for. He will say it, and he has a right to. That's his opinion and he recognizes his right to freedom of speech. I wonder how much hell floats in his e-mail account due to his opinions on certain "low-rated" reviews.

But this is not a battle with me and my fellow industry partners. Instead, this battle is much more personal. I have tossed aside my cares to the Lord...and I know He knows my sorrow. I know I haven't sinned...but I do know I've been 'buked, sho nuff. I feel like Job right now.

"Not my mother, not my father, but it's me, it's me Oh Lord, standing in the need of prayer."

Mercy Mercy Me: The Theology of Marvin Gaye Pt. I

One may not have questioned after listening good to the complete song collection from the genius of the late Marvin Gaye that he had a spiritual side to him. Hailed as being the first son of Motown and crafting a musical style that embodied the energies of sophisticated soul, R&B and pop music, Marvin Gaye never failed in exposing his listening audience to his inward fight with spirituality. And even though it truly has been a mystery to interpret by most music critics, most can draw the conclusion that his faith in God was never a joking matter to his main audience. Even though he was known to divulge into the spiritual realm and express his heart for God, he never succeeded in balancing his involvements with secularism with his spiritual side; which probably resulted in his untimely death on April Fool’s Day, the day before his 45th birthday, in 1984. Find it even more fascinating when you hear that his father Marvin Gay, Sr., whom shot and killed him after a heated argument, was also a licenced minister.

Gaye’s career took on many transitions and transformations that helped explains how Gaye endured with popularity, even while music took on its share of alterations. Even though Gaye embraced the sounds of Nat "King" Cole during his early years at Motown, Berry Gordy, founder and CEO of the independent black music empire, persuaded Gaye to cater more to R&B. The idea worked and helped launch Gaye into a series of hits which included "You’re A Wonderful One", "Stubborn Kind Of Fellow", "Hitch Hike" and "How Sweet It Is (To Be Loved By You)". But even in the midst of all of this, he had the heart and passion to pull out a few, rare spiritual songs in the process, such as the moving rendition of "His Eye Is On The Sparrow" which can be found exclusively on the double-CD project "The Very Best Of Marvin Gaye" (2001). As the Vietnam War escalated with terror and no trace of its conclusion, Marvin indulged himself further into his music; as a way of escaping the realities of the time. All of his crafty escapism eventually failed when he lost his dear friend and duet partner Tammi Terrell with her bout with a serious brain tumor in 1970. Her death left Gaye deeply shaken, but would help usher Gaye into his most prized musical offering ever assembled; "What’s Going On" (1972). This album was a landmark effort which many claim was the re-invention of soul music. It was a social, political and spiritual suite that continues to prove its enduring worth after all these years. But it was his spiritual views that lead this album into its intense posture for change with his urgent address to environmental woes, military turbulence, urban decay and poverty. It seems like every issue of the day was tackled on this one amazing musical offering and Gaye was unashamed of his attempts of dealing with them in his music. "Wholy Holy", a song co-written by Gaye that Aretha Franklin is best known for reintroducing to the world on her "Amazing Grace" project, appears for the first time on here. "God Is Love" reveals Gaye’s love for Christ Jesus in the most compassionate way. "Inner City Blues (Makes Me Wanna Holler)" showcases Gaye’s desire for new direction in the ghetto as he becomes somewhat of a political tour de force on this popular track. Though many will cherish the title cut of all of the offerings here, each song has become as important as the next track. "Mercy Mercy Me (The Ecology)", the environmental conversation piece of the whole project, bears a prayer-like structure to it, even though it never comes off with the intensity of a sermon. These words ring the loudest: "Oh mercy mercy me/Oh, things ain't what they used to be no, no/Where did all the blue sky go?/Poison is the wind that blows from the north and south and east." It speaks of the turbulence of the times, but it is true concern. And what is ironic about the song is its eerie conclusion which floats into a swelling orchestration, with few vocal runs from Gaye. Then it ends as if the song has no answer...mere confusion...total darkness...completely odd. This pretty much proves, of course, that Gaye was genius, but that he also wrestled with his own share of demons and problems inwardly. And that was surely conveyed in his own music.
After that breathtaking album, you see and hear more of Gaye’s spiritual foundations, even in the most unpredictable moments of his musical career.

Remember "Let’s Get It On"? The loosely, seductive composition of all of Gaye’s popular songs? While it floats as a celebration of sex, it unexpectedly runs smack-face into his infatuations with his faith. He then asks his lover if she understands what it means to be "sanctified". This isn’t the only time Marvin gets this charismatic on record.

[MORE ON MARVIN GAYE & HIS SPIRITUAL BATTLES]

USA TODAY:

Michael Eric Dyson reveals more

PBS/TAVIS SMILEY:

Transcript w/ Dyson and Nona Gaye from April 1, 2004

"Preach, Black Man!"

It seems nowadays that the wave of teleevangelism continues to grow in enormous proportions that to many it seems to be a bit over-exhausted. Nevertheless, there are some that bring an urgency of importance to this spectrum of ministry and uses it with an overwhelming abundance of excellence. If you have ever heard the Reverend Jamal Harrison-Bryant preach anything, you have probably giving him your full attention and experienced mixed emotions that promises satisfaction. Of course, jittery emotions doesn't always qualify a sermon or preached message to being of good standards, but Bryant has a way of reaching to the total man: preaching to the soul, encouraging the spirit and strengthening the mind. That is probably why Jamal Harrison-Bryant has become an overnight sensation to many and is the senior pastor of one of the fastest growing churches in the African Methodist Episcopal (AME) denomination. Founded in 2000 with 43 members, Empowerment Temple AME Church, located in Baltimore, MD, went through several transformations which eventually leads up to their new edifice housing 6,000 active partakers every Sunday morning. He also has set an incredible record for his influence on young people and men which makes up the bulk of his church membership.

And even though he talks a good talk, Bryant has an extensive record of being one of America's revolutionary leaders and continues to show forth the evidence thereof which includes working with the NAACP, being recognized in Ebony Magazine and has appeared on CNN, C-SPAN, BET and the controversial "Politically Incorrect" hosted by Bill Maher. And everywhere he goes, he takes a profound message of hope and power that has helped resurrect the teachings of the "social/liberation gospel" which gave way during the late 60s' by legendary theologians of Rev. James Cone and DeOtis Roberts. Many have even compared his teachings and efforts to the likes of the slain civil rights leader, the late Dr. Martin Luther King, Jr.

My experience with this new Kingdom-developer has been quite riveting. After being a eight-year member of the AME Church myself before moving on to where I am today (Baptist, non-denominational) , I took notice to Bryant's achievements and recall interacting with the profound pastor online. His words of encouragement helped me to deal with the oppression of religious structures and degrading traditions that I had to face in church. That message of hope still lives with me today and as I look at Bryant's achievements now, I smile with sheer abundance. He's been on TBN since then and has killed the listening audience (in a good way) at T.D. Jakes' MegaFest in Atlanta. Why should I be amazed? His messages are always uplifting, very spontaneous, always inspiring and helps propel a sense of relief to life's worries and problems. He's very humorous and always seems to have a strong connection with his audience. And even when he's in other cultures and arenas, he always has a word for his black people. That's probably why he has such a mighty effect on urban America and has helped made him one of the key leaders of today's Joshua generation.

In a day when most African-Americans tend to think that the NAACP and the SCLC seems to focus more on mild conversation pieces rather than serious issues, the church is becoming more and more visible in tackling the real matters of the time such as economic stabilization, community development, family empowerment, moral awareness and HIV/AIDS research. And if you are looking for that kind of message, Jamal Harrison-Bryant has a word for you....and as he always adds into his oratorical deliveries, you are bound to reply to these words, "Preach on, black man!".

[LINK UP]

Empowerment Temple AME
Jamal Harrison Bryant Ministries
www.empowermenttemple.org

Mega-Fest 2005
www.mega-fest.com

Oh Happy Day: Let's Celebrate...

Finally, my waiting days are over.

Reverend Timothy Wright, the Godfather of Gospel Music, has put out yet another winner with "Let's Celebrate (He Is Risen)" on Atlanta International Records (AIR Gospel) with the New York Fellowship Mass Choir (gloria). After hearing small snippets and samples of each song on the Internet, I am very confident that this project will take me on through the rest of this year with a great shout.

BTW, check out Wright's cover of the old-time favorite "How I Got Over" (which you can find on his "The Best Of Timothy Wright" compilation also on AIR Gospel. The renditon is quite the charm. Get ready to hear the title cut on every Sunday morning also...this is just a dynamic, choir-friendly masterpiece.

The review and song peeks will be posted on the BETA page next week.

Timothy...you done it again. Kudos.

AIR Gospel:: Website
www.airgospel.com

Gotta Love That Theme Song

Growing up, we all had that show that we had to dive in front of the tube to watch. But have you ever considered how some of those theme songs just seem to stick in your memory bank...and not just because of the show itself, but because of bouncy, infectious melodies.

And have you ever wondered why the Norman Lear shows of the 70s always had that incredible gospel sound attached to it. Shows like "Sanford & Son", "Good Times" and "The Jeffersons" had that spirited feel to it, and even possessed incredible choral harmonies...like a mass choir on the first Sunday of the month. You kinda miss that sound in the theme shows today. Even though shows like "Seinfield" and "Fraizer" are known for their jingles and "The Simpsons" has its dynamic orchestra foundation covering the bulk of the show's score, you still miss that soulful singing that rested on theme songs like "Amen", "Three's Company" and "227".

Everybody has their favorite theme show song...but if you're looking for sum' serious gospel sang'in and soulful melodies, check these out and catch the spirit. The lyrics might not be gospel...but it sho'nuff sounds like Sunday Morning.


The Jeffersons
We're moving on up...Occasional spiritual lyrics lay within a social message of liberation for middle-class African Americans overcoming poverty. Who can forget Janet Du'bois (from Good Times) and that powerful chorus singing this bouncing gospel-styled tune.

Amen
Vanessa Bell Armstrong, one of Gospel's premiere female vocalists, is accredited to singing this stylish, traditional up-tempo number; in which was penned by Andrae' Crouch. It's gospel fever at its best...and the truest of all theme songs that can be called gospel. Don't you wish they had this song on her "greatest hits" compilations?

Good Times
"Anytime you need a payment...good times"...it's another Gospel-styled gem tucked with a social-themed cause. The ending is soulful and unforgettable. It's so amazing that the song speaks of even in the worse of situations (temporary layoffs, easy credit rip-offs, etc), but closes out with the fact that even in those horrible situations, they are good. Reminds me of Romans 8:28!

Sanford & Son
Quincy Jones laid down the score and produced this memorable track...and the rest is history. Probably one of the most popular of the 70s theme songs, the organ grooves and the instrumentation is a great mix of jazz, funk and soul. Wish they had a long version of that tune somewhere.

Family Feud
Tonex' recently recorded this popular game show tune on his "Out The Box" double CD collection, but with lyrics. And his reason...because he felt while growing up that the "Theme Song to Family Feud" was gospel! And how can you not think that...it's filled with all of the wondrous ingredients for a riveting, up-tempo choir rocker. Tambourine are going off and the horns are no match to Mo' Horns on today's gospel projects. Now get out on the aisles on this one...and get yo' shout on.

A Different World (w/ Aretha Franklin)
Aretha is truly the Queen of Soul. And on this modern-aged contemporary track, Re'Re released an incredible vocal on this theme song...it was so good that you wish she released this as a single. It prolly' would have rocketed up the Billboard R&B charts.

Night Court
The bass guitar enters and then a jazzy, up-tempo groove filled with spunky horns and heavy percussion is released. It's a groove that you would think Bob James would put together...but it's a piece that reminds you of a Gospel jam session. If there were lyrics to this thing...

The Price Is Right
This song is delightful from beginning to end. You feel like a winner when you hear those smooth flutes, the moving bass lines and the xylophone action. Reminds you of shopping in a grocery store, it just leave you with a good feeling deep on the inside.

Roseanne
It's a blues fest when you hear this funky, soulful musical joint. But don't disappear, there's enough soul on here to get your fan a-going and your head a-swaying. There's a musical modulation in the middle of the song and that's enough right there to remind you of a good traditional church number.

Now what are you favorite theme show songs. Maybe Family Matters. Golden Girls. Peanuts (Charlie Brown Theme). Or is it Baywatch (lol)? My opinion....I kinda love "The Love Boat" and "Inspector Gadget" the best. :-)

Saturday Night Forever?

Okay, don't get mad at me, but this weekend I finally watched Saturday Night Fever (1977) for the first time.

The familiar dance film featuring Tony Manero, played by a young John Travolta, chases his aspirations for life through his joy of dancing on the night floor at Club Odyseey 2001. Outside the club, he's a nobody working a dead-end job in a local Brooklyn paint store. But inside the club, on the dance floor, Tony is a king and treated like such. Yet the movie shifts into various changes that proves to be relational and possess a strong significance even today, after all these years. And believe it or not, this film, which surrounds the hated genre of disco music, still outshines some of the greatest movies released during the late 70s.

I don't know why I, for the first time, viewed Saturday Night Fever...or desired to see the movie after all these years. The cashier at my local Wal-Mart looked at me with a puzzled and confused stare; as if I was related to Bin Laden when I handed her my copy of Saturday Night Fever for purchase. She immediately thought that I had the "night fever" after viewing the dance/disco show of FOX's American Idol (yeah, that was the same show that caused Anwar Robinson to finally go home). But it wasn't that. I just felt like watching it and owning a piece of music history.

You gotta give it to Robert Stigwood and his Saturday Night creation for what it did to suburban America. Disco was a fad that was part of urban America and was a way of escape from all of the toils and heartache during the difficult 70s (remember the high gas prices, Watergate, Vietnam). This movie helped revolutionize America to dance their pain off their shoulders. And finally, you could hear various music styles ranging from Euro-disco to classical, from jazz to funk, from pop to rock joining together to make music that helped individuals across America smile again.

After watching the dark, yet engaging film of Saturday Night Fever, I pause and wonder if disco, in all of its glory, revisited us today. Yes, we have many alterations of disco music with us; which include house, hi-NRG, techno, garage and other dance/club styles, but what if we had real music with real musicians to return into the studios and put out music like this once again, could be become the "one nation under a groove" that we once used to claim.

This week I sit here listening to "One Nation Under A Groove", performed by George Clinton and Funkadelic. And I remember when everyone jammed to the funk, to the sounds of the early synths and the message that help unite cultures and diversities. Also this week, hundreds of individuals will be engaging their ears to Kurt Carr's "One Church" project. I just hope that Kurt Carr can pull off what he intended to do (unite cultures and make a project appealing to all...while also making money) can do for gospel and Contemporary Christian and Southern Gospel and...the list goes on...what Parliament for secular music.

For those individuals that considered disco music to be a vain lifestyle only full of druggies, homosexuals, sinners, they are misguided and dangerously misdirected.

If they only knew.

Watch out church folkz, I got the FEVER.

The Giants Are Coming!

GospoCentric/Zomba recording artist Kurt Carr at 2004's Stellar Awards.

Technically, spring is usually the season of growth and expectancy. These are just some of those "signs and wonders" that point us to that glorious fact.

• We celebrate Jesus' resurrection during Lent season.
• FOX's American Idol rules the airwaves this time of year.
• March Madness begins a fast-paced journey for anxious college basketball athletes while many of them fix their pupils on the NBA for their "hoop dreams".
• The lawn gardeners returns to their roots and begins beautifying their front yard's landscape while our vehicles are sprayed with strong dosages of yellow pollen.
  

But you may want to beware of the most obvious point of them all. Music companies put out their best, or should I say, their "top crop" during this period. But let it be said that everything that looks good ain't always good (that's what Mama always say).

Take mama's advice.

GospoCentric and Verity Records, the big meatballs in the Gospel music industry, has unleashed a heavy load of projects in the last few weeks that are intended to satisfy your gospel tastebuds until the end of the year, or at least 'til the next batch of Stellar and Grammy Awards are given out. With new material from Kurt Carr and Donnie McClurkin leading the pack from GospoCentric/Zomba/Verity (and so on), and artists including Anointed, LaShun Pace and newcomer Micah Stampley trailing behind, there is no way to escape the hard-hitting album releases for this quarter. They are everywhere. And that's not all...John P. Kee just released a children's project a few weeks ago and now Verity drops a second project from the Prince of Gospel debuting newcomers packaged as being "John P. Kee presents The New Artist Showcase". That's two albums out already...and we haven't even see the middle of the year 2005!

But don't be shocked. Television has its revival session in the fall, while the music industry celebrates their newborns in the spring.

But with all of this said...most of the stuff from the "giants" (as I like to refer them as being) are not always big. Much of the projects are packaged mighty rapidly and are released too soon - meaning some of these big boys need to stay in the incuberator a little longer. Radio isn't even ready to find real singles for most of these "blockbusters", since it's hard to distinguish which song sticks out the greatest. Problems have already generated regarding EMI's LaShun Pace long-awaited album...and barely one song from John P. Kee's projects get a nod on radio and with the public. And even though Donnie McClurkin experienced a breakthrough with his double-cd project, reaching #1 on the Billboard Gospel charts, it was suddenly knocked down by Kurt Carr's single CD project ("One Church") the week after. That may be a success for GospoCentric/Verity on one hand, but it's like the humongus superpower is competition with itself.

By the way, both projects from McClurkin and Carr, according to most valuable and reliable sources, seem to be insipidly mediocre; in comparison to their previous recordings.

The giants are coming...but they are no problem for David.
All he need is a sling-shot and a rock.
That's why I love independents.

"Give Me That Old Time Religion"

"Gimmie that ol' time religion...It's good enough for me." - Traditional, Negro Spiritual

Words of that classic hymn of the church rings with clarity in the ears of the young in spirit. Seems like the high-demand for classic gospel projects are pushing the big companies to refinance those treasures and distribute them once again. Not only that, today's zealous consumers aren't just looking for the old stuff, but they are doing the old stuff too.

Nothing wrong with dusting off the ol' albums and putting those vinyl masterpieces back on the phonograph...And also re-producing it into digital mp3s. A sound that was designed by the master architects of Sam Cooke & the Soul Stirrers, the Dixie Hummingbirds, the Jackson Southernaires, the Fairfield Four, the Gospel Harmonettes and the Mighty Clouds of Joy during the Golden era is now resurfacing, but with new faces.


On Tuesday, April 19, 2005, a new generation of God-fearing, gospel-
sangin' soulful talent on the GospoCentric label (distributed by mega-giant Zomba) that goes by the name "The Soul Seekers" will make their grand entrance to gospel society. The group consists of eight young brothers, whom have worked with a Who's Who in R&B, hip-hop and pop music (which include Britney Spears, Whitney Houston, Missy Elliot, P. Diddy and the Backstreet Boys), have come together to return to their roots. And it's not your grandson and granddaughters music. Instead they draw back on the power and brilliance of quartet gospel music.

The group's personnel consists of Teddy Campbell (married to Tina of Mary Mary) on bass, renowned R&B and gospel producer Warryn Campbell (married to Erica of Mary Mary), founder Nisan Stewart, lead guitarist John "Jubu" Smith, vocalist Gerald Haddon, Charlie Bereal on guitar, Craig Brockman on the organ and drummer Eric Seats. They have all expressed their passion to the rich traditions of quartet gospel and believe that they will open the ears of today's generation to its incredible, lasting sound. With them being young, talented and handsome themselves, there is no doubt that the Soul Seekers will attract a large, younger audience.

But don't let the age of this style of gospel overwhelm you...the Soul Seekers bring a fresh, vibrant perspective to the classic, down-south, churchy sound. What started in 2000 at a one-night tribute celebration to gospel quartets in Los Angeles, now stand as a beacon of light to the gospel industry. On their debut project, tunes such as the balladic "What Would You Do?", "Somewhere Listening" and "Make A Way", which features Harvey Watkins, Jr. of the Canton Spirituals, are sure to be album highlights and are filled with high-octane energy and zeal. Enough zeal to appeal to the young and the old.

With this project awaiting to drop on Wal-Mart shelves across America, it seems like quartet gospel is surely on the rise. Artists and groups such as Robert Randolph & the Family Band, RiZen, Keith Wonderboy Johnson, the Canton Spirituals and the Christianaires have done their share to reach new audiences...go ahead and add the Gospel Seekers to the mix.

Long Time, No Hear

Well, I am back...

And it has been a good minute since the last time I embraced the BLOG.

But hey, a brotha's been busy. This past weekend, I went to a local engagement which featured Cinque Cullar (without the Tribe of Judah) and Emtro Recording Artist L. Spenser Smith & Testament. The event was hosted by Rich & Krew, but the night was all about Cinque' and Testament. Worship entered the room and I was very much pleased. A few other groups showed up and it turned out to be a success. I don't go to too many concerts and I have my reasons...they be too long and not enough substance. Plus my ears can't take too much horrible music, and sometimes that's just what I get. But I was very much pleased and I'm grateful to hear that.

American Idol is sumthin' else, ain't it (using my Southern talk...lol). Everytime you look up, one of your favorites are gone. Well, my bets are that a rocker is gonna win this year. And Constantine has the better voice. Of course, I may be from Alabama and you may assume that Bo Bice may be my pick, but I do believe the better talent should win. Constantine is that pick...but don't get me wrong, it would be nice to see Vonzell or Anwar win.

Enough of that. The BLOG is sure to boom in a few more days with more entries...so check me out lata.

Mario's Gone, Must Recuperate

I must admit, waking up this morning was a shocker.

I could hear the television a-going in my dreams and hearing Mario Vazuqez name being mentioned; seemed like on the news or some gossip-columned broadcast such as Access Hollywood. But anyway, I woke up, and to my surprise, I hear the bad news. Very bad.

My favorite reality-tv show will be losing one of its prime hopefuls: Mario is gone.

I have been hooked to American Idol from day one. I rooted for Tamara Gray and Kelly Clarkson to win in the first season...and after Tamara went home, my eyes were fixed on the country girl with the robust vocals that were versatile enough to sign a pop ballad and then wreck a gospel song. She won...I had to watch season #2. Then comes Ruben Studdard, st8 from Birmingham, AL (my hometown). And I rooted for him from day one...along with Frenchie Davis (the big girl that was eliminated from the compeititon because of her "unacceptable" past). And he won...then season #3. Gosh, I had to root for my girl Fantasia Barrino...she just stuck out from all of the contestants. And she won...she can wreck a gospel song too. And her debut album is "hot 2 def". I look back at all of the winners of AI and I noticed a striking revelation - ALL OF THEM HAVE THEIR ROOTS IN THE CHURCH. And they love God...how amazing is that.

Well, back to March 14, 2005. I'm hearing the unthinkable..one of my favorites is leaving the show. Vazquez, 27, cited to the media that he is departing from AI for "personal reasons". His farewell appearance last week included an amazing rendition of the Bee Gees' tune "How Can You Mend A Broken Heart", which also happened to be one of Ruben Studdard's favorites in season #2.

Vazquez told TV Guide he quit "to take care of some personal issues with my family in New York. And with 'Idol' being a live show, it just wouldn't have worked out schedule-wise."
"I'm healthy, I'm fine. It's just a personal family thing. My family is my top priority," he told the magazine.

But Vazquez's mom, Ada, said she knew of no problem involving the family and had not idea why he left the show. "Look at me, I'm fine, I'm still kicking," she told The Post. "I don't know his reasons, but whatever they are, I respect him for it and will be very supportive."

Whatever the reasons Vazquez left (maybe because of a past secret or because of contract issues concerning American Idol and future aspirations), Nikko Smith was brought back from last week's elimination to replace Vazquez.

Whatever happens...I know I will be rooting BIG TIME for Anwar Robinson, 25, from East Orange, N.J. Maybe it's because he's different and unqiue, but Anwar definitely has a voice that is unmatched and perfectly seasoned for the recording studio. He has a voice that compares to Tonex' and Smokie Norful; yet revealing a unique texture of vocal tecnhiques that artists now stumble to suceed in. He has a mighty range and definitely impresses with his ability to hold a note for a good number of seconds. His song choice (Louis Armstrong's "What A Wonderful World", Stevie Wonder's "What's Going On" and the timeless classic "Moon River") has been totally amazing for him; choosing songs and that are universal and quite the charm. But another benafactor in Anwar's appeal is that his favorite type of music is GOSPEL!

Whew, e'nuff said...my votes go to Anwar. TOMMORROW'S AMERICAN IDOL!

Be sure to vote:
American Idol
www.idolonfox.com
Monday - Tuesday - Wednesdays on FOX
Check your local FOX affiliate for airing listings.

It's A Beautiful Day...

Well, the weekend is here and I'm yet awaiting a few album projects to come into my hands from the postman. He arrives...and nothing. Well, guess I gotta suffer for a lil longer for these independent projects I've been anticipating for awhile.

Well, there is one project I know I gotta get my hands on. Rudolph Stanfield, one of my all-time favorite songwriters and musicians, embraced the debut project of the Anderson Sanctuary Choir from Jackson, MS. They recorded, of course, on the Malaco Music label. I know the company has been struggling awhile to make some effort to break the Billboard music charts and sales lately, but hopefully this album will help them break some ground...along with Mississippi Mass Choir's new one.

The Anderson Sanctuary Choir has backed artists such as Dorothy Norwood and Lillian Lily, and most of the members sing with the Mississippi Mass Choir. as for their sound, it's not the best church choir sound, but it is good quality. The songs sound quite impressive - such as "He Worked It Out" and "It's Time To Bless His Name". Rudy writes a bulk of the songs along with Timothy Britten - so I believe this album deserves a nod. Sad to know, this album has been out since 2004! Where have I been lately.

Plus I'm still mad that Minister Patrick Riddick ain't sent me my CD yet...talkin' bout bad business. Got an awesome choir in Virgina, but very bad on running errands. You gotta do better bruh.

Well, I'm 'bout to sing out. I said enough for today. LOL.

Expect PRAYZEHYMN to blow up soon. It's our time. Ya hear me!

It's A New Season...

Well, seems like after the big hoopla we have experienced these last couple of days - now it's time for me to comment and relax.

I haven't posted on the BLOG for some time now, and I'm heartly sorry for my absence. I'll make a note of it to keep posting and doing it frequently. I betcha' that.

First of all, hats off to Jamie Foxx and Morgan Freeman for representin' at the Academy Awards (Oscars)...and two hats-off for Mr. Tyler Perry for showing the world that WE can do all things through Christ...even hit #1 at the box-office. Let's do it again this weekened people. Go and check out "Diary of a Mad Black Woman"; the movie (not the bootleg version).

Well, I'm off to work...but here's what's going down in the underground.

TOP TEN JAMZ THIS WEEK:
"Running Over" Joe Pace
"Let Go, Let God" Keith "Wonderboy" Johnson
"Run And Tell That" Bishop Michael Kelsey & the New Samaritan Mass Choir
"In The Name Of Jesus" Greg Roberts & Soulful Celebration
"One More Day" Mississippi Mass Choir
"Get Right Church" Chester D.T. Baldwin & the Music Ministry Mass
"Has Anybody Seen Love" Lisa McClendon
"Lift Him Up" Martha Munizzi
"Right Place" Jonathan Nelson
"Lift Jesus" GMWA Youth Mass Choir

Check out the BETA Page, yall for more coverage:
http://geocities.com/prayzehymn