Israel Visits The Motherland

Gospel albums being recorded overseas is nothing new to the gospel music community. Donnie McClurkin had a chart-topping success with his "Live In London" project, while fellow contemporaries including Hezekiah Walker and Rev. Timothy Wright paved the way for him with their very own projects in the U.K. But Integrity Gospel does the remarkable: going to a place that is past due. South Africa. Over the years, South Africa, along with their most celebrated hero of faith, Nelson Mandela, has experienced torterous decades of below-the-line poverty, even centuries, of global neglect and suffering including slave trade and the latest epidemic, the increasing population affected with AIDS. But above it all, South Africa celebrates a new day, a new season and continues to triumph by showing the world that there is much more to dwell on.

Add praise-and-worship done in gospel style to their new season of refreshing change. All thanks to Israel Houghton and New Breed. The profound success of their "Live From Another Level" double-CD project caused a major stir of excitement within the gospel industry, especially when word leaked out that Houghton would take his next recording overseas to Capetown, South Africa. And this is not just another album either.

Two CDs packed with new material featuring the first-released single "Not Forgotten" and the joyous "Favor of The Lord" and even a medley of his most treasured compositions ("New Season", "Your Latter Will Be Greater", "Again I Say Rejoice", "Friend Of God" and "You Are Good") are too die for. Add R&B/jazz icon Jonathan Butler to the mix and a neat hologram cover and you are bound to rush to the register with this album in your sweaty palms. This is sure to send Kirk Franklin's "Hero" project down a notch or two on Billboard Gospel charts this week, no doubt. Remember, two CD projects constitute as two units. So when you purchase ten copies of "Alive In South Africa", you are actually buying twenty units, according to Billboard. How clever.

[MORE ON ALIVE...]
Gospelflava Review and E-Card (Gospelflava.com)
Integrity Gospel Coverage
Listen to "Not Forgotten" (Nuthinbutgospel.com)
30 Second Snippets (Integrity Music)

PRAYZES To Rosa

Rosa Parks stood for many things. Within her gorgeous face and her beautiful skin texture, one could only fantom the amazing potential this woman could have released just for being a fashion model. Yet she shifted her capabilities in yet another direction; becoming a model of great faith and helped revolutionized how we see faith operated in the natural. Her stand for equality and justice has been etched into the hearts of most Americans and has greatly impacted the systems of our society. During the height of the Civil Rights Movement (1960s), while photo images of African-Americans being lynched by the Ku Klux Klan, hosed down by police officers and black churches suffered in raging fires caused by demonic racists, Mrs. Rosa Parks did what many consider the turn-around for the Civil Rights Movement. Many will even label her involvement in the struggle as being the starting point for change during this time. Regardless of where one positions her refusal to head to the back of the bus for a white male on a Montgomery public bus just because of his skin color, her choice brought change. It took courage, it took boldness, it took guts to do such a thing; especially during the hateful environment created by our forefathers. To her it didn't matter. What mattered was her future, our future and her enormous faith to make a difference.

If only we had more leaders, pastors, civil workers, teachers, lawyers, doctors, gospel artists, executive directors, managers, parents and regular everyday people with that same courage. I don't think it takes a lot personally to do such a thing. But whe you are fed up, you will took whatever it takes to see change. As Malcolm X is known mostly for quoting, you will do whatever is possible, "by any means necessary". And God will do the rest.

It was brought to my attention by a good colleague of mine that Apple has posted a tribute to Mrs. Parks on their website; which is befitting for the hour since we lost her on Monday at the age of 92 in her home in Detroit, Michigan. The cause of her death was reported as being a mix of "hypertension and dementia". Memorial services have been set up in both Montgomery, Alabama and Detroit, Michigan; both cities have agreed to work together to bring tribute to one of America's beloved figures in civil rights history. Saturday and Sunday her body will lie in state for public viewing at St. Paul AME Church in Montgomery, AL. Funeral services will be held at Greater Grace Temple in Detroit, MI on Nov. 2.

#5 Ain't Bad

The Box Office has released the information we all have been waiting for. And despite what the gospel industry expected, The Gospel, a dramatic motion picture based on Gospel music and deals "knowledgeably with the role of the church in black communities", finished at #5 for its opening week rather than parking at #1. The cast features Hollywood known celebrities including Boris Kodjoe, Nona Gaye, Omar Gooding, Clifton Powell and some of Gospel's popular giants including Donnie McClurkin, Yolanda Adams and Hezekiah Walker. The Christian community began to embrace the movie when first announced and hoped the movie would achieve the success that Passion Of The Christ, Diary Of A Mad Black Woman and The Fighting Temptations created.

The Passion... debuted at #1
Diary Of A Mad Black Woman debuted at #1
The Fighting Temptations debuted at #3
The Gospel reached #5.
That's not bad at all, especially when you compare this movie with its predecessors.

Check out some of the comments by the serious critics on the movie and see if you agree.

Roger Ebert, Chicago Sun-Times
Rating: B
"'The Gospel" is the first mainstream movie I can remember that deals knowledgeably with the role of the church in African-American communities. It is not a particularly religious movie; the characters are believers, but the movie is not so much about faith and prayer as about the economic and social function of a church: How it operates as a stabilizing force, a stage for personalities, an arena for power struggles, and an enterprise which must cover its costs or go out of business."

Ty Burr, Boston Globe
Rating: C
"...a heartfelt but muddled melodrama..."

Bob Townsend, Atlanta Journal-constitution
Rating: C
"...a preachy soap opera about Saturday night and Sunday morning."

Michael Wilmington, Chicago Tribune
Rating: B-
"The Gospel may not surprise us, but it's a likeable movie done with verve and style."

Laura Kern, New York Times
Rating: C
"Unlike actual soulful and infectious live church services, this muddled film probably won't inspire people to jump out of their seats."

More mementos from The Gospel below. Enjoy.

Rappin' Shirley

Who would have imagined...the impossible...

Pastor Shirley Caesar, renowned gospel artist and recipient of eleven Grammy awards and tons of Dove and Stellar awards, willingly raps. On her 41st musical project, "I Know The Truth", she joins with Verity recording artist Tonex' on the title cut; exploding on an "in-your-face", infectious churchy track. But it is her rap, which floats right in on the vamp, that may send an alarm to the masses. Good or bad, you be the judge.

Talk about me just as much as you please
But the more that you talk, I'm gonna sell CD's...
You tellin' lies but I know the truth
We're off to the Grammys

Sounds like Rappin' Shirley has gotten a lil' too edgy for most conservative listeners. Can't wait to hear her join 50 Cent and G-Unit.

A lil' more info for you, the legendary Caravans DID record a live recording at West Point Baptist Church in Chicago a few weeks ago and featured Albertina Walker, Dorothy Norwood, Inez Andrews and Delores Washnigton. Shirley was scheduled to appear from earlier press statements but was not present. Evelyn Turrentine-Agee, known for her sensational hit "God Did It", was one of the guest vocalists.

Strong Tower

Jamel Strong is a tour de force. He captures a radiance of bold charisma, a splendid personality, and an anointing that will cut through the intense fibers of a person's strongholds. When hearing his vocals at work, images of a contemporary version of James Cleveland come to mind. His voice can be gritty at times and very churchy, but it is infectious and uniquely different. In just a short period of time, Strong has delicately served the gospel music community with his creation, Strength Ministries; which serves a handful of super-charged events throughout the year including his annual Triple M Conference. And while his resume' continues to enlarge with respected achievements (especially since American Idol winner Ruben Studdard served on his musical staff), he is becoming the voice for a lost generation of gospel newcomers seeking to be heard in the Deep South.

This weekend, Jamel Strong, along with his vocal aggregation simply called Message, will celebrate yet another anniversary together. The celebration will be intense, as some of Gospel's most esteemed vocalists gather to pay tribute to Strong's growing music ministry. Leon Lacy & LIV (known for creating "Ain't Nobody Like Jesus" on the Hezekiah Walker "Family Affair" project) will be present, along with Verity Recording artist Shea Norman, vocal extraordinaire Nikki Ross, Erik Matthews and Kenn Orr. We do expect Strong & Message to get up and deliver a few tunes as well.

If you are anywhere near the Huntsville, Alabama community, we urge you to make haste. Be present for this celebration.

Date and Location:
October 2, 2005 @ 6:00 p.m.
Pentecostal Lighthouse Church
6107 Blue Spring Road NW
Huntsville, AL

[STRONG CONNECTIONS]

Jamel Strong & Message Anniversary Celebration Flyer

"It's Your Time" Album (CDBaby)

Album Review: "It's Your Time" (PRAYZEHYMN)

20/20 Vision

If you rushed to your music store this week, or toppled through your local Wal-Mart, you may be lucky to find "20/85 The Experience"; the new project from contemporary gopsel artist Hezekiah Walker & LFC (an acronym for the Love Fellowship Choir).

Why luck? Well, even though the album showcases brand new music, unlike the "Family Affair II" project which consisted mostly covers of their previous hits, this album contains only twelve tracks. Most of the songs are over-cooked, baked at major time limits ranging from six to eight minutes. Plus D. Lawrence produces the project, along with Tonex'. Nothing really's wrong with that, unless you dismantle the LFC sound we all have grown to love.

Well you be the judge of it. The lovely folks at PRAYZEHYMN have been drilling this project on the Message Board and are proving both sides of the issue on whether it's a keeper or a wasted reunion project. With hits like "Calling My Name", "99 1/2", "How Much We Can Bear", "Jesus Is My Help", "Clean Inside" and "Jesus Is The Light", Hezekiah Walker deserves a little more for a 20th year celebration than twelve long tracks. Plus. we wanna know where was:
Timiney Figueroa
Bishop Eric McDaniel
Lorraine Stancil
Melvin Crispell
Monique Walker
Jeff Lesley
Lawanda Campbell
Teddy (FX) Rollins
and the rest of the LFC alumni.

Family reunions should get bigger, not smaller.

Well, don't think I'm hating...the album is right now in stores. Experience 20/20 vision for yourself.

[MORE 20/20 VISION]

Hezekiah Walker: "20/85 The Experience" Review

Hezekiah Walker Career Analysis

Hezekiah Walker Goes To Hollywood

RE: Ol' Skool Continues To Rule

Just in case you didn't know, Ol' skool continue to dominate.

For the Billboard Magazine issue, hitting stands for October 8th, Luther Vandross takes the #1 spot on the R&B/Hip-Hop Music Charts with his fabulous tribute album ("So Amazing: A Tribute to Luther Vandross) created by some of R&B most celebrated crusaders (Patti Labelle, John Legend, Aretha Franklin, Fantasia, Celine Dion). Kanye West, whom claimed the spot for weeks, parks at #2. The posthumous tribute album also resides at #4 on the Billboard 100 (pop). Earth Wind And Fire's "Illumination", the major come-back project fueled by top producers including Jimmy Jam & Terry Lewis, the Black Eyed Peas and Raphael Saadiq, claims the #8 R&B/32 pop positions; proving that they keep gettin' better and better in time.

We are definitely proud of these achievements. We can only wait to see what ol' skool will do next to the world. The takeover continues.

Ol' Skool Continues To Rule

While watching Oprah the other day, I realized that Fall 2005 is always my favorite time for album releases. The music industry always saves the best for last and usually the bulk of the good stuff hits the shelves during the last quarter of the year.

Yes, we are catered to gospel music. This is where gospel music lives. But I have always been an admirer of the ol' skool R&B and soul genres. And if you are a true gospel fan, you have to render props where props are due. The bulk of today's gospel artists borrow consistently borrow melodies from ol' skool's finest.

Examples:
Kirk Franklin
"Looking For You" + Ol' Skool sample = Patrice Rushen's "Haven't You Heard"
Mary Mary
"Heaven" + Ol' Skool sample = Honey Cone's "Want Ads"
Smokie Norful
"Power" + Ol' Skool sample = Earth Wind And Fire's "Serpentine Fire"
Karen Clark-Sheard
"We Acknowledge You" + Ol' Skool sample = The Emotions "Best Of My Love"

Ok. Think I proved my point. We owe a debt to ol' skool.

And that is why I am paying my attention towards two incredible projects which were released Tuesday, September 20, 2005. Oprah recently showcased the artistry of Usher and Patti Labelle as they both paid tribute to the late Luther Vandross; one of the world's greatest vocalists in R&B and pop music. Gone too soon, Luther impacted millions with his love songs and his incredible taste for quality music. And this week marked the release of the all-star tribute album to such an incredible legend. Artists such as John Legend, Celine Dion, Beyonce Knowles, Stevie Wonder, Aretha Franklin, Patti Labelle, Elton John, Fantasia, Babyface, Mary J. Blige and Angie Stone laid down their remakes of Luther's timeless artistic compositions. Of course, don't even compare these renditions to Luther's, but the listen is quite enjoyable and proves expressions of emotion springing from their heart. To know that these artists whom are legends themselves opened up their schedules to pay tribute to such a mighty voice in American music is totally incredible. I think we all can learn a lesson or two from this kind of united celebration. Several cuts stick out such as Fantasia's upbeat/gospel-like take on "'Til My Baby Comes Home", Mary J. Blige's party-like formula for "Never Too Much" and John Legend's neo-soul remake of "Love Won't Let Me Wait". Heartfelt emotion and condolences from the Queen of Soul Aretha Franklin overtake the crafty reworking of Bacharach/David's "A House Is Not A Home"; developing into a unique centerpiece for the project. But the heavy hitters here remains Patti and Usher. Patti Labelle launches into her timeless ability of "keeping it real" on "Here And Now" while Usher brings his bonafide sexy vocals to the mesmerizing "Superstar"; a song that is virtually impossible to conquer against Luther's 1983 version. Ruben Studdard attempted it, did a good job...but Usher brings a clean, slick feel to it - making it a pretty, modernized track appealing to both young and older generations alike.

Earth Wind And Fire returns to the charts (like they never went away) after dominating the world with Chicago on a very successful year-round tour with "Illumination". No, this is not a tribute album nor another "greatest hits" compilation. This is a new project. And a very good one at that. Of course, the rich formula created by founder Maurice White and the late Charles Stephney found on their earliest projects have stood the test of time to be pure magic and bliss, but staying current is the name of the game today for ol' skool artists. EWF successfully does that while preserving the vibrant juices of their marvelous classics. That would include the horn section, their knack to create funky grooves and the definite mix of gospel, funk, jazz, soul, calypso and pop music. Some of today's finest producers take their spin on EWF's sound and style including the Black Eyed Peas (Will.i.am), Raphael Saadiq, Jimmy Jam & Terry Lewis, Big Boi (Outkast), while the legendary founder Maurice White, whom has been absent with EWF on tour due to his bout with Parkinson's disease, dominates in the production chamber as well as finishing things up with his gifts on the Kalimba, guitar and keyboard. He even sings a duet with Saadiq on the eight-minute jam "Show Me The Way". Of course, we are all fascinated with the amazing vocal powers of Phillip Bailey, which he showcases throughout the bulk of the project. "This Is How I Feel" is EWF merged with a youthful party atmosphere as guest vocalist Kelly Rowland of Destiny's Child jumps in the heat of things. Jam & Lewis heats things up with the lead single ("Pure Gold") and "Love's Dance" while Kenny G. blazes the sax on Outkast's "The Way You Move" which closes out the project. "Pass You By" has a groovy, neo-soul style that fits well on EWF. Pretty much, this album doesn't overshadow the terrific talents EWF possesses. Hopefully, the world will arise to help celebrate this achievement and send it to the top of the charts; where it soulfully belongs.

Expect both of these albums to dominate my Disc Man, MP3 player and boom box for the next couple of months. Ol' Skool Rules!!! You best believe it.

[IN THE VAULTS]

[Earth Wind And Fire]

Official Website
Billboard Magazine: Review

Newer Edition

[Luther Vandross]

Official Website
Billboard Magazine: Review
Oprah Declares Luther "The Greatest"

From Vandross: Love And Laughs

Stellar Casts Gives Worthy Tribute To Luther

Holy (Crap)

Being a part of PRAYZEHYMN definitely has its priviledges and advantages.

One of those blessings happen to be laughter. And boy, was I ballin' when I visited a link passed on by our good friend Mysta2usa. We are still wondering who sang the lead on this song, the church choir and what church this was recorded at. If anyone knows for sure, please email me so we can do a spotlight on them. I just hope and pray they are alright and have retired from singing for good [giggling].

The Bible says that we should "make a joyful noise unto the Lord". Please tell me folkz if this noise constitutes as "joyful".

The Reformed Pearson

If one could look back almost six years ago, we could easily recall the super strength of Bishop Carlton Pearson, one of America's most celebrated bible teachers, pastors and spiritual leaders of all time. The Azusa movement, which became a modern revival of the early Pentecostal movement of the 20th century, intensified with time and featured prominent speakers and gospel artists such as Bishop T.D. Jakes, Bishop Noel Jones, Donnie McClurkin, Juanita Bynum, Daryl Coley and Dr. Myles Munroe. Their Stellar and Dove nominated live recordings helped revolutionize that moment and placed Pearson in a league of his own. Pastors across America even rushed to claim Pearson as their spiritual father.
The present reveals a different chapter. Bishop Carlton Pearson has been attacked by every right-wing conservative in all forms of communication and media. Ever since the Pearson decided to jump on the Republican circuit and lost a bid for mayor for the city of Tulsa, OK in 2002, Pearson has been under fire ever since. There was even a super praise-and-worship project under the arms of Integrity Music that never seen the light of day, but the reasons for that decision circulated around something even larger than an African-American pastor deciding to run for mayor as a Republican.

Bishop Pearson began teaching on the Gospel of Inclusion and began reforming his theological standpoints around this time and caused many renowned Christian leaders to depart their associations with Higher Dimensions Family Church and Bishop Carlton Pearson Ministries. The Azusa conference even changed venues from its Oral Roberts Mabee Center location on the ORU Campus to Pearson’s church home. The attendees and supporters dwindled down in numbers and a down-sized Azusa conference took place on May 23rd through May 28th, 2004. But Pearson never gave up. His persistence to take his "inclusive" theology, based on God’s unconditional love for all mankind and the Apostle Paul’s theological foundation about reconciliation, across the world created a campaign of generational changers that would bring a form of evolution to modern Christianity. Questions such as "Did Jesus Christ only die for Christians?" and "Do you think most people are going to hell?" remained taboos in the traditions of Christian fundamentalism but proved to be no problem for Pearson to deal with. Of course, his brand of teaching and analyzing has never failed to baffle most theologians and Bible historians, since he has been compared to geniuses of the faith such as Dr. Oral Roberts, Dr. Myles Munroe and Bishop Harold Ray. But Pearson wants to truly explain and make plain to all people that God’s love is all-inclusive, to put larger emphasis on God’s love for the whole world. Because of his press statement and position paper on the subject of inclusion, which was submitted to the National Council of Bishops and was declined thereafter with strong disagreements, many of Pearson’s respected colleagues have distanced themselves from him publicly. Maybe they desired to avoid Pearson so that the subject won’t interfere with their normal ministry engagements or won’t bring any eventual downfall to their reputation or ministry growth. Regardless of what anyone says, Pearson is not the public super giant that he once was. But in light of all of the changes and disarray, he remains fixed on preaching and teaching the fulness of this controversial subject.

It should be known that every preacher or teacher or student of God’s Word develops their own interpretation or personal theology about God. Sometimes we may be wrong and sometimes we may be right, or probably both, but as we search and seek to understand God more, a part of us die in the process; due to the revealed truth that God desires for us to be holy, even as He is holy.

Pearson makes a few observations in his study that may make you wonder. Just wonder.

"If, in fact, Jesus is the Savior of (not just for) all men, and especially those who believe, is it not quite reasonable to assume that He is, in fact, the Savior of those who don't believe, have never heard or perhaps didn't hear accurately?"

While studying theology in college, I, myself, ran across John Hick, one of the modern developers in the Christian universalism renaissance. I had problems trying to study such a complex subject on broadening the theological box I have for years grew comfortable living in. My church home provided me the foundation, my in-depth studying of God’s Word on my own helped revolutionized the basics and opened a new world of relevant truth to me. So when focusing on writing a term paper on Hick’s difficult precepts surely created thoughts of confusion for me. But I achieved in writing on the subject at matter and received an A in that class. Since then, I have learned that there is truth in all things revealed by God. But to go the extreme in calling Hick’s theology the absolute truth would be debatable. I even wondered if Hick really was saved, even though he claims to be Christian. Hick spoke on the subject of Christianity being the One and True religion to a Theological Society in England:

"If we think for a moment of the analogy of the solar system, with God as the sun at the centre and the religions as planets revolving around that centre, the inclusivist position says in effect that the life-giving light and warmth of the sun falls directly only on our earth, but is then reflected off it to the other religions, which thus receive it at second hand. Or in terms of economics this is a kind of trickle down theory of salvation. We Christians are the spiritually rich at the top but our riches trickle down in varying measure to the people of the other world religions below. And just how realistic this is will depend on what we mean by salvation."

Though Pearson isn’t as brash or as serious as Hick when detailing Christianity as just another religion, he does reveal a sensitivity to the growing differences in American culture today. The controversial aspects of abortion, women’s rights, acceptance of gay and lesbians, legalizing marijuana and the Big Dawg better known as gay marriage, people are growing into a new stream of ideas and concepts that storms over the one-sided teachings of our forefathers. It seems that a revolution, or a great awakening, to some degree must be made in modern Christianity in order to survive. One of the speakers at Pearson’s "Inclusion 2005" conference was Bishop John Shelby Spong, a former Episcopal bishop, has even written a book, with critical acclaim, stating that Christianity must change or it will die. To change Christianity or what Christ teaches, to many people, would prove to be a failure since God’s Word shall not change. So if the religion itself should change, what is it that must be changed. Is it how we think or is it how we act about what we think?

Definitely a controversial subject and one that many are afraid to battle. But if it nos dealt with, we may be missing the greatest revival the Body of Christ will ever witness. Our ways of worship have changed. Our music has changed. Our way of evangelizing has changed. Our church telecasts have changed. Even our church protocol has changed. What’s next? Maybe Carlton Pearson knows.

Not trying to be too controversialm, but I began to wonder why Pearson uses quotation marks around the terms "born again" and "call to preach" in his biograhpy; as if the quotes are also under fire for future investigation.

More to come.

[MORE INCLUSIVE SITES]

Dimensions Digest (PDF/file)
Bishop Carlton Pearson Bio

Higher Dimensions Family Church
Dr. Harold Lovelace

Bishop Patterson In Rumor Control?

Not one to celebrate or indulge in rumors or to maximize the chat sessions at the local barbershop/beauty salon, but here's a few topics that's circulating in my mailbox and around my ears this week.

The Big One happens to deal with the Presiding Bishop of the Churches of God In Christ (COGIC) denomination, Bishop Gilbert E. Patterson. The word is out that local radio stations in Memphis, where his church rests, that he is battling with cancer and was actually diagnosed with it two years ago. The conversation is so heavy that it is becoming a mighty conversation piece on the PRAYZEHYMN Message Board. Gospel sources have yet to confirm this. We will be investigating this one, folkz.

Other tid bits are leaking out about more potential mergers in the next few weeks. Verity/Zomba, don't you have enough!

A Caravans Reunion album is said to be in the works, which will feature Shirley Caesar, Albertina Walker, Dorothy Norwood and Casetta George. Haven't this been in rumor control for a number of years? We will see if this is evidently the truth as time rolls on.

The Thompson Community Singers, also known as the Tommies, are getting back together? We will have to see about that. Rumor has it that they have even rehearsed a few times. Now the big question is if Jo Ann Brunson still runs things. Hmmm.

And another one. PRAYZEHYMN closes its doors for good? Well, I thought about it. I really, really did. But I love God too much to give this up. But I was just that close to giving it all up. Gosh, I guess the testing of my faith really does give birth to patience and then experience and then perservance and then hope (Rom.5:3-5).

Well that's enough of the rumors. If you want more, I advise you to tune into EXTRA. Check your local stations for listings and air time (lol).

P.S. This entry has been edited on September 15, 2005.

The Journey Concludes

The recording is history.
Now we await the project to officially drop in our music stores, Wallyworld that is.

You may wonder what happened at the historic Richard Smallwood concert, which featured Chaka Khan, Aretha Franklin, Roberta Flack, Kelly Price, the Clark Sisters and the Hawkins Family. Oh yeah, Kathleen Battle didn't make it, she was sick and under the weather, according to reports (dang!). Well, the crew at Black Voices covered it well. Check it out.

No word on what label will be releasing the colossal project.

Kudos to Jawn Murray for the BV' post.

Haven't You Heard?

PRAYZEHYMN firmly believes ol' skool is here to stay. There's nothing the syncopated beats of pure funk, the rhythms of disco, the energizing charisma of soul and the classy musical approaches to early R&B. And even Kirk Franklin knows that.

Mary Mary recently took their turn on sampling one of ol' skool's finer moments with Honey Cone's "Want Ads" for their successful current single, "Heaven". Now Kirk is releasing his latest single for his forthcoming project in October '05 called "Looking For You".

Sounds familiar? Well if you haven't heard it, begin to praise God for PRAYZEHYMN. We have it right 'chere. And when you finally here it, reflect on Patrice Rushen's late 70s jam, "Haven't You Heard?". The entire background track is the foundation for Kirk's new single. How original.

MORE::

Hear "Looking For You" at the i-POD

Kirk Franklin's Website

www.kirkfranklin.us

Journey: The Next Chapter

Richard Smallwood has been through a lot during the last couple of years. His fans definitely noticed this especially since it has been five years since his last official project (excluding the incomplete "greatest hits" project: "The Praise And Worship Songs Of Richard Smallwood") and when word leaked out that Verity Records no longer featured him on their current roster. But things are changing for the gospel music icon.

On August 24th, lucky fans will pack out the Hammerstein Ballroom at the Manhattan Center in New York. And even though they know for sure that Smallwood and Vision will be the night’s main entrees, an all-star lineup featuring Aretha Franklin, Roberta Flack, Kathleen Battle, Chaka Khan, the Clark Sisters, the Hawkins Family, Kelly Price and Kim Burrell are sure to be the definite deserts. Meanwhile, if it is true about the ties between Smallwood and Verity Records, whoever releases this album is sure to wear a smile when that glorious New Music Tuesday rolls around for its album release.

MORE::

VIEW/DOWNLOAD PRAYZEHYMN OFFICAL FLYER
(500x355)

Biggest Gospel Wedding Ever???

That's the latest buzz. And no one wants to speak out on who's the big couple.
Guess it's a big surprise.

But let it be said that word is out that one of Verity's artists is involved....hmm...wonder who. Regardless of who it is, I seriously doubt this wedding will be as big at Bishop Thomas Weeks III and Juanita Bynum-Weeks. If you missed that one, take a peep at with Quicktime.

The event is bound to take place at the Hyatt Regency Ballroom in Milwaukee at the Gospel Music Workshop of America (GMWA). Date is August 27, 2005 at 11:00 p.m.

To view the official online invitation, click here.

Mercy Mercy Me: The Theology Of Marvin Gaye Pt. II

Where we left off? Almost forgot.

Marvin Gaye records the triumphant musical masterpiece, "What’s Going On" and merits thousands of accolades for its diversity and courageous theological foundations, which before was unheard of in soul or R&B music. And while Marvin Gaye was being trumpeted for being an activist in some odd way against racism, and preached global fairness, economical, Marvin suffered in attempting to write songs that compared to his former success. He suffered writer’s block; which normally happens after you poured out your best previously and aim to reinvent the same success. "Trouble Man" is his finest of his compositions during this time of frustration and proved to be a success. It was fun for Marvin since he allowed him to revisit his early days and desires to relive the sound of Nat King Cole. His ultimate dream was to pursue jazz music and this was his chance. It was a heavy mix of jazz and swing-time blues, glossed up with funky horn and string orchestration popularized by Issac Hayes’ Shaft movement.

But then we already discussed "Let’s Get It On": the sensual Quiet Storm classic that continues to gain favor through the pillars of time. But before we continue with Marvin Gaye’s theological approaches and precepts, don’t forget the closing remarks on that song from Marvin asking his lover if she knows what it means to be "sanctified". Could this be a crafty innuendo or is Marvin just playing around with religious terms? Some believe the former and some even believe Marvin is just revealing his demons and inner issues on vinyl, but time would later tell a different story.

Throughout the bulk of the mid and late 70s, Marvin creeps disco with ease and showcases his imminent presence of survival from the various musical shifts of the time. He survived funk, disco, pop/rock, adult contemporary and punk. And he remained true to his soulish roots.
There is a funny story that goes with his classic take on disco, "Got To Give It Up". Berry Gordy was anxious for Marvin to record a disco record; or at least a disco song. Marvin rebelled. Gordy had an ear for what the public demanded and urged all of his artists to take their swing at the popular fad of the late 70s. Issued on the "Live at the London Palladium" album in 1977, Marvin wrote and recorded "Got To Give It Up" and it burst to the #1 slot on both the R&B and pop charts. It was the most dreadful decision Marvin hated to do. His distaste for disco was strong. Probably because of its visible associations with drugs, promiscuous sex and even homosexuality, but it was there. Everyone at Motown knew that Marvin did no want to do a disco album or song. He also didn’t want to be pigeon-holed into the disco category: he was a soul artist and wanted to remain just that. Even though his heart’s desire was to become a jazz artist, he had grown more comfortable with his soul imagery during this time.

Marvin faced yet another downfall in his personal life: the divorce from Anna Gordy Gaye (sister of Berry Gordy). And the final settlements were severe. So severe that she would receive an extensive percentage of royalties as well as a portion of the advance for his next album. Because of the mental anguish Marvin experienced through this horrific ordeal, Marvin records "Here, My Dear": the pivotal project capturing perfect gruesome imageries of divorce and the heartbreak of love. At least in the eyes of Marvin Gaye. Some even wondered how Marvin could release such a project about Berry Gordy’s sister on the Motown label with approval from Berry himself. But the two-disc collection made it to the record stands and features tough lyrics on the demise of the relationship. This was Marvin’s way of expressing his hurts and pain. Gaye uses the album, right down to its packaging, to exorcize his personal demons with subtle visual digs and less-than-subtle lyrical attacks. It is even noted that within the inner sleeve of the 2-record collection there is a "pseudo-board-game-like illustration" entitled "Judgement," in which a man’s hand passes a record to a woman’s. One side of the sleeve has Gaye’s music and recording equipment, while the other side of the board includes jewelry and other luxurious artifacts. The divorce was that brutal and Marvin displayed that perfectly on record. This also allowed another gateway for individuals to see the inner emotions and fears of the real Marvin Gaye. But it wouldn’t be the last.

Rampant drug use ranging from marijuana and cocaine began to invade Marvin’s life. On his autobiographical musical collection entitled "In Our Lifetime" (1981), Marvin chooses to dwell on his religious concerns while dealing with "party-like" themes. On the cover, there is a picture of cartoon forms of two individuals bearing the likeness of Gaye in both angel and devil outfits. They are both fixed in mid-air, seeming like they are having a roundtable discussion in flight. Individuals that picked up this project should have had a clue that Marvin’s theological beliefs were close for personal examination. "Ego Trippin Out" reveals his denouncing of the drugs that he noticed was only doing him wrong. In a certain lyric, Marvin sings, "The toot and the smoke won’t fulfill my the need." Immediately following that track, a perky, upbeat song entitled "Praise" is heard. It opens up with lyrical notice to a person referenced as "baby" and sweetly sings "let your love come shining through". It’s not a preachy track, but when one listens carefully to the closing vamp, Marvin goes into a gospel-like formation of praise and adoration to another individual. One higher than a sweetheart. More on a spiritual level. Believed to also be somewhat autobiographical, it is a picture of a brother’s search for love and then his attention shifts to God. For His goodness and grace. He even cites "praise Him when you got no dime, praise Him come rain or shine, praise Him when you’re feeling bad, praise Him when you’re feeling sad." Another spiritual moment can be found on "Love Me Now Or Love Me Later" finds Gaye comparing and examining good and evil.

Before Marvin Gaye’s untimely death, he released "Sexual Healing": the ode of serenity for Marvin’s very soul. It was what he wanted, but proved to be unattainable. His life would eventually creep to its erupt ending on April Fool’s Day, 1984. The fight between father and son proved to be colossal. Gaye’s return to cocaine addiction and psychosis after his new career jump with Columbia/CBS Records after disbanding Motown all together left him in the midst of the fight for his life. That life would be taken by his own father.

Unbelievably, in the midst of all of this havoc, Marvin was preparing material for his follow-up album to "Midnight Love" (the album that featured "Sexual Healing"). That material has been batched unto "Dream Of A Lifetime"; the only posthumous project of Marvin’s unreleased material. Since Marvin’s latter career showcased his struggles for spiritual awakening and deliverance, the ultimate revival of this development takes place on "Sanctified Lady". He wants a "sanctified lady, a good ol’ church girl, reads the Bible, to bring his children in the world that will say the name of Jesus". The background vocals in church choir formation pours out with spirited affection "Jesus, Jesus", while Marvin follows.

Marvin Gaye’s world still, to some, is hard to sum up in words. And if you were to deal with his spiritual dilemmas alone, you are bound to run across conflict and many contradictions. But you will discover one thing that is pretty obvious in all of his craftsmanship: that is he loves music, acknowledges it as being a spiritual instrument and possesses an intimate transparency throughout all his contributions. Within his soul and spirit was a enduring faith to hopefully overcome all of life’s odds. And his sensitivity to matters concerning God and salvation were never taken lightly. It remained just as important to him as the world that surrounded him. In no way was Marvin perfect, but he was human. A human with a humble heart and a sensitive soul.

[IN CASE YOU MISSED IT...]
Mercy Mercy Me: The Theology Of Marvin Gaye Part I

Malaco Takes In Too Much AIR

Seems like GospoCentric isn't alone.

Mega music empires are taking over and are attempting to pick up all the independent (or smaller labels) they can find. It's a "divide and conquer" mentality to some, but for others, especially in the industry field, it helps in establishing bragging rights for a music label's credibility. GospoCentric just recently faced a new day in their timeline when Zomba Corporation, whom runs an onslaught of music subsidiaries such as Jive, Verity, So So Def and LaFace Records, bought them out. Now AIR Gospel, a commanding independent label that changed how mega companies viewed smaller labels, joins the occasion.

Firstly, before we deal with the present situation, let's reflect for a minute on AIR Gospel's extensive resume'.

AIR Gospel, a subsidiary of Atlanta International Records (AIR), began in 1980 with Ron Freeman as a natural outgrowth of a business he began in 1968, One Stop Record House, in Atlanta, Georgia. Having created a booming gospel record business in his wholesale outfit, he decided to try his hand in the production and distribution of gospel audio and launched the label selling sermons given by local preachers. This side of the business was so successful, Freeman was encouraged to release gospel music albums and the first, Rough Side of the Mountain, by Reverend FC Barnes and Janice Brown, was a #1 Billboard Hit for two years following its release and has become one of the most treasured traditional gospel recordings in history and is now considered a classic. Other important hits jumped out of the vaults of AIR's gospel catalog, such as the unforgettable "New Life" by Olivia Branch-Walker and the remarkable classic "One Day At A Time" by Thomas L. Walker. And every Baptist church choir in the country should be familiar with the Luther Barnes' track, "I'm Still Holding On". As the 90s sneaked on us so did AIR Gospel. Focus of attention shifted to artists like Rev. Ernest Davis Jr's Wilmington Chester Mass Choir, Dottie Peoples, Byron Cage, James Bignon and Rev. Gerald Thompson under the direction of the visionary's son, Alan Freeman. Dottie took the spotlight with her string of hits like "On Time God", "Pure Love", "Happy In Jesus" and "Testify". Because of her accomplishments, AIR Gospel grew from small beginning to large feats. Maurette Brown-Clark and Rev. Timothy Wright brought amazing contributions to the label in the new decade. But time would lead AIR Gospel down another path in 2005. As they celebrate their twenty-fifth anniversary since their conception, AIR Gospel will be shifting their responsibilities to Malaco Music, based in Jackson, MS.

Of course, Malaco has an extensive background. No doubt about it. But gosh, who would have imagined Malaco to take over AIR Gospel. It almost leaves me breathless. Flabbergasted actually. After following Malaco's triumphs, I have noticed that even Malaco has suffered in a strange way over the last couple of months. Word began to float about Malaco being sold out. Sales with their gospel products began to drop (according to Billboard) and their image on the gospel scene began to fade away due to the over-popularity of mega-corps like Verity. But now, Malaco smiles with joy and happiness over their latest accomplishment. Buying out AIR.

Well, here's what you can expect with this new phase of music ministry.

AIR Gospel products will jump their price up to the Malaco price level. That's $15.99 for a CD, $19.99 for a VHS or DVD and $10.99 for a cassette tape. If you don't believe me, pick up one of those nasty catalogs. It's full of great flashbacks and treats, but the price is enough to make you run to ebay. Oh yeah, expect the cover art to get a lil' less attractive and less linear notes. Malaco and Savoy has a reputation of doing that. Oh yeah, another one, expect for Maurette Brown-Clark and Timothy Wright to make their appearances on Mississippi Mass Choir or Georgia Mass Choir projects, since they are the only great things Malaco possess in their current "superstar" category. I may be missing a few more things...But hey, let's just pray for the best. We don't want Dottie, Luther, Maurette and Timothy Wright to be served any injustice.

Feeding The Flame

I'm sitting here at my computer at 12:47 a.m., listening to Lorraine Johnson's mega disco hit "Feed The Flame", looking over plans and developments for a full-blown website catered to soul, funk, R&B and disco music. It's been in the works for quite awhile, and even though Chocolate City USA is available for viewing from the public, it still is a website that is very limited in terms of bandwidth and widespread access. Heck, it's on Geocities, just like the Beta Page.

But PRAYZEHYMN.com will be launched in a few more weeks, so you won't have to worry about Geocities' problems anymore. At least for this year. LOL. Have you forgot how bad the economy is. People still don't realize that PRAYZEHYMN hasn't received an ounce of donations since we mentioned the easy way to contribute monies to help the vision of PRAYZEHYMN remain vibrant and active. Not one dollar. It's all out of my sacrifice and dollars. Ugh.

But that's about to change.

Oh yeah, just a little info on "Feed The Flame". It's not gospel at all. But Lorraine's vocals are powerful enough to be called that. She bears the same zesty punch Loletta Holloway had, but it's not as throaty and aggressive. Just spunky. Released in 1978 on Prelude Records, this jam possesses all the energies of a early-house classic; which helped the song rise to #11 on Billboard's Club Play Singles' charts. The guitar riffs are very reminiscent of Chic's sound. Some of you may not have an earthly clue of this song or these words. If you don't, I suggest you go and ask your mama or daddy for their vinyl records during the 70s. Back then, the music was lively, interactive, charging, unforgettable and created the perfect spice to that house party or that dance floor groove. If it wasn't "Feed The Flame", it probably was Rick James' very first single, "You And I". The long version.

Gosh, I was only born in 1980. September 10th. And have no recollection of the disco craze or the P-Funk "space ship" odysseys. I didn't even witness an Afro hair style in my generation. But those days will be relieved with the help of my latest musical campaign. PRAYZEHYMN will remain active, so don't cry. But Chocolate City USA is preparing to launch out into the deep.

Let's save REAL music. Together.

Oh yeah, if you are interested in contributing a donation to PRAYZEHYMN, click here.

Mega Goes Bigga

Living near Atlanta has its priviledges and advantages. Commercialism has its place on television and other media outlets (especially urban newspapers and news-related websites) and it's abig market, even for a city like Birmingham, AL. Goodness, the city only a hop, skip and jump from Atlanta. But recently a string of commercials have been targeted to the Southeastern portion of the U.S. coming from the supersized mega-ministry of Bishop T.D. Jakes; advertising his super convention better known as the Mega Fest. And in Birmingham, you can't escape hearing about this event. It's everywhere and on almost on every channel. Where does T.D. get the bucks to do this? Well, let's move on, shall we.

The event hosts dozens of events targeting various demographics. In fact, it deal with almost every facet of family and entertainment that it would take an Einstein to figure out what's missing. Jakes' popular events which include Woman Thou Art Loosed and Manpower will take place there along with a Women of Purpose Concert and Mega Youth Experience. And the sponsors have come out by the thousands. I mean that literally. Coca-Cola, Pine Sol, American Airlines, Bank of America, St. Joseph Hospital, Rolling Out Mag, Gospel Today Mag, even 20th Century Fox! Wowzers.

New events have been added this year which include a Comedy Show hosted by Steve Harvey, Tom Joyner and J. Anthony Brown (also Rickey Smiley will be there). But it is the Women of Purpose Concert, a colossal event bringing on stage the "Who's Who" in music, that will definitely spark the greatest attention from church-folk to Saturday night club goers. Gladys Knight, Chaka Khan and Stephaine Mills headlines this one, while Martha Munizzi, Vickie Winans, Dottie Peoples, the Clark Sisters and Coretta Scott-King will bring on the joyous spiritual crunk juice. No confirmation yet if the Universoul Big Top Circus will be added in this year's line-up. There's even word that this year will feature a golf tournament!

With this kind of attention, especially with Chaka and Gladys in the mix, you kinda' wonder if people are gonna flock to da ATL this time around for the preaching or just to be swooned by the melodic vocals of those two divas. Hmmm. This kind of a festival is too large for some and to unbelievable to imagine. Just when you though this event couldn't get any bigger...

It takes place August 3-6, 2005 in Atlanta, Georgia at various venues including the Georgia Dome and the Phillips Arena.

[MORE ON MEGA-FEST]
www.mega-fest.com
www.tdjakes.org

In.DENT.pendence Day

Gosh, I never thought I would have to type this. A brotha' had to work today, basically because bills are popping up on a brotha. Which means I did it for a particular reason (if you wanna know, holiday pay). But a brotha also realized that the firework display, sponsored by Fox 6 News (which happens to be one of the best news stations in the Southeast and my favorite to watch). They call the annual celebration of fireworks and nostalgic patriotic music "Thunder On The Mountain". Shooting into the air for over thirty minutes some of the most colorful and spectacular fireworks over the years is the big treat, or in other terms, the Big Bang. Well this year it happened to be the Big Bust.

It didn't rain this year and there were no delays, in comparison to other years. But the show only lasted for a good twelve minutes; which was a devastating disappointment. And to make matters worse, the bulk of Birmingham's citizens had nothing else better to do on a Monday but all gather around Red Mountain to see the firework display. A huge disappointment. The show only featured a few good blasts and the rest were faded duds and a strong mix of pitiful colors and bleeding portrait of red, white and blue. Even the pretty purple colors were faded in most cases and were small in comparison to previous years.

Usually, the show blames it on bad weather for poor performances. I wonder who will get the blame this year. Will it be the taxpayers or Fox 6 News? Goodness, who knows.

Next year, the city better have sumthin' else going on besides me working on the 4th. Otherwise, I will be moving to my good ol' neighboring city, Atlanta, for dependable entertainment. All I asked for this year was at least a good show.

To Luther, With Love...

He inspired a generation to love.

He encouraged a breed of artists to sing from their soul.

He revealed a world through his music that believed in peace, joy and pure bliss.

And he touched people even more with his fight for survival. The fight to live.

Luther Vandross bid his farewell to this world in the flesh on July 1, 2005 for good. But not in spirit. His enduring struggle, after his serious bout of diabetes complications and the stroke he experience two years ago, has been silenced today.

"Luther Vandross had a peaceful passing under the watchful eye of friends, family and the medical support team," said Rob Cavanaugh, a spokesman at JFK Medical Center in Edison, New Jersey.

Vandross, born in a housing project in New York City, started out singing jingles and working as a backup singer for David Bowie, Bette Midler and Carly Simon. He was hanging out at the Philadelphia studio where Bowie was recording tracks for what would become his 1975 "Young Americans" album. The British rocker overheard Vandross improvising the line, "I heard the news today, oh boy" in the chorus of the title track, and pulled him into the vocal booth to join the backup singers.

At the urging of Roberta Flack, he took his savings and recorded the demos for what would be his first solo album, 1981's "Never Too Much." He signed with Epic Records -- only after insisting that he produce his material -- and the album became the first of a chain of million-sellers.

With its blend of swing and soul, "Never Too Much" put Vandross at the front of the "retronuevo" movement, deftly weaving modern studio production with classic vocal intimacy.

He became a fixture on the urban music charts, and wrote for artists like Aretha Franklin, Diana Ross and Dionne Warwick, but mainstream success eluded him until 1989, when he had his first Top 10 pop hit with "Here and Now," a track tacked onto a compilation album. That song has since become something of a classic wedding ballad.

His own life was less happy. He dealt with his loneliness by eating, and his weight fluctuated between 340 pounds (154 kg) and 190 pounds (86 kg) during his adult life.

"In other areas I'm strong," he told Rolling Stone. "I've never been high in my life -- never tasted wine, never puffed pot. I'm unbrainwashable and don't give in to peer pressure, but food is different."

Unlike most of his peers, Luther failed many times in the eighties in trying to become a mainstream audience. Instead he remained committed to the R&B sound, while experiementing heavily with pop music's advances. Prince and Michael Jackson succeed with pop, but Luther remained faithful to R&B. To this day, many even believe Luther Vandross is the last of the best R&B crooners. But after "Here And Now", which received a Grammy, Luther's career leaped into a festive adventure full of opportunities. "Power Of Love/Love Power" followed, along with "The Best Things In Life Are Free" (a duet with Janet Jackson) and "Endless Love" (a duet with Mariah Carey). Luther's final album, "Dance With My Father", received several Grammy nods, while taking home one for Best R&B Song of the Year.

While the gospel world still mourns over the loss of Ron Winans, add Luther to this and next week's schedule of events. Luther impacted many people. His music and influence has touched artists such as the Winans, Darwin Hobbs, John Legend, Ruben Studdard and even Lalah Hathaway. He even co-wrote "Pray"; a song which appeared on Jeff Majors "Sacred 4 You" album.

Emotional images of Luther's mother, Ida, praying and hoping for her son to recover, along with Patti & Aretha's prayer vigils may come to mind throughout Luther's battle for life after his stroke. Truly, the world united in prayer to witness a miracle. To hear him talk and sing again. And he did that, amazingly, during the past GRAMMY Award telecast. He was alive to receive his Grammys and to hear his album going gold from J Records' CEO Clive Davis himself. I really believe Luther has witnessed the great things in life and enjoyed the blessings that God has graced him with. Now may he forever rest in the arms of the One whom created him.

In Kase You Didn't Know Already:
J Records CEO and former president of Arista Records Clive Davis has annouced that he will be releasing a tribute album to Luther featuring renditions of Luther's most treasured works from Mary J. Blige, Fantasi, Mariah Carey, Wyclef Jean and many others. Terry Lewis and Jimmy Jam are set to produce. "Forever, For Always, For Luther", a tribute album released on the Verve jazz label, was released during Luther's rehabilitation in 2004 and featured remakes from Dave Koz, George Benson, Kirk Whalum, Lalah Hathaway and Boney James.


SPECIAL TRIBUTE BY DARWIN HOBBS AND VIRTUE
Click here: [RealPlayer]

Ron Winans: In Memory

By the time people began to dive into the heavy dosages of spirited, quality gospel on the "Friends & Family V: A Celebration" project from Ron Winans, we would be surprised to hear of his sudden departure from this world. Ron Winans, second eldest brother of the ten Winans' dynasty, passed away on June 17, 2005 at Harper Hospital in Detroit due to serious heart complications. He was only 48 years of age, and even though he passed away so suddenly, he left behind more than realized. Best known for his graceful vocals on several of the Winans' prominent hits and for co-writing the infamous "Uphold Me", Ronald moved into his own destiny by recording his legendary "Friends & Family" projects. And even though some of those collections are truly hard to find these days since they were independently released, it features some of Gospel's unforgettable moments, all thank to Ron.

Ronald Winans also experienced a breakthrough in 1997 when he was literally brought back to life after suffering a massive heart attack. Since recovering that event, Ron went on the road proclaiming his miracle and speaking of God's goodness over his life while serving faithfully at his brother's church, Perfecting Church; pastored by Marvin L. Winans. PRAYZEHYMN expresses deeply our sympathy to the Winans Family over Ron's sudden departure. We truly will miss him...

The following events have been arranged to celebrate the life of Ronald Winans, courtesy of the Winans Family.

The Family Visitation will take place on June 23rd at 6 PM, followed by a Musical Tribute at 7 PM, at the Perfecting Church in Detroit. On June 24th, there will be a Celebration Service at Straight Gate Church in Detroit at 11 AM. All services are open to the public.

Letters of sympathy to the Winans family can be sent to The Perfecting Church, 7616 East Nevada St., Detroit, MI, 48234. All cards and flowers for the family should be sent to Perfecting Church.

Did God Block It?

"There were dangers awaiting me. Destruction was sure to be, but thank God for angels that were shielding, and protecting and looking out for me. Thank You Lord! The devil had a plan to kill me I know, but God intercepted his plan, and told the devil, NO! GOD BLOCKED IT!"

-Kurt Carr, lyrics to "God Blocked It"

The lyrics are powerful, inspiring and certainly a testament of God's favor and bountiful blessings. And even though God's Word comfirms in John 10:10 that the enemy (Satan) attempts to kill, steal and destroy us, God proves how merciful he is to us all by gracing us with "second chances". Let's be realistic though, God gives us third, fourth, fifth chances and so on.

But the gospel according to Kurt Carr, in chapter 45, verse 7, has comfirmed that God certainly blocked the peanlty of imprisonment in the most recent and scandalous trial of the year against the King of Pop, Michael Jackson. The gospel artist uses his song off of his new album, "One Church", to speak of God's loving kindness towards the odd-ball superstar; even though Carr does believe Jacko to be weird in some ways to normal standards. "Even if "we" thought he deserved it, clearly God intervened and blocked Michael Jackson's demise! I actually feel that God obviously has a work for Michael Jackson to do.", Carr suggests in his press release using the juggernaut promotion outlet of Black Gospel Promo last week.

To some, this statement may be old news, but this week a huge resurgance or a revival of Carr's epistle to the church (and world) has taken place. And it seems like some are not eager to agree with him on this touchy subject. My goodness, anyone in the Church who dares to speak on this issue in public has to be a bold one, for real. It's pretty obvious that half of the country believes the jury was probably in Michael's Fan Club, or had sympathy for his future. And let it be said that Michael, with all of his controversy surrounding his nose jobs, Neverland's akward activity, skin color alterations and his obsession with sleeping with young boys in the same bed, has upsetted a good number of conservative Americans (*cough* the 700 Club, lol). So Carr should have expected such a backlash.

It has come to my attention that Carr is being stomped upon on message boards and blog zones sponspored by our fellow counterparts in the Contemporary Christian music camp. Even though I'm not a member of any of those boards and groups online, I'm pretty sure those accusations are true, even though it's still considered a rumor.

My comment on this: Let's pray for Michael and Kurt Carr both. That's what real believers should do. Even though I feel like Carr thought this would be another way to help market his new project (piggy-backing on someone's fame and fortune - smart campaign move by the way), Carr doesn't need to be condemned for speaking his mind. But at the same time, this is reality. People judge us whether we do good or wrong. So let's just pray for the both of them. And let God's Will be done, on earth as it is in heaven. Good enough for me.

BTW, please don't write me asking for my opinion on Carr's statements about Michael. I got enough "hatemail" as is. LOL.

I've Been 'Buked...

"It's me, it's me Oh Lord, standing in the need of prayer..."

Well, this has been one interesting set of weeks in my world. It all started a few weeks ago when I decided to post reviews of Kurt Carr and Donnie McClurklin's latest projects up on the Beta Page. And everytime I critique' an album, I usually grade it using the "A,B,C,D,F" rating system. Well, I didn't really enjoy those projects so much, especially when compared to their previous collections of music. Since then, I have been 'buked and scorned by people from all walks of life and it doesn't show no sign of stopping. Hey, I can't help I didn't like the albums. There are plenty of albums in the past that I recall giving poor reviews towards, and even though I always tend to highlight even the good on the albums, people fail to see that and aim towards all the negative attention I place on the projects.

I have even gone on the record of stating that I don't review or judge artists. That's not my role. I review albums, CDs...the music. And that's it. But I don't sugar-coat the reviews, nor have I ever claimed to a professional critic. But it's so amazing that when Siskel & Roper review movies and claim they suck, I'm sure they get hated on by the press and movie lovers. But Siskel & Roper are respected individuals, nevertheless, and always tend to rise beyond the negative comments. They review movies for a living, for God's sake. And then when the Dallas Morning News or the Associated Press or VIBE or AllMusic.com release their reviews on albums that pretty much are horrible, they also rise beyond the negative comments.

Having said that, I wonder can I rise from these last few weeks of negative attention. Even though I love negative criticism and don't mind people stating their opinions (I don't even argue back with them) on any issue, I don't like it when they try to "correct me" (and some of them are good friends) and used the Word of God as a way of coaxing me to change. Some have even gone further to say I'm sinning!!! But then when you talk to these individuals behind closed doors (in IM land, in person or on the phone), they will jump up and down about a project that "sucks". They will even laugh at it and call it junk. Doesn't that pretty much remind you of hypocrisy in action.

I believe if I reviewed secular albums for a living in the way that I am, I won't get this kind of feedback. But in the gospel industry, can't we admit that we don't like a certain album?

For my fellow gospel torchbearers, speak the truth, That's all I have to say and let your voices be heard. Sometimes I feel like I'm all alone in this matter. Maybe I am all alone. Everyone seems to want me to be like Gospelflava.com...just speak only good things. Keep your opinions to yourself and speak only the good. (sigh)

BTW, I'm not hating on Gospelflava.com. They are who they are...we all are different. I just tend to embrace my unique capablities even more. I love who I am.

Recently, I have checked out Lou Williams' "award-winning" website (he's gonna kill me for this), and I have noticed that he speaks his mind, even on an album that he doesn't really care for. He will say it, and he has a right to. That's his opinion and he recognizes his right to freedom of speech. I wonder how much hell floats in his e-mail account due to his opinions on certain "low-rated" reviews.

But this is not a battle with me and my fellow industry partners. Instead, this battle is much more personal. I have tossed aside my cares to the Lord...and I know He knows my sorrow. I know I haven't sinned...but I do know I've been 'buked, sho nuff. I feel like Job right now.

"Not my mother, not my father, but it's me, it's me Oh Lord, standing in the need of prayer."

Mercy Mercy Me: The Theology of Marvin Gaye Pt. I

One may not have questioned after listening good to the complete song collection from the genius of the late Marvin Gaye that he had a spiritual side to him. Hailed as being the first son of Motown and crafting a musical style that embodied the energies of sophisticated soul, R&B and pop music, Marvin Gaye never failed in exposing his listening audience to his inward fight with spirituality. And even though it truly has been a mystery to interpret by most music critics, most can draw the conclusion that his faith in God was never a joking matter to his main audience. Even though he was known to divulge into the spiritual realm and express his heart for God, he never succeeded in balancing his involvements with secularism with his spiritual side; which probably resulted in his untimely death on April Fool’s Day, the day before his 45th birthday, in 1984. Find it even more fascinating when you hear that his father Marvin Gay, Sr., whom shot and killed him after a heated argument, was also a licenced minister.

Gaye’s career took on many transitions and transformations that helped explains how Gaye endured with popularity, even while music took on its share of alterations. Even though Gaye embraced the sounds of Nat "King" Cole during his early years at Motown, Berry Gordy, founder and CEO of the independent black music empire, persuaded Gaye to cater more to R&B. The idea worked and helped launch Gaye into a series of hits which included "You’re A Wonderful One", "Stubborn Kind Of Fellow", "Hitch Hike" and "How Sweet It Is (To Be Loved By You)". But even in the midst of all of this, he had the heart and passion to pull out a few, rare spiritual songs in the process, such as the moving rendition of "His Eye Is On The Sparrow" which can be found exclusively on the double-CD project "The Very Best Of Marvin Gaye" (2001). As the Vietnam War escalated with terror and no trace of its conclusion, Marvin indulged himself further into his music; as a way of escaping the realities of the time. All of his crafty escapism eventually failed when he lost his dear friend and duet partner Tammi Terrell with her bout with a serious brain tumor in 1970. Her death left Gaye deeply shaken, but would help usher Gaye into his most prized musical offering ever assembled; "What’s Going On" (1972). This album was a landmark effort which many claim was the re-invention of soul music. It was a social, political and spiritual suite that continues to prove its enduring worth after all these years. But it was his spiritual views that lead this album into its intense posture for change with his urgent address to environmental woes, military turbulence, urban decay and poverty. It seems like every issue of the day was tackled on this one amazing musical offering and Gaye was unashamed of his attempts of dealing with them in his music. "Wholy Holy", a song co-written by Gaye that Aretha Franklin is best known for reintroducing to the world on her "Amazing Grace" project, appears for the first time on here. "God Is Love" reveals Gaye’s love for Christ Jesus in the most compassionate way. "Inner City Blues (Makes Me Wanna Holler)" showcases Gaye’s desire for new direction in the ghetto as he becomes somewhat of a political tour de force on this popular track. Though many will cherish the title cut of all of the offerings here, each song has become as important as the next track. "Mercy Mercy Me (The Ecology)", the environmental conversation piece of the whole project, bears a prayer-like structure to it, even though it never comes off with the intensity of a sermon. These words ring the loudest: "Oh mercy mercy me/Oh, things ain't what they used to be no, no/Where did all the blue sky go?/Poison is the wind that blows from the north and south and east." It speaks of the turbulence of the times, but it is true concern. And what is ironic about the song is its eerie conclusion which floats into a swelling orchestration, with few vocal runs from Gaye. Then it ends as if the song has no answer...mere confusion...total darkness...completely odd. This pretty much proves, of course, that Gaye was genius, but that he also wrestled with his own share of demons and problems inwardly. And that was surely conveyed in his own music.
After that breathtaking album, you see and hear more of Gaye’s spiritual foundations, even in the most unpredictable moments of his musical career.

Remember "Let’s Get It On"? The loosely, seductive composition of all of Gaye’s popular songs? While it floats as a celebration of sex, it unexpectedly runs smack-face into his infatuations with his faith. He then asks his lover if she understands what it means to be "sanctified". This isn’t the only time Marvin gets this charismatic on record.

[MORE ON MARVIN GAYE & HIS SPIRITUAL BATTLES]

USA TODAY:

Michael Eric Dyson reveals more

PBS/TAVIS SMILEY:

Transcript w/ Dyson and Nona Gaye from April 1, 2004

"Preach, Black Man!"

It seems nowadays that the wave of teleevangelism continues to grow in enormous proportions that to many it seems to be a bit over-exhausted. Nevertheless, there are some that bring an urgency of importance to this spectrum of ministry and uses it with an overwhelming abundance of excellence. If you have ever heard the Reverend Jamal Harrison-Bryant preach anything, you have probably giving him your full attention and experienced mixed emotions that promises satisfaction. Of course, jittery emotions doesn't always qualify a sermon or preached message to being of good standards, but Bryant has a way of reaching to the total man: preaching to the soul, encouraging the spirit and strengthening the mind. That is probably why Jamal Harrison-Bryant has become an overnight sensation to many and is the senior pastor of one of the fastest growing churches in the African Methodist Episcopal (AME) denomination. Founded in 2000 with 43 members, Empowerment Temple AME Church, located in Baltimore, MD, went through several transformations which eventually leads up to their new edifice housing 6,000 active partakers every Sunday morning. He also has set an incredible record for his influence on young people and men which makes up the bulk of his church membership.

And even though he talks a good talk, Bryant has an extensive record of being one of America's revolutionary leaders and continues to show forth the evidence thereof which includes working with the NAACP, being recognized in Ebony Magazine and has appeared on CNN, C-SPAN, BET and the controversial "Politically Incorrect" hosted by Bill Maher. And everywhere he goes, he takes a profound message of hope and power that has helped resurrect the teachings of the "social/liberation gospel" which gave way during the late 60s' by legendary theologians of Rev. James Cone and DeOtis Roberts. Many have even compared his teachings and efforts to the likes of the slain civil rights leader, the late Dr. Martin Luther King, Jr.

My experience with this new Kingdom-developer has been quite riveting. After being a eight-year member of the AME Church myself before moving on to where I am today (Baptist, non-denominational) , I took notice to Bryant's achievements and recall interacting with the profound pastor online. His words of encouragement helped me to deal with the oppression of religious structures and degrading traditions that I had to face in church. That message of hope still lives with me today and as I look at Bryant's achievements now, I smile with sheer abundance. He's been on TBN since then and has killed the listening audience (in a good way) at T.D. Jakes' MegaFest in Atlanta. Why should I be amazed? His messages are always uplifting, very spontaneous, always inspiring and helps propel a sense of relief to life's worries and problems. He's very humorous and always seems to have a strong connection with his audience. And even when he's in other cultures and arenas, he always has a word for his black people. That's probably why he has such a mighty effect on urban America and has helped made him one of the key leaders of today's Joshua generation.

In a day when most African-Americans tend to think that the NAACP and the SCLC seems to focus more on mild conversation pieces rather than serious issues, the church is becoming more and more visible in tackling the real matters of the time such as economic stabilization, community development, family empowerment, moral awareness and HIV/AIDS research. And if you are looking for that kind of message, Jamal Harrison-Bryant has a word for you....and as he always adds into his oratorical deliveries, you are bound to reply to these words, "Preach on, black man!".

[LINK UP]

Empowerment Temple AME
Jamal Harrison Bryant Ministries
www.empowermenttemple.org

Mega-Fest 2005
www.mega-fest.com

Oh Happy Day: Let's Celebrate...

Finally, my waiting days are over.

Reverend Timothy Wright, the Godfather of Gospel Music, has put out yet another winner with "Let's Celebrate (He Is Risen)" on Atlanta International Records (AIR Gospel) with the New York Fellowship Mass Choir (gloria). After hearing small snippets and samples of each song on the Internet, I am very confident that this project will take me on through the rest of this year with a great shout.

BTW, check out Wright's cover of the old-time favorite "How I Got Over" (which you can find on his "The Best Of Timothy Wright" compilation also on AIR Gospel. The renditon is quite the charm. Get ready to hear the title cut on every Sunday morning also...this is just a dynamic, choir-friendly masterpiece.

The review and song peeks will be posted on the BETA page next week.

Timothy...you done it again. Kudos.

AIR Gospel:: Website
www.airgospel.com